"From one of the hottest young comedians at work today--two Netflix specials, a world tour, a brand new HBO special, and a well-earned reputation as mind-bogglingly funny and hilariously offensive and challenging--a book about his favorite subject . . . and you will never think about relationships in the same way again. Daniel Sloss's comedy engages, enrages, offends, makes people uncomfortable, provides solace, and gets everyone roaring with laughter--all at the same time. Dark, his first Netflix comedy special, is a brilliant, somehow laugh-out loud funny meditation on our relationship with death. Jigsaw, his second Netflix special, needles apart the ideas of love, romantic relationships, and marriage--and according to Sloss has caused 120 divorces and some 50,000 break-ups (and he's got the Tweets to back up those numbers). Now, in his first book, he picks up where Jigsaw left off, and goes after every conceivable kind of relationship between two people--with one's country (Daniel's is Scotland), with America, with lovers, ex-lovers, ex-lovers who you hate, ex-lovers who hate you, parents, best friends (male and female), not-best friends, children, and siblings. Every relationship gets the full, inimitable Sloss treatment as he explains why each one is fragile and ridiculous and awful--but, just maybe, also valuable and meaningful. In any case, one way or the other, under his pen, they are all hilarious"--

In The Lonely Letters, A tells Moth: “Writing about and thinking with joy is what sustains me, daily. It nourishes me. I do not write about joy primarily because I always have it. I write about joy, black joy, because I want to generate it, I want it to emerge, I want to participate in its constant unfolding.” But alongside joy, A admits to Moth, comes loneliness, exclusion, and unfulfilled desire. The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley—writing as A—meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and love. Throughout his letters, A explores blackness and queerness in the musical and embodied experience of Blackpentecostal spaces and the potential for platonic and erotic connection in a world that conspires against blackqueer life. Both a rigorous study and a performance, The Lonely Letters gestures toward understanding the capacity for that which we study to work on us, to transform us, and to change how we inhabit the world.