Just in case you feel an urgent need to dance, here's some Soukous from 1988...
Zitany Neil - Marcory Gasoil
https://www.youtube.com/watch?v=YKmwh2GymMA
Just in case you feel an urgent need to dance, here's some Soukous from 1988...
Zitany Neil - Marcory Gasoil
https://www.youtube.com/watch?v=YKmwh2GymMA
Sam Mangwana – Georgette
https://amf.didiermary.fr/sam-mangwana-georgette/
“Georgette Eckins” on album “Sam Mangwana et l’African All Stars” released in 1978, when the band was rising.
Los Camaroes
https://amf.didiermary.fr/los-camaroes/
Los Camaroes emerged at the end of the 1960s from the town of Maroua in the northern, predominantly Islamic area of Cameroon. After changes in name, in lineup and in management, they worked their way south to the capital to make a name for themselves; […]
Souzy Kasseya – Le Téléphone Sonne (1983)
https://amf.didiermary.fr/souzy-kasseya-telephone-sonne/
Early 80’s Classic Soukous with Souzy Kasseya (Kaseya Suzy Seyo Souza) and “Le Téléphone Sonne.”
Spotted by Joseph Kabasélé aka Grand Kallé, he joined the relaunch of African Team, a short-lived orchestra created in 1969 in Paris, that included at the time Jean-Serge Essous, Manu Dibango and many more. This talented and eclectic artist became […]
Ray Lema – Marabout (Lyolela)
https://amf.didiermary.fr/ray-lema-marabout-iyolela/
The song “Marabout” is from the album “Medecine” in 1984.
This track is referenced as having two drummers: Boffi Banengola and Tony Allen.
"Alefa Madagascar" is a compilation of songs from 1974–1984; Malagasy musicians fusing foreign pop sounds with indigenous sensibilities.
Think of it like the UK in the 1960s, when British musicians were eating up American R&B, blues, and soul and echoing back their takes.
from mstdn @blogamf
https://amf.didiermary.fr/alefa-madegascar/
#Madagascar #Music #Salegy #Soukous #Soul #Antsa
#Malagasy #HalfHeartedFanatic
Kanda Bongo Man – Malinga
https://amf.didiermary.fr/kanda-bongo-man-malinga/
Bongo Kanda (born 1 January 1955), aka Kanda Bongo Man, is a Congolese Soukous musician and singer. His career debuted in 1973 when he became the singer for the Belle Mambo band, developing a sound influenced by Tabu Ley. […]
Mbote Na Beno Vol. 1-3
https://amf.didiermary.fr/mbote-na-beno-vol-1-3/
The 3 volumes of “Mbote Na Beno” (Hi there! when greeting a person in Kikongo language) are compilations of Congolese music by NoForm: Production, a Swiss label by “La Société des Ambianceurs” (see also La Sape, Société des Ambianceurs et des Personnes Elégantes), to relay their work and eclectic projects.
Each compilation contains a mix […]
Pamelo Mounk’a – L’argent appelle l’argent (1981)
https://amf.didiermary.fr/pamelo-mounka-argent-appelle-1981/
Grand classique issu de la période solo (hors Bantous de la Capitale) et parisienne de l’artiste Pamelo Mounka (ou Pamelo Mounk’a).
Ce titre a été repris par de multiples autres artistes depuis sa création.
Nyboma & les Kamale Dynamiques
https://amf.didiermary.fr/double-double-nyboma-kamale-dynamiques-zaire/
Orchestre Kamale (aka “Kamale Dynamiques”) was formed in 1975 by singer Nyboma Mwan’dido with members of Orchestre Lipua-Lipua, where he was a singer from 1973 to 1975 and where he had his first hit “Kamale”.
Orchestre Kamale didn’t last very long and split up in 1978.
🎷🎶 « La fabrique de la sono mondiale. Des musiques africaines face à l’impérialisme culturel »
Le réseau thématique 14 « Sociologie de l’art et de la culture » organise prochainement un temps d’échanges avec Arielle Nganso, autour de son ouvrage :
Au cours des années 1970, la rumba, le soukous et le makossa forment une « sono mondiale » dont la circulation entre les continents est lourde d’enjeux politiques. Dans un contexte postcolonial fortement marqué par la persistance d’un impérialisme culturel français, leur renommée dépasse les frontières de l’Afrique centrale pour s’exporter en Europe et en Amérique, grâce à la popularité d’artistes comme Manu Dibango.
Cet ouvrage raconte la singulière histoire de ces musiques urbaines. De l’effervescence culturelle post-Mai 68 à la diffusion du jazz afro-américain, en passant par la promotion intéressée par l’État français d’une world music francophone, Arielle Nganso met en lumière les facteurs qui ont concouru à leur large diffusion et les logiques impériales qui l’ont structurée.
Elle souligne les grandes difficultés rencontrées par ces musiciens pour produire et diffuser leur art en France : se heurtant notamment à une conception exotisante de leur musique, ces derniers ont été contraints de la formater aux attentes des oreilles occidentales. Enfin, elle réinvestit la question de la restitution des œuvres d’art africaines, en y intégrant le champ musical.
🗓️ Mardi 16 décembre 2025, de 14h à 16h
📍 CNRS Site Pouchet, 59-61 rue Pouchet, Paris 17e - Salle 124
Éditions Amsterdam : https://www.editionsamsterdam.fr/la-fabrique-de-la-sono-mondiale/
RT14 : https://rt14.hypotheses.org/2358
@cnrs @cnrsshs @shs @mate_shs_cnrs @sociology
#AFS #sociology #africa #culture #music #rumba #soukous #makossa #imperialism #worldmusic
African System Orchestra – Bad Friend
https://amf.didiermary.fr/african-system-orchestra-bad-friend/
Hybrid of Soukous and Highlife, courtesy of Cameroonian guitarist Tambwe Dongo Pecos and his band African System Orchestra that started playing in Nigeria…
Alefa Madagascar
https://amf.didiermary.fr/salegy-alefa-madagascar/
“Alefa Madagascar: Salegy, Soukous & Soul from the Red Island 1974-1984,” the first compilation to document the unique music culture on the island during the ‘70s and ‘80s.
Originating as far back as the 15th Century through folkloric ceremonial music and an a cappella chanting style called antsa, salegy emerged as a fast-tempoed local dance […]
#70smusic #80smusic #Compilation #Madagascar #Soukous #Blaugust
African Melody – 50 ans
https://amf.didiermary.fr/african-melody-50-ans/
Au Tchad, l’un des groupes musicaux mythiques du milieu des années 1970, African Melody (ou Melodie), a célébré son cinquantenaire en fin d’année 2024.
African Mélodie a vu le jour en novembre 1974 au bar la Concorde à N’Djamena. Sous l’influence de groupes congolais comme OK Jazz de Franco ou Afrisa International de Tabu Ley, […]
Tchico Tchicaya – The Golden Voice
https://amf.didiermary.fr/tchico-tchicaya-golden-voice/
“The Golden Voice of Africa” is the nickname of Denis Pambou Tchicaya (aka Tchico Tchicaya), Congolese songwriter, guitar player and arranger, born near Pointe-Noire.
Between 1972 and 1976, he’s part of Les Bantous de la capitale, one of the main orchestras during this period, where he’s one of the solo singers.
[…]
Maurice Poto Doudongo – The Lost Album
https://amf.didiermary.fr/maurice-poto-doudongo-the-lost-album/
During the 80s in Brussels, a Congolese musician, Maurice Poto Doudongo, starts musical experimentations, after working with Zaïko Langa Langa in Kinshasa.
Poto Doudongo is in his 20s, works with Zazou Bikaye, and decides to record a solo album, where he plays all instruments. The result is a mix of [...]
Lokassa Ya M'bongo - Bonne Année
https://www.youtube.com/watch?v=d7DnV6N4Vkg
Empire Bakuba & Papy Tex – Livre d’or
https://amf.didiermary.fr/empire-bakuba-papy-tex-livre-or/
Empire Bakuba was founded in 1972 by Pepe Kalle, Papy Tex (Jean Dode Matolu) and Dilu Dilumona, and became an influential soukous band that formed in Zaire (now Democratic Republic of the Congo).