Vivaldi: The Masterworks 豆瓣
类型:
古典
发布日期 2004年11月30日
出版发行:
Brilliant Classics
Boxset
Sviatoslav Richter - The 100th Anniversary Edition 豆瓣
Sviatoslav Richter
类型:
古典
发布日期 2016年5月13日
出版发行:
Melodiya
为纪念钢琴巨擘李赫特(Sviatoslav Richter, 1915 - 1997) 100周年诞辰，俄罗斯古典品牌旋律唱片(Melodiya)推出年度钜 献 - 《李赫特 - 百岁纪念套装》(50CD)，珍贵辑录大师1949~1979年间 :电台广播、独奏会、 家庭彩排、莫斯科音乐会…
For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its arguably biggest project in its semicentennial history. The name of Sviatoslav Richter is inscribed in gold in the history of music. He was not just “more than a pianist,” he was even more than a musician. An owner of composing, conducting, artistic, directing and acting gifts, a connoisseur of literature, arts and philosophy, with a will of iron he made all his gifts serve the art of pianism. An “artist of planetary scale,” as of the critics put it, Richter was like that in everything – in his unbounded repertoire that he never stopped replenishing until his last years, in his priestly frenzy of hours-long rehearsals, in the geography and number of performances, – over 3 500 concerts in 770 places of the world for 55 years of his musical career! (“He was somewhat fathomless, Richter,” said one of his famous colleagues). However, after he conquered the world (almost literally), he remained indifferent to ovation and eulogies of the press, painfully experienced each of the “defects” he noticed in his performance, and at the end of his way confessed before the journalist Bruno Monsaingeon: “I don’t like myself.”
For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its arguably biggest project in its semicentennial history. The name of Sviatoslav Richter is inscribed in gold in the history of music. He was not just “more than a pianist,” he was even more than a musician. An owner of composing, conducting, artistic, directing and acting gifts, a connoisseur of literature, arts and philosophy, with a will of iron he made all his gifts serve the art of pianism. An “artist of planetary scale,” as of the critics put it, Richter was like that in everything – in his unbounded repertoire that he never stopped replenishing until his last years, in his priestly frenzy of hours-long rehearsals, in the geography and number of performances, – over 3 500 concerts in 770 places of the world for 55 years of his musical career! (“He was somewhat fathomless, Richter,” said one of his famous colleagues). However, after he conquered the world (almost literally), he remained indifferent to ovation and eulogies of the press, painfully experienced each of the “defects” he noticed in his performance, and at the end of his way confessed before the journalist Bruno Monsaingeon: “I don’t like myself.”