Genre: Raw Black Metal
Country: USA

EXTERMINATING LOVE
۞
"Lost one, do you regret your disobedience?"
۞
Released on Digital and LP by Mystískaos.
۞
Distributed by Dissociative Visions.
۞
Cover art forever by Jane Morris Pack.released August 27, 2021

Nüwa, the new conceptual album from Taiwan black metal master 黑冥煞 Inferno Requiem in 2017, represent both something old-fashioned as well as new blending if people are quite acquainted with knowledge regarding black metal. The theme takes place of a legendary myth to the utterly forgotten tale in Chinese history. While considered "unholy," "unorthodox" by some; it is bold to hypothesize alternative opinions compared to the so-called "common history" we read and brain-washed today. As Inferno Requiem always does, sci-fi elements are rendered within the contents, with tone of forewarning prophecy.
Musically the album is just pure primitive black metal, represent in the pattern of freezing atmosphere, which true black metal
once was. Simultaneously, the entire scene setting is arranged within the likes of sick, thick fog; reverberating in a dark, solitude of cavernous space.
Recommend for fans of Judas Iscariot, early Setherial, and early Gorgoroth.

Dopamine是一个关于梦幻与现实、迷失与沮丧的浪漫主义Post Depressive Black metal计划，由来自广西玉林的J与江西南昌的D在08年组建，此张demo为乐队第一张出品，no vocal。
2010年，英国厂牌Under the Dark Soil发行磁带版本，限量300；新西兰厂牌Taphephobia Productions发行8寸Lathe版本，限量30。
2017年4月SHR发行该作品12寸黑胶版，曲目为水棱、迷夜1 、溶解。

Produced, recorded and mixed by Phillip Odom.
Mastered by Will Yip.
Artwork by Chris Taylor.

SRUIN139
The third LP from mechanized aural weapon Vessel of Iniquity. On this new horrific experiment of overwhelming sensorial annihilation, sole mastermind A. White invokes absolute armageddon, funneling a blinding scourge of swirling atmospheric harsh industrial and lacerating abstract black metal into forty-five minutes of pure concentrated chaos. With an immanent and horrifying sense of dissolution and of total loss of control, "The Doorway" sees Vessel of Iniquity discharge a pulverizing swarm of machine gun-like drum machines, suffocating ambient dirges, ravaging harsh electronics and a maelstrom of crushing fretwork obliteration to pound complete oblivion into the listener.

《法利勝神經》乃假假條繼《時代在召喚》後的又一力作，由老朋友本尼·格羅托擔任製作人，以及曾經操刀涅槃樂隊《別介意》、戰車樂隊《母親》《旅途，旅途》母帶製作的傳奇葛萊美音響工程師豪威·維恩伯格擔任母帶師。專輯十曲，將泥漿金屬、噪音嗩吶、無調性、爵士標準曲、拉丁律動、垃圾搖滾、道教音樂、政客演講、長混響的人聲等諸種風馬牛熔煉，製作並嵌進真切的個人敘事裏，從《追龍》第一句“嬰兒心急” 到《觀世音》最後核彈爆破般的“靜寂！啊！啊！”，以翻唱自崔健的《飛了》為轉折，構成了從“精神勝利法”（尋求安慰-以毒攻毒）到“法利勝神經”（反日神-摒棄虛幻-向死而生）的突圍。《法利勝神經》從《時代在召喚》社會新聞式的國族視角及其衍生的集體性傷痕記憶與災禍意識中跳脫，關註當下個人內心的群體性抑郁，並進行了誠實的情感書寫，直面了一個讓人一不小心就會沈淪其中的現實——在資本主義藥性現實在每個當代人身心殖民的此時此地，在時髦的左翼童話告訴妳反抗被收編之必然的此時此地，話語像焦躁的舌頭在封閉的口腔裏攪動，但卻至多發出一串可憐的悶響，更存在這樣一種崩壞的可能：我們在精神勝利法的圍追堵截下已然喪失了喊痛的警覺，徒勞的瘋癲和自命不凡的沮喪接管我們的神經，使生命廢棄為一處建立在光滑得令人上癮的白光之上的奇觀。但錯亂惡心也好，遺忘掙紮也罷，無論身心靈欲毀棄至何種荒蕪，眼前是多少借景抒情後的廢墟，人們仍會在激烈但真實的憂郁裏掙脫、撞擊、相聚。
——張鐸瀚 藝術家，《進化耳朵》作者，詩人