与当红偶像团体Pure比起来，同为少女组合的Pink Dolls前景一片黯淡，不仅积分垫底，同时还面临着解散的命运。此外，该团体内部也是矛盾重重。领队银珠（咸恩静 饰）出身伴舞，加上年龄稍长，颇为珍妮（陈世妍 饰）、阿琅（崔雅拉 饰）、申智（金美达妮 饰）其他3名成员所不屑。某天，Pink Dolls搬到新的练舞室，银珠偶然在玻璃墙后发现一盒题为“White”的音乐录影带，她为屏幕上那模糊的舞蹈与歌声所感染，而Pink Dolls的老板也从中隐隐感到《White》的魅力，于是将其作为银珠等人的新曲推广。
最终，Pink Dolls凭借《White》以及极具魅惑力的舞蹈实现败部大复活，名气也迅速窜升。然而在这一过程中，Pink Dolls的成员仿佛陷入莫名的诅咒之中……

由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现，“过去”设置在恐怖故事“狐狸窟”，“现在”聚焦在路怒症Road Rage，“未来”段落围绕人工智能“机械力”。向观众展现不同的元素，释放不同恐怖刺激时本片的内容和目标。

Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)