不管这导演嗑了什么很纯的，全部都要给你来一点！在澳洲这座曾经被称作「无主之地」（Terra Nullius）的大陆，历史以前所未见的观点重新诠释：当《疯狂麦斯》末日场景成为难民拘留地，食人羊成为反殖民叛乱份子，《沙漠妖姬》与电视剧《请喜欢我》有了跨时空的酷儿对话……本片以近似DJ取样混音之拼贴手法，打开了虚构与史实间的神秘黑洞，大量援引电影名场景与历史典故，穿越时空与各种语境，重写、改写、乱写，全面毁坏观众的三观！这是一部政治复仇预言，杂揉讽刺喜剧、生态恐怖与公路电影类型，写下澳洲国族神话从未被纪录的史诗篇章。

Assembling hundreds of film clips and media images, artist duo Soda Jerk creates a startling narrative about the changes undergone by American society since Trump, while relishing in reflecting on contemporary cultural values.
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Through a re-imagining of the initial sequence of the film The Wizard of Oz (1939), the fantasy world of cinema and the reality of Judy Garland’s complex life collide. Instead of taking Dorothy to Oz, the twister transports a young, hopeful Garland into the future where she encounters her disillusioned adult self.

In this gothic melodrama, Joan Crawford and Bette Davis perpetually wake to find themselves haunted by their own apparitions and terrorized by markers of time. Isolated in their own screen space, each woman struggles to reclaim time from the gendered discourses of aging that conflates older women with a sense of expiration and invisibility.

A collaboration between Soda_Jerk and The Avalanches.