Germany in 1946. Hunger, rubble, and homecoming soldiers. Young Charlotte is pregnant, but her beloved Ludwig does not want her or his child when he returns. To win him over and escape the threat of disgrace, she enrolls in the "Fräulein Course" taught by actress Gloria Deven, who was an aspiring movie starlet under fascism and is now banned from working. The word on the street is that the course teaches you how to win over and keep any man. But Gloria, with her merciless teaching, is not interested in reviving the girls' coquetry that had fallen fallow during the war. Instead, she awakens in her students, a longing for something that has been denied them for too long: Freedom.
She creates a collective from the insecure women, one that radically opposes patriarchy. A utopia even seems possible, but then the wounds of the past resurface.
This film does not aim to be a history film; it does not depict any alleged reality. Instead, TRÜMMERMÄDCHEN uses the historical context to deal with a subject that could not be more topical, and in doing so asks the question of why patriarchy reasserted itself so quickly in Germany, which was rebuilt by women, after all.

玛莎现在很开心，她有自己的家庭，拥有一个知根知底并且无比信任的男人——保罗。他们生活在一起，每天都会分享着属于他们的事情。更重要的是，玛莎对未来的事，自信满满。
　　可是有一天，两个警察出现在了玛莎的家门口，带走了和她生活多年的保罗。原来，保罗只是玛莎心中的一个幻影而已。转瞬之间，玛莎的生活完全崩塌，而玛莎本人也陷入了对生活的极大的不信任中。
　　接着，玛莎碰到了亚历山大。亚历山大的到来填补了玛莎心中对保罗的...
　　第61届柏林国际电影节(2011)　 欧洲院线奖　 扬·施姆堡