2020 film directed by Alessandro Lunardelli

1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

En 1946, Alberto Manzi tras regresar de la Guerra busca trabajo como maestro, una tarea nada fácil ya que carece de recomendaciones. Finalmente encuentra un trabajo que nadie quiere, como profesor en un reformatorio de la ciudad. A sus alumnos no les interesa aprender y Alberto tendrá que ganarse su confianza.

On their first day of work as dog sitters, Rana and Marti suffer the theft of the French bulldog who was entrusted to their care by a wealthy lady. A fast-paced comedy full of hair-raising situations with cult potential that has plenty of surprises in store. The very own world of the Roman suburbs, which is rarely honored in cinemas, is also captured convincingly.

Toni Chichiarelli arrives in Rome with the dream of becoming a painter, but his talent leads him elsewhere — from art galleries to state secrets. Between art, crime, and power, his signature ends up everywhere — even in the history of Italy.

Lucio (Edoardo Pesce), conduttore di una nota trasmissione radiofonica, spigliato, brillante e dalle idee progressiste, è sposato con la bella Elena (Valentina Lodovini), insicura ed emotivamente dipendente del marito. I due hanno un’armoniosa famiglia allargata (che include la prima moglie ed una figlia di Lucio) ed un unico figlio: Blu (Daniele Scardini), 9 anni, che adora vestirsi da femmina, ed è libero di farlo, col permesso di mamma e papà, solo quando è a casa. In occasione della recita scolastica, però, il bambino vuole a tutti i costi indossare il costume della Sirenetta: i suoi genitori, divisi tra il desiderio di assecondarlo e quello di proteggerlo, saranno i primi a dover riconsiderare la loro apertura mentale e a intraprendere un percorso di consapevolezza e accettazione, in cui saranno accompagnati da un gruppo eterogeneo di coppie di “Genitori Unicorni”, guidato da un’accogliente psicologa (Michela Andreozzi).

It is evening. Tarek is seventeen years old and is on his way to see his friends, who have asked him on the telephone to pass by the park first and buy a few grams of dope: nothing much, just enough for some fun. The boy buys the stuff in the dark park, but when he emerges finds that someone has seen him: a policeman in plain clothes, sitting in his own car. The man could simply confiscate the hash, intimidate him a little and then let him go, or he could decide to take him to the station and call his parents. But he opts for neither of these things. He tells the young man to get in the car and starts the engine. Where does he want to take him? The policeman is ambiguous, mysterious. What does he want from the teenager? Tarek is in check, he can’t just leave. The policeman makes him stay with him the whole night, driving around in apparently aimless fashion, stopping first in one place, then in another. If at certain moments he seems kind and understanding, at others he displays a menacing side. Slowly it becomes clear that he is not well. His brain is in overdrive, it’s a runaway train with no brakes... And Tarek is on this train with him.

十八岁的阿涅丝与虔诚的母亲生活在一起，恪守当地教会纪律，誓保婚前处子之身。斯特凡诺二十五岁，年少时吃过不少苦，如今在毗邻吉普赛人聚居区的停车场当守卫。不仅工作艰辛，而且他的家人即将被驱逐出境，亟待他的帮助。对立立场的两人因命运的邂逅而擦出爱的火花，却不得不因此面临众多重要抉择。尤其是对阿涅丝来说，选择更加艰难。

The story of a young mother with a failed marriage behind her, who fights daily for her dream to open a hair salon, challenging her fate in an effort to free herself and gain independence and right to happiness.