Taoism and the Arts of China brings together a remarkable collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (fifth-third century b.c.) to the Qing dynasty (1644-1911). Many of these works are paintings that show the breathtaking range of style and subject that makes the Taoist heritage so rich. Sculpture, calligraphy, rare books, textiles, and ritual objects are also represented.
Like the exhibition, the book is organized thematically. It begins with the sage Laozi (to whom the Daode Jing is attributed), and moves on to explore the birth of religious Taoism and the interaction between Taoism, Buddhism, and Confucianism. A wealth of subjects are covered: the gods of the Taoist pantheon, ritual, the boundaries and intersections between Taoism and popular religion, Taoist Immortals and Realized Beings, the role of alchemy, sacred landscape and its significance, and Taoist temples and their architecture.
Taoism and the Arts of China includes an engaging series of introductory essays by scholars with a deep understanding of their subjects. Among the topics discussed are a historical introduction to Taoism, archaeological evidence for early Taoist art, and a general introduction to the functions of art in religious Taoism. Lavishly illustrated with over 150 color images, this volume affords a sweeping view of an artistic terrain that until now has received too little exposure in the West. Its publication constitutes a major advance in Western understanding of this important tradition.

蒙古人西征打开了中国与欧洲交往的道路，导致罗马教延向蒙古大汗的一系列遣使。《蒙古与教延》卷一“大汗贵由致因诺曾四世书”，引用了大量的拉丁文和波斯文史料、教会史书以及一些西方学者写作的有关著作和论文，有不少是我们不易见到的。卷二是对聂思脱里派的列边阿答、阿思凌、安德-龙如美三人事迹的说明和考证以及十四世纪上半叶蒙古与教皇交涉的研究。该书对中外关系史、蒙古史的研究仍有重要的参考价值。