亨德尔
封面
Harp Concertos 豆瓣 Spotify
9.4 (7 个评分) Marisa Robles / The Academy of St. Martin-in-the-Fields …
发布日期 1990年11月10日 出版发行: Decca
01. Harp Concerto in B flat major, Op.4/6, HWV 294
Composed by George Frideric Handel
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

02. Concerto for harp & orchestra in C, Op.77
Composed by Francois-Adrien Boieldieu
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

03. Concerto for harp, 2 oboes, 2 horns & stringorchestra in A major
Composed by Karl Ditters von Dittersdorf
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

04. Work(s) unspecified theme, variations, and rondo pastorale
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

05. Work(s) Variations for Harps
Composed by George Frideric Handel
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

06. Variations (6) on a Swiss song for piano in F major, WoO 64
Composed by Ludwig van Beethoven
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown
封面
Handel 豆瓣
作者: Donald Burrows 出版社: Cambridge University Press 1991 - 6
This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.