梅拉尼·罗兰将自编自导一部由女性主导的年代惊悚片[疯女人的舞会] (暂译)。本片将根据Victoria Mas的小说改编，聚焦一位在萨尔佩替耶病院被不公正地收容并设法逃脱的女人的故事。在19世纪末的巴黎，当时被认为过于叛逆或难以相处的女人常被贴上疯子和体制化的标签。那些被诊断患有不同类型神经系统疾病的女人被限制在萨尔佩替耶病院。每年，医院都会和病人一起举办一场盛大的舞会，吸引到巴黎的精英。这是一个可以看见与被看见的地方。

《伪君子》《吝啬鬼》《恨世者》……莫里哀的作品构成了鲜活又辛辣的社会风俗画，也以高级喜剧的典范地位屹立于世界戏剧史上。
以莫里哀及其作品为灵魂的法国老牌国家剧院法兰西喜剧院2017年复排《恨世者》，导演克莱芒·埃尔维尤-莱热以全新视角解读这部古典主义喜剧代表作，力图扎根于当代，激发经典之中的生命力。他重新设置了舞台，放弃原著中沙龙的舒适环境，而将构成社会缩影的八个角色放置在一个正在装修的豪宅的外部开放空间中，喻示着剧作与现实的连通。
在《恨世者》中，阿尔赛斯特爱上了活泼又轻佻的交际花赛丽曼娜，希望获得她真挚专注的感情，却遭到了赛丽曼娜的拒绝。在虚伪的上流社会中，坦率甚至尖刻的阿尔赛斯特显得格格不入，而他对爱情和社会抱有的不切实际的理想主义，更使他变得像一个笑话。创作于17世纪的《恨世者》让人们看到当时法国贵族社会在挣脱了宗教枷锁后，如何臣服于欲望，在伪善与勾心斗角中沉沦下去。

富商奥尔贡和他的母亲收留了流浪汉答尔丢夫，两个虔诚的信徒不顾家人劝说，把他奉为教会圣徒与座上宾，等到答尔丢夫勾引其妻、夺其家财的真面目暴露，才意识到这个闯入者已经把家里搅得天翻地覆……
作为莫里哀讽刺意味最强的一部作品，《伪君子》在1664年首演结束当天即被叫停修改，在天主教权与路易十四的王权角力之中，上演过程也几经波折。时值莫里哀诞辰400周年之际，近年以《罗马悲剧》《桥头风景》等一系列颠覆性经典改编征服英美主流剧场的导演伊沃·凡·霍夫，再度携手法兰西喜剧院，这一次他将回到只有三幕的《伪君子》原始版本，奥尔贡和妻子埃米尔的关系成了核心，在对家庭关系与精神信仰进行赤裸的批判和审视之外，又留有很多阐释和想象的空间。

影片展示了一个非常不同的美好时代的巴黎。1899年，法国总统逝世，反犹主义突出，国家动荡。为了恢复巴黎的秩序，警局局长将与一位腐败的警察、一位雄心勃勃的年轻侦探和一位被征召为间谍的前总统情妇交手。本剧基于真实历史事件改编，多个剧中角色均为真实历史人物。

改编自维斯康蒂电影《纳粹狂魔》。讲述1933年德国纳粹盛行时期，一个钢铁家族的衰落和消失。这个家庭里充满仇恨和杀机，老爷一夜被杀，继而各个家庭成员为了夺得这份财产，进行了你死我活的较量。

Set in New York City in 1985, Act One of Millennium Approaches introduces us to the central characters . As the play opens, Louis Ironson, a neurotic , gay Jew learns his lover, WASP Prior Walter, has AIDS . As the play and Prior's illness progress, Louis becomes unable to cope and moves out. Meanwhile, closeted homosexual Mormon and Republican law clerk Joe Pitt is offered a major promotion by his mentor , the McCarthyist lawyer Roy Cohn . Joe doesn't immediately take the job because he feels he has to check with his Valium -addicted, agoraphobic wife, Harper, who is unwilling to move. Roy is himself deeply closeted , and soon discovers that he has AIDS .

As the seven-hour play progresses, Prior is visited by ghosts and an angel who proclaim him to be a prophet ; Joe finds himself struggling to reconcile his religion with his sexuality ; Louis struggles with his guilt about leaving Prior and begins a relationship with Joe; Harper's mental health deteriorates as she realizes that Joe is gay; Joe's mother, Hannah, moves to New York to attempt to look after Harper and meets Prior after a failed attempt by Prior to confront Hannah's son; Harper begins to separate from Joe whom she has depended upon and finds strength she was unaware of; and Roy finds himself in the hospital, reduced to the companionship of the ghost of Ethel Rosenberg and his nurse, Belize, a former drag queen and Prior's best friend, who meanwhile has to deal with Louis's constant demands for updates on Prior's health. The subplot involving Cohn is the most political aspect of the play. Portrayed as a self-loathing, power-hungry hypocrite, he prides himself on his political connections and influence, which he has amassed through decades of corruption. In the play, he recollects with pride his role in having Ethel Rosenberg executed for espionage . As he lies alone in the hospital, dying of AIDS, the ghost of Rosenberg sings him a Yiddish lullaby and then brings him the news that the New York State Bar Association has just disbarred him, destroying his final hope of dying as a lawyer. The play ends on a note of optimism. After his friends procure for him a stash of AZT , in 1990 Prior is still alive and is managing to live with AIDS. With his friends, he looks at the statue of an angel in Bethesda Fountain and talks of the legend of the original fountain, and how it will flow again some day. The play is deliberately performed so that the moments requiring special effects often show their theatricality. Most of the actors play multiple characters ( eg, the actor playing Prior's nurse also appears as the Angel). There are heavy Biblical references and references to American society , as well as some fantastical scenes including voyages to Antarctica and Heaven , as well as key events happening in San Francisco and at Bethesda Fountain in Central Park .