在16、17世纪巴洛克音乐发展的基础上，莫扎特对协奏曲的体裁做了进一步的完善和补充，他作有各类协奏曲共50多部，其中以钢琴协奏曲为主。莫扎特通过自己的实践改变了过去单纯偏重于技巧性的倾向，赋予了协奏曲体裁以交响乐般丰富的表现力。
莫扎特的木管协奏曲作于不同时期，《A大调单簧管协奏曲》是他临终前的顶峰之作，其中脍炙人口的柔板乐章，就像他的许多作品的柔板乐章那样，具有恬美与忧伤、欢乐与悲伤交融的情感，带有一种别世的悲凉之感。单簧管奏出的充满梦幻般轻盈飘逸的优美旋律，在行云流水的乐队的烘托下，叙咏着天国的语言，仿佛让人看到作曲家在摇曳的烛光下，向远方遥寄着美好的理想，咏唱着一首超凡脱俗、高洁纯美的圣歌。《G大调长笛与乐队协奏曲》、《降B大调大管与乐队协奏曲》则是他中、早期的作品，乐曲以一气呵成的快乐和诙谐主题，给人一种精力充沛、朝气蓬勃的感觉。特别是单簧管和大管演奏者表现出过人的艺术修养和精湛技巧，并把技巧的痕迹几乎降低到零，让听者尽情领略音乐所传达的作曲家的情感与精神世界。

01. Harp Concerto in B flat major, Op.4/6, HWV 294
Composed by George Frideric Handel
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

02. Concerto for harp & orchestra in C, Op.77
Composed by Francois-Adrien Boieldieu
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

03. Concerto for harp, 2 oboes, 2 horns & stringorchestra in A major
Composed by Karl Ditters von Dittersdorf
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

04. Work(s) unspecified theme, variations, and rondo pastorale
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

05. Work(s) Variations for Harps
Composed by George Frideric Handel
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown

06. Variations (6) on a Swiss song for piano in F major, WoO 64
Composed by Ludwig van Beethoven
Performed by Academy of St. Martin-in-the-Fields
with Marisa Robles
Conducted by Iona Brown