《就是屌》赢得了2006年水星音乐奖与2007年全英音乐奖“最佳英国专辑”。

《偉大日常》是英國搖滾樂團酷玩樂團的第八張錄音室專輯，於2019年11月22日釋出。這是一張雙碟專輯，專輯由兩部分組成：前半部分的《日出》和《日落》。

All the Lost Souls is the second studio album by James Blunt, released on 17 September 2007. It is the follow-up to his hugely successful 2004 debut album, Back to Bedlam.

Nowhere seems to hold consensus as the second-best record of the shoegaze era, and with very good reason. All of the common words, phrases, and adjectives commonly used with the short-lived subgenre fit properly here, and they're all positive, every one of them. Whir, whoosh, haze, swirl, ad nauseum -- this record holds all of these elements at their most exciting and mastered. But in the end, great pop records necessitate quality songs, which Nowhere delivers throughout. Undeniably, it's Ride's zenith -- dense, tight, hypnotic. "Seagull" serves as a dynamic opener; after a couple seconds of light feedback, bassist Steve Queralt kicks in with a rubbery, elliptical line (reminiscent of a certain Beatles song), which is soon followed by Andy Bell and Mark Gardener's guitar twists and Loz Colbert's alternately gentle and punishing drumming. After the upbeat "Kaleidoscope," the record falls into a tempo lull that initially seems impenetrable and meandering. However, patience reveals a five-song suite of sorts, full of lovely instrumental passages that are punctuated with violent jabs of manic guitars. The endlessly escalating "Polar Bear" is a high point, featuring expertly placed tom rolls from Colbert. The tempo picks up for the closing "Vapour Trail," a wistful pop song with chiming background guitars galore and mournful strings to close it out. The U.S. version was bolstered significantly with the remainder of the Fall EP ("Dreams Burn Down" having reappeared earlier in the record). "Taste" is one of their finest pure pop numbers; the moody/driving "Here and Now" rates well, and the five-minute "Nowhere" is a nasty distorto-freakout. [Nowhere was remastered and reissued by Ignition U.K. in 2001. Added to the 11 tracks featured on Sire's U.S. edition are the four selections from the equally wondrous Today Forever.]

The Boy With No Name is the fifth studio album by the Scottish rock band Travis.
The name of the album came about when lead singer Fran and his partner Nora were deciding on a name for their newly born son. During this time, Fran sent a photo of his son to friend by email and labelled the photo "The Boy With No Name". Fran revealed this on the The Chris Moyles Show during an interview.

Adult Alternative faves follow their surprise hit debut with another album of portentous clichés and earnest singing.

Japanese edition of the band's first hit single from 1993,backed with three non-album tracks: 'Yes I Am', 'Blow Out'(Remix) and a live version of 'Inside My Head' recorded at the Cabaret Metro in Chicago. Standard jewel case. EMI release.

Artist：Muse
Album ：The Resistance
Date ：2009.09.14
Label ：Warner Bros
Style ：Alternative Rock、Progressive
Myspace：
Mojo杂志：Goldfrapp穿上重型摇滚的外套。
NME杂志：Marilyn Manson式的华丽摇滚唱腔。
《The Resistance》录制于意大利的科莫湖和米兰市。作为Muse乐队第五张正式录音棚专辑，它距离乐队上一张专辑《Black Holes And Revelations》的发行已经时隔三年之久。在这次备受期待的新专辑里，乐队主唱Matt Bellamy(马特-贝拉米)为了强调作品的概念，他还亲自编写了一部分为三段的交响乐《Exogenesis》。由于他并非弦乐编写专业出身，此次交响乐的编写花费了它大量的时间和精力。

当Oasis面对媒体说，“从《Dig Out Your Soul》开始我们已经不在是一只Britpop乐队”时，所有人都想知道这回这支老牌的英伦乐队打算做出怎样的尝试和改变。但实际上他们永远无法摆脱Brit-pop的气息，或许这种气质早已渗透入他们的血液。
你只能说，Oasis可以变的不像Britpop，时代的变迁，音乐技术，音乐理念的变迁，你最多只能让自己少一些Britpop的束缚，而无法全部抛弃。当你听完《Dig Out Your Soul》后，你会发现Oasis又精进了不少，电子元素的活用，每一首歌都会给你来一个超级大震撼。歌曲旋律的复杂安排，丰富透彻的展示了Oasis的功力仍然是宝刀未老

经过第一张同名专辑后，Placebo延续90年代另类摇滚的传奇（Smashing Pumpkins等前辈），获得了乐迷的肯定。在这第二张专辑《Without You I'm Nothing》中，他们混合了70年代的两个风潮：Glam Rock和Punk。Stefan Olsdal的贝斯和Steve Hewitt的鼓为Placebo制造了紧迫而具张力的节奏部分。当然乐队的焦点依然是宛如雌雄同体的歌手兼吉他手Brian Molko。当然从声音上辨认，我们依然可以听到很传统的另类摇滚风格。因此Brian Molko更多的魅力是来自音乐以外。或者在现场，他会展现更多的魅力。毕竟，摇滚音乐的魅力依然是集中在现场上的。
不要以为， Brian Molko是虚有其表的绣花枕头。第一张专辑的全部作品都是出自他手；而新专辑中他也依然负责全部的歌词写作。专辑作品以典型的另类摇滚快歌为主。开场篇 Pure Morning是一首自我宣言式的歌曲。Celebration of Friendship with Women》则注定是一首优秀的单曲作品。Brick Shithouse合并了90年代的电子摇滚风格和Sonic Youth式的Punk吉他。You Don't Care About Us让人重拾80年代的吉他流行曲感觉。在包容了大量的风格之下，《Without You I'm Nothing》必定可以获得广大乐迷的欢迎。

Be Here Now is the third studio album by the English rock band Oasis. Released in August 1997 the album was highly anticipated by both music critics and fans as a result of the band's previous worldwide successes with their 1994 debut album Definitely Maybe and its 1995 follow up (What's the Story) Morning Glory?. The album's pre-release build up led to considerable hype within both the music and mainstream press. At that point, Oasis were at the height of their fame, and Be Here Now became the United Kingdom's fastest selling album to date, selling over 420,000 units on the first day of release alone, and over one million within two weeks. As of 2007, the album has sold 8 million copies worldwide.

While this sophomore release is unmistakably Arctic Monkeys, everything's a little more muscular and aggressive. Each song is embedded with revelatory moments, as if some sort of critical mass is achieved through skillful song craft and sharp arrangements until an explosive release of energy or emotion is inevitable. Arctic Monkeys have exceeded expectations with this record.

Oasis were an English rock band formed in Manchester in 1991. Developed from an earlier group, the Rain, the band originally consisted of Liam Gallagher, Paul Arthurs, Paul McGuigan, and Tony McCarroll.

The King of Limbs is the eighth studio album by English alternative rock band Radiohead, produced by Nigel Godrich. It will be released on 19 February 2011 as a download in MP3 and WAV formats, followed by a physical CD release in the UK on 28 March [1] and a special "newspaper" edition on 9 May 2011.[2] The "newspaper" edition will contain "two clear 10-inch vinyl records in a purpose-built record sleeve, many large sheets of artwork, 625 tiny pieces of artwork, a compact disc, and a full-colour piece of oxo-degradable plastic to hold it all together".[3]
The album was announced on Radiohead's website on 14 February 2011, five days before release.[4] The name of the album possibly refers to an oak tree in Wiltshire's Savernake Forest, thought to be 1,000 years old.[4] The tree is a pollarded oak, referring to an ancient technique for harvesting timber for fencing and firewood. Though it does not feature on maps, the tree is said to be 3 miles (4.8 km) from Tottenham Court House, where Radiohead recorded part of their previous album In Rainbows.[5]

一个好友推荐我听Thirteen Senses的首张大碟的时候，兴奋地说比去年英伦新锐团体Keane还动听，于是找来这张唱片。去年因为Keane以钢琴替代吉他的新鲜之举大获成功之后，我也猜想英国必定会有类似的团体跟着发片，果然就来了这队Thirteen Senses。对他们的背景不算了解，网络里也一直没有得到更全面的资讯，去年9月发表首张专辑《The Invitation》的这队英国新团，似乎还没有引起更广泛的关注。
因为之前有朋友拿来与Keane相比，听的时候也就不那么客观。其实Thirteen Senses这样的乐队，若没有Keane在之前那么风光，的确有望进入2004年英国一线。不过有了Keane在商业上的成功，Thirteen Senses的歌曲就显得不那么流行了。他们的音乐在制作上将钢琴做为主要的Groove进程元素，不知道是不是受到Keane的启发，不过象类似的编曲之前也有惨兮兮的Starsailor，只是Thirteen Senses在吉他方面的表现仍旧会让人觉得他们是一支不折不扣的吉他乐队。虽说他们的歌曲不那么流行，但绝对悦耳清新，也因少有过于易记的旋律反而会令人在听觉上不容易疲劳。相比Keane的过耳不忘来，Thirteen Senses更耐听。主唱的歌声会令我想起那队不太有建树的Geneva来，英国腔调在indie乐迷来说，无论唱成什么样都会觉得亲切，更何况Thirteen Senses的歌声那么单纯清澈。音乐中松弛的节奏，悠扬美艳的吉他，绝对不容indie乐迷错过。
女朋友跟我一起听，说每次听的感觉都有所不同，因为Thirteen Senses的歌声并不象keane那般惊艳，反而会令人平均地注意到整体乐队的表现，每次聆听都会被新的细节感动。要说有些作品也不失波澜壮阔的感觉，只是没有表现的那么嚣张，而是更多内敛。
如果说Keane的成功会令人对他们下一张专辑的期待值过高的话，那么Thirteen Senses的这张唱片，只会让你更平静地等待他们的新作问世，是否有突破都不重要，没有大卖的热门歌曲，也就不会招来附庸风雅的弄潮听众。或许这也是一种绝好的结果。
顺便说一句，Thirteen Senses的主唱也是一张娃娃脸，太多与Keane的相似之处，难免我的朋友会那么介绍他们了。他们的不同，自有听者去品味。

Ladies and Gentlemen We Are Floating in Space is the third studio album by English space rock band Spiritualized, released on 16 June 1997.

最初，Blur是众多Stone Roses时期的英国乐队之一。风格属于迷幻的流行吉他（psuedo-psychedelic guitar-pop），只是没有嘈杂的吉他。随着90年代初期翻唱风的盛行，小组成为英国最受欢迎的乐队之一，并奠定其继the Kinks, the Small Faces, the Who, the Jam, Madness, 和the Smiths之后英国的guitar-pop风格的继承人的地位。在这个过程中，小组创立了一种被称做Brit-pop的新的风格。乐队歪曲的歌词及对英国流行风格的准确把握使其成为了Brit-pop的领头人。但是Blur很快就几乎被运动限制住了；因为他们使最主要的乐队，所以当运动进行不下去时乐队也几乎支撑不下去了。通过一些混合了indie-rock和lo-fin的重新创作，在90年代末，作为一支art-pop乐队，Blur重新振作起来并在97年在美国取得了巨大的成功。不过乐队以前的风格还是在英国保留了下来。通过巧妙的为本国的流行风格注入新的元素，他们重新振兴了guitar-pop并将它带入了90年代。
Blur在1989年组建于伦敦，最初起名为Seymour. 经过了大量的演出并录制了一盘样带后，乐队签约于EMI的子公司--Food唱片，并在公司负责人的建议下将更名为Blur.
第一首单曲 "She's So High" 和随后的There's No Other Way 分别登上Top 50和Top Ten。这两首歌都被收录到首张专辑 Leisure 中。虽然这张专辑受到了赞许并未当时死气沉沉的曼彻斯特的流行乐坛带来了新鲜空气，一些记者仍然认为乐队是包装出来的青春偶像而不予理睬。在随后的两年中，Blur 一直在努力摆脱第一张专辑的影子。
在1992年推出的单曲 " Pop Scene " 是 Blur 第一次尝试改变他们的音乐路线。这首歌的风格更加朋克，曲调更加紧凑和吸引人。不过 Blur 在 " Pop Scene " 中的成长并不适合英美1992年的流行风格，因而遭受惨败。随着单曲在商业上的失败，Blur开始准备他们的第二张专辑Modern Life Is Rubbish。
经过了一年半的反复录制。Modern Life Is Rubbish在1993年五月推出. 秋季在美国上市。这张专辑在英国受到好评，最高排名15，但是仍然没能在美国引起反响。
Modern Life Is Rubbish是Blur出片史上的一次艰难旅程。在1994年四月，Parklife面市了。这张专辑排行榜首并使乐队迈入了演员的行列。新的舞曲风格的单曲"Girls and Boys"在英国登上了排行榜第五名，在美国为52名，而专辑则根本榜上无名。
随着Parklife的成功，Blur为英国的indie-guitar乐队开辟了一条道路。这些乐队（Oasis, Elastica, Pulp, the Boo Radleys, Supergrass, Gene, Echobelly, Menswear等）成为了英国90年代中期乐坛的主宰。在1995年初，Parklife获得三白金并成为了巨星。在95年上半年，乐队着手录制第四张专辑。并推出了选自专辑的新的单曲"Country House"。这是为了与其对手Oasis新推出的单曲“Roll with It"对抗。虽然他们赢了这场单曲大战。但并不是最终的赢家。在1996年初，Blur的新专辑The Great Escape只卖出了一点点。尤其是在其再一次的冲击美国市场失败之后，Blur成了过时货。而Oasis已经大获全胜。
面对媒体的不利宣传和公众的不支持, Blur在1996年初几乎解散.但是他们决定暂时离开闪光灯一年.在一年结束之后,Albarn宣布他不再对英国音乐感兴趣,而是迷上了美国的indie-rock.这些影响在Blur 的第五张专辑Blur中表现了出来.这张在1997年2月推出的专辑并没有在英国受到热烈欢迎. 专辑及其主打歌曲 "Beetlebum"一推出即登上了冠军的宝座,但是不久就迅速的下滑.因为小组的大部分听众并不完全接受他们的新形象.但是乐队改头换面的新形象为它在美国赢得了听众.在那里Blur受到热烈关注并开始走红起来.这在很大程度上归功于单曲 "Song 2"的走红.墙内开花墙外香,Blur在美国的成功最终又补给到了英国.到了1999年春天,专辑排名第13了.

双CD，CD1是加料版的Sleeping With Ghosts，添加曲目为法语版protect me from I want, 也就是Protège-Moi。
CD2为COVERS，曲目都是不常见的。

2008年6月，电台司令发行创团以来的首张精选大碟《Radiohead : The Best Of》，此张精选大碟网罗了乐团在1992-2005年间于EMI唱片公司旗下所发行的6张专辑中的畅销单曲，招牌作与演唱会中最受欢迎的歌曲，包括：〈Creep〉、〈High And Dry〉、〈Paranoid Android〉、〈There There〉、〈No Surprises〉、〈Pyramid Song〉、〈Street Spirit (Fade Out)〉、〈Karma Police〉、〈2+2 = 5〉、〈Just〉、〈Fake Plastic Trees〉、〈My Iron Lung〉等12首英国金榜TOP30畅销单曲，还有电影【香草天空】的开场主题曲〈Everything In Its Right Place〉跟1995年为援助战区儿童组织“War Child”所创作的义唱歌曲〈Lucky〉。

无疑Suede是近乎完美的乐队.有好听的歌,有足够多的话题跟新闻,有资历,有阅历.10年来的这张单曲集,对他们有感情的人一定会带着很复杂的心态在听.毕竟Suede已经改变了太多.从最初的So Young,到风光无限的Beautiful Ones,以及内敛的Wild Ones,每个时期的Suede都作出了不可多得的精品.这样的乐队选择告别,也许正当时吧.