Edvin Marton (born Lajos Csűry, February 17, 1974, Tiszaújlak, Ukraine) is a Ukrainian composer and violinist of Hungarian ethnicity. He became known as the violinist of the skaters, mainly because Evgeni Plushenko, Stéphane Lambiel, and other famous skaters often skated to his music.

《红色小提琴电影原声带》是加拿大导演佛朗科斯．吉哈德的新作。他精于运用镜头与视角的改变营造旋律流动感，尤其擅长捕捉不同乐器与音乐家在历史事件中的景深，从前作《古尔德的32个短篇》到《红色小提琴》，风格愈见鲜明。《红》片描述一把有三百年历史的红色小提琴，如何因为制造者赋予的神奇力量而影响其拥有人，以致辗转流传世界各地，最后在拍卖会前揭露身世之谜的故事。整个阵容集合了美、欧、亚洲的杰出演员：山缪杰克森、葛丽泰史卡琪、杰森弗莱明、张艾嘉等，远赴意大利、奥地利、英国、中国实地拍摄。音乐在本片中几乎与影像等量齐观，特地请到美国当代古典音乐作曲家约翰·柯瑞格里亚诺担任配乐。他的作品型式多样，数度获得葛莱美奖的肯定；亦曾两度提名奥斯卡金像奖的“最佳电影原著配乐”。配乐中展现了小提琴演奏的极致与多重面貌，包含吉普赛装饰奏、练习曲、夏康舞曲等多种曲式和挑战演奏技巧的乐句，在剧情中发挥得淋漓尽致。



然而究竟是谁让这把“红色小提琴”原音重现呢？乃是美国小提琴偶像约夏·贝尔，用琴弓写下这令人赞叹的答案！这位在欧美两地获得相当好评的帅哥音乐家，在乐坛上被视为马友友的最佳接班。他的演奏更获得英国「泰晤士报」极高评价。约夏·贝尔不仅长得帅而搭配萨洛能指挥伦敦爱乐管弦乐团，除了掌握住鲜活丰富的旋律转折，更让整部电影精神彻底浮现；以充满诗韵之美及充沛却有节制的技巧沈淀出直指故事核心的乐感。

小提琴金童约夏·贝尔成名之作，担任电影小提琴独奏；加拿大导演佛科斯·吉哈德继《古尔德的32个短篇》之后又一音乐电影佳作。

01 Anna's Theme 2:50
I Cremona
02 Main Title 2:42
03 Death Of Anna 1:44
04 Birth Of The Red Violin 3:05
05 The Red Violin 1:34
II VIENNA
06 The Monastery 1:06
07 Kaspar's Audition/Journey To Vienna 2:38
08 Etudes/Death Of Kaspar 2:48
III PXFORD
09 The Gypsies/Journey Across Europe 2:07
10 Pope's Gypsy Cadenza 1:37
11 Cotius Musicalis/Victoria's Departure 4:40
12 Pope's Concert 1:22
13 Pope's Betrayal 3:00
IV SHNGHAI
14 Journey To China 4:10
15 People's Revolution/Death Of Chou Yuan 3:15
V MONTREAL
16 Morritz Discovers The Red Violin 3:38
17 Morritz's Theme 1:46
18 The Theft 2:10
19 End Titles 1:46
20 The Red Violin：Chaconne For Violin And Orchestra 17:37

Metamorphosis was written in 1988 and takes its title from a play based on Kafka's short story. Numbers three and four are from Glass's incidental music to the play. Numbers one and two use themes from Glass's soundtrack to the acclaimed Errol Morris film The Thin Blue Line. Mad Rush was written for the occasion of the Dalai Lama's first public address in New York City, in the fall of 1981. Originally an open-structured or open-ended piece, it was first performed by Glass on organ during the Dalai Lama's entrance into the Cathedral of St. John the Divine. Wichita Vortex Sutra is the result of a chance meeting between two long-time friends, Glass and poet Allen Ginsberg, in St. Mark's Books, a popular bookstore in the East Village.