line up
Nils Landgren / trombone
Nils Landgren's first solo album, recorded during the February 2021 lockdown at Ingelstorps Church in Sweden.
Traditional music arranged by Nils Landgren, except otherwise indicated
Cover art © Terry Winters, Echo (detail), 2020, ACT Art Collection

来自瑞典Norrkoping的传统力量后摇.瑞典的音乐始终带着迷幻而奇妙的色彩.从软弱深处给人以力量.

EF来自瑞典的哥德堡，是支五重奏乐队，成立于2003年的5月。在乐队自制了几首DEMO之后，从容大气的曲风，有趣而丰富的节奏，时时闪现的灵气使得一些音乐厂牌和乐迷们开始注意到他们。到06年的8月份，乐队终于奉献给了大家一张专辑——<<give me beauty...or giv e me death!>>。

喜欢王菲的朋友一定听了她的新专辑《将爱》，其中里面有一首歌《乘客》有许多朋友是喜欢的。知道吗，这首歌是根据sophie zelmani苏菲珊曼妮的《going home》改编的。因为王菲而使sophie zelmani大红了一把，因为大家都在打听她是谁
没有任何音乐背景的Zelmani,甚至没有任何公共演出经历,却以她的处女碟荣登流行音乐最畅销唱片的榜首.尽管行内传她十分的害羞，但是不久她便作为一个新人原创歌手获得了欧亚市场
Zelmani十四岁的时候拥有了她的第一把吉他，她的父亲教她和弦。差不多十年以后，开始陆续将自己录制的小样寄给各家唱片公司。索尼公司第一个给了她答复，并且把她介绍给曾和Ulf Lundell 与Bo Kaspers Orkester合作过的创作人兼吉他手Lars Halapi。在与Zelmani的合作中，Halapi负责编曲，他把Van Morrison风格融入到她的新专辑中，这也许是他最出色的地方。不过词作者都是Zelmani，她的柔和清澈的嗓音给人一种甜而不腻的感觉。1995年冬天，专辑打入流行榜单第四名，不久便在瑞典和日本大卖
从1995年开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani苏菲珊曼妮，便以生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆甚至亚洲的广大歌迷。Sophie的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。最新作品「Sing And Dance舞唱人生」，彷佛用音乐来回忆着过去那些在情感正要愈合，然而一旦触碰到还是会带来疼痛的伤口，那沁凉萧瑟绝美的意境，就是这麽让人愈听愈沉醉其中而难以自拔
Zelmani开始了在欧洲的宣传演唱会，随后又去了美国。Precious Burden于1998年发行，赢得了非常好的口碑。前两张专辑由Halapi录音并且负责制作和演奏大部分乐器。但是后来，她组了一个乐队,仍旧由Halapi负责制作，她还参与创作了其中的一首歌。直到1999年Time to Kill发行
从1995年以一曲“Always You”开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani，便以其生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆乃至亚洲的广大歌迷。Sophie Zelmani的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程
从收录“Always You”、“A Thousand Times”等单曲，甜美羞涩的首张同名专辑，到走红之后面对漫长的巡回演出与数不尽的访谈而感到痛苦，继而使其创作呈现出苦涩与深沉黑暗气氛的第二张专辑《Precious Burden》，再到即将迎向曙光、向伤感告别的第三张专辑《Time To Kill》，以及如今的最新作品“Sing And Dance”－彷佛用音乐来回忆着过去那个在情感或生理上正要愈合，然而一旦触碰到还是会带来疼痛的伤口－Sophie Zelmani就像个挚友般分享着她的情感与心情变化，唯一不变的是她的音乐表现方式，依然是清脆的吉他合弦衬托着她温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上，脚底还不时传出嘎吱细碎声响，那沁凉萧瑟绝美的意境，让人愈听愈沉醉其中难以自拔

这支来自瑞典的乐队对重型音乐产生过无比深远的影响，而Nightfall正是他们最经典的唱片，出现了诸如Dark Are The Veils Of Death、Bewitched之类的传世之作。这张分量惊人的唱片即使在今天听来也没有过时的感觉。
Swedish doom originators Candlemass gave birth to an instant classic with their debut, Epicus Doomicus Metalicus. But their 1987 follow-up Nightfall managed to break even more new ground by introducing the operatic bellowing of new vocalist Messiah Marcolin, whose religious lyrics found the perfect match in the slow, grinding power chords written by bassist Leif Edling. Perfect examples of this formula like "The Well of Souls," "Samarithan," and "Bewitched" would become live standards for years to come and are nicely held together by short instrumentals, including a rendition of Chopin's "Marche Funebre." And while the band can't resist thrashing out just a tad on parts of "At the Gallow's End" and "Dark Are the Veils of Death," this is still a cohesive work, and a must for Black Sabbath fans
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from

On the strongest album of their unlikely second act, the Swedish melodic death metal band lets their weirder side take the reins.

Reissue of the band's 1998 album, considered to be their best. This release includes two extra tracks 'Remember Tomorrow' and a remake of the Celtic Frost classic 'Circle of the Tyrant'. Candlelight. 2003.

Swedish edition of the U.S. progressive metal act's 1988 album. Roadrunner.

当年曾与Dark Tranquillity的「The Gallery」、In Flames的「The Jester Race」、At The Gates的「Slaughter of the Soul」一同带动瑞典金属新浪潮运作，叱吒风云的哥德堡死天王之一的Dissection，成军於1989年，1990年与瑞典死金属先锋Entombed演出Dissection的处女秀，同一年发行了纪念挪威黑金属首脑乐团Mayhem主唱Dead的demo「The Grief Prophecy」，91年在法国的Corpsegrinder Records旗下发行了首张EP「Into Infinite Obscurity」，1993年在No Fashion Records发行首张完整专辑「The Somberlain」，该作品石破天惊的表现引起了德国金属大本营Nuclear Blast的青睞，1994年在其下发表了该团的传奇专辑「Storm of the Light's Bane」，凄美旋律融入在腥风血雨的黑暗肃杀氛围，在黑金属与死亡金属已开始划清界线之际还能够成功游走在两种乐派之间，完美掌握运用两大元素，Dissection实为箇中翘楚! 但在1997年Jon Nodtveidt因协助谋杀一名38岁同性恋男子而身陷囹圄，乐团运作停摆，Dissection的传奇也就此打住。

From cinematic post-rock passages to catchy indie rock interludes, the ten track instrumental debut Dreamer On The Run from Swedish post-rock duo U137 (including members of post-rock foursome Moonlit Sailor) offers a unique combination of sounds glowing with a fresh energy, diversity and originality. Dreamer is the kind of album you listen to over and over again, finding something new to savor each time you listen. This chorus and crescendo here. That arc and arpeggio there. Two words sum it up: Pearl Lakes. Now that, my friends, is epic songwriting. No, wait: The Poet. Or maybe: Midsummer Field. It's all so good. The beautiful melodies and arrangements found on Dreamer are quite skillful and complex despite the seeming simplicity and familiarity of the songs themselves. With the aim of generating a feeling of pure euphoria in the listener, succeed it does...on every plane. U137 is Scandinavian artistry at the highest level.

Darkwater are back with their long-awaited new album "Human", and it surely won't leave fans of melodic metal or progressive metal disappointed! The songs are heavier, more melodic and atmospheric than before and the band worked really hard on tweaking the ten songs and over 76 minutes of playing time into perfection. Jacob Hansen (Evergrey, Volbeat, Amaranthe) was chosen to mix and master the album and he did a fantastic job which resulted in the best sounding Darkwater album to date. Don't miss out on "Human", a perfect album for fans of melodic progressive metal and bands like Circus Maximus, Seventh Wonder and Evergrey!

Long awaited debut album from Sweden's best new band. These ten songs sound somewhat like a modern version of A-ha dressed in black mixed with early The Jesus and Mary Chain. It took them two years and three labels to get here, but if that's what they needed in order to produce what must be one of the finest Swedish debut album ever, it was worth all the wait.
用The Mary Onettes的长牌Labrador话说，The Mary Onettes的音乐是Labrador长牌中最激动人心的独立摇滚乐队。The Mary Onettes在Labrador长牌中，是风格很少见的独立摇滚乐队。长牌Labrador能够签下 The Mary Onettes也是一件不容易的事情，鹤立鸡群。因为The Mary Onettes的商业价值太大，长牌看到了乐队巨大潜力。这只来自瑞典哥德堡市的4人乐队，2000年组建于瑞典的Jönköping。乐队音乐的主体受到英国八十年代时期音乐的巨大影响，作为 The Stone Roses，Echo & the Bunnymen，The Cure， New order等早期乐队的追随者， The Mary Onettes的音乐中，除了自身所包含着那种根深蒂固的瑞典本土音乐特质外，The Stone Roses式的音乐就不用说了，还大量的包含80s和90s年代英国音乐运动时期的音乐风格，如那时的C86，Echo & the Bunnymen式的迷幻音乐，当然新浪潮和后朋的影响也完全可以从他们的音乐中听的出来的。所以说The Mary Onettes在Labrador中是绝对的独特一团，而Labrador 签下The Mary Onettes绝对是一个很明智的选择。其实乐队的组建初期并不顺利，乐队的最先做好的作品因为没有找到发行公司，而被搁置了近半年的时间。最后在2005年春天那时，The Mary Onettes通过SONY发行了一张EP，这张EP的音乐界的评价很不错，但那张合约并不怎么顺利。并没有签下他们发行首张专辑的合约，但是The Mary Onettes在那不久之后，因为他们的一张DEMO唱片，Labrador 长牌签了他们。2006年春天在歌德堡市建立他们的新录音市并且开始了他们首张专辑的录制。在我看来《The Mary Onettes》这张专辑中， The Mary Onettes能够将那些传统的东西变化为新时代的东西，虽然前辈的身影有很多，但已经很出色了，称得上他们音乐之旅上的精彩开篇。

没有任何音乐背景的Zelmani，甚至没有任何公共演出经历,却以她的处女碟荣登流行音乐最畅销唱片的榜首。尽管行内传她十分的害羞，但是不久她便作为一个新人原创歌手获得了欧亚市场。
Zelmani十四岁的时候拥有了她的第一把吉他，她的父亲教她和弦。差不多十年以后，开始陆续将自己录制的小样寄给各家唱片公司。索尼公司第一个给了她答复，并且把她介绍给曾和Ulf Lundell 与Bo Kaspers Orkester合作过的创作人兼吉他手Lars Halapi。在与Zelmani的合作中，Halapi负责编曲，他把Van Morrison风格融入到她的新专辑中，这也许是他最出色的地方。不过词作者都是Zelmani，她的柔和清澈的嗓音给人一种甜而不腻的感觉。1995年冬天，专辑打入流行榜单第四名，不久便在瑞典和日本大卖。
Zelmani开始了在欧洲的宣传演唱会，随后又去了美国。Precious Burden于1998年发行，赢得了非常好的口碑。前两张专辑由Halapi录音并且负责制作和演奏大部分乐器。但是后来，她组了一个乐队,仍旧由Halapi负责制作，她还参与创作了其中的一首歌。直到1999年Time to Kill发行。
从1995年以一曲“Always You”开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani，便以其生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆乃至亚洲的广大歌迷。Sophie Zelmani的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。
从收录“Always You”、“A Thousand Times”等单曲，甜美羞涩的首张同名专辑，到走红之后面对漫长的巡回演出与数不尽的访谈而感到痛苦，继而使其创作呈现出苦涩与深沉黑暗气氛的第二张专辑《Precious Burden》，再到即将迎向曙光、向伤感告别的第三张专辑《Time To Kill》，以及如今的最新作品“Sing And Dance”－彷佛用音乐来回忆着过去那个在情感或生理上正要愈合，然而一旦触碰到还是会带来疼痛的伤口－Sophie Zelmani就像个挚友般分享着她的情感与心情变化，唯一不变的是她的音乐表现方式，依然是清脆的吉他合弦衬托着她温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上，脚底还不时传出嘎吱细碎声响，那沁凉萧瑟绝美的意境，让人愈听愈沉醉其中难以自拔......
有人是这么描述Sophie Zelmani的音乐的：清脆的吉他合弦衬托着温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上。[此介绍转自网络，感谢原作者]
专辑简介:
从1995年开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani苏菲珊曼妮，便以生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆甚至亚洲的广大歌迷。Sophie的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。 她的作品彷佛用音乐来回忆着过去那些在情感正要愈合，然而一旦触碰到还是会带来疼痛的伤口，那沁凉萧瑟绝美的意境，就是这麽让人愈听愈沉醉其中而难以自拔。 有人是这么描述Sophie Zelmani的音乐的：清脆的吉他合弦衬托着温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上。
It all started when Sophie, born in a suburb to Stockholm, was 14. Herstepfather taught her some chords and so she found out she could write songs. “I wrote a song and it felt amazing. I didn’t really think that much about what I was doing, really.” Says Sophie with typically modest.
She recorded a few songs at a local studio and decided to send the demos to three record companies, with no special expectations. Soon
Sony Sweden gave her a phone-call and offered her a record deal. By then she never had played in front of an audience. Sophie started to record
her debut album in 1995. The album is produced and arranged by Lars Halapi, who also plays the guitar on all of the songs. Sophie’s music has
been compared with such great artist as Neil Young, Van Morrison and Bob Dylan. The shimmering acoustic guitar in “Always You” bares the spirit of Neil Young and Van Morrison-like sax riffs underlines the song “A Thousand Times”. “I’ll See You (In Another World)” radiates the feeling of
Springsteen; the song is about her stated beliefs in destiny, wisdom of life, goodness, dreams, close relationships and love. Sophie’s music also
has a lot in common with singer/songwriters as Joni Mitchell and Jewel Kilcher.
It all adds up to something unique in the history of Swedish music and Sophie’s music is liked in many of the world’s different parts. Even many
Americans have taken hear music to their hearts,something that’s not so strange considering that the singer/songwriter tradition originated in the US. Swedish critics agree on that Sophie’s album is something special. She was awarded a Grammy at the Swedish Grammy awards as best newcomer in 1995, she was also nominated for Best female pop singer. Her album has sold gold both in Sweden and Japan where she is very popular.
After promoting her album in the US, she finally started to work on her new album in the autumn of 1997. The second album entitled “Precious Burden” came out in 1998 and showed a new side of Sophie Zelmani - her songs were still as simple and convincing but pain colored the music in deep black shades. Top photographer Anton Corbijn shot the cover photos of the album and his dramatic pictures capture the black beauty that had by then become something of a Sophie Zelmani trademark. Since the turbulence of the first album release Sophie Zelmani has started saying
no to interviews she doesn’t feel like giving and she’ll only go on tour for short periods of time. It just weren’t her thing. She wanted to stay home in Stockholm and she wanted to play music, not talk about her songs or spend her time on the road.
If the third album “Time To Kill” was the last, painful phase of a drawn-out farewell, “Sing And Dance” is perhaps the musical memory of a -
emotional or physical - wound. A wound about to heal, still a bit sore. The darkness and the pain are still present, but more often expressed in
the past tense than in the present. The lyrics for the deeply deranging “Gone With The Madness” - where the world, it seems, falls into pieces on
the tongue of Sophie Zelmani - talks about love that goes over the top. But the madness is - if not forgotten - well gone.
Sophie writes about serious matters and she always has. Her songs will remind you of trotting horses in an American Western movie as well as of
Swedish frost crunching under your soles during a long walk in the chilly autumn night. Zelmani music is country rock as simple as it can be -
voice and guitar, drums and bass, the sound of a saxophone at a distance, the sounds of a flute or violin coming in close!瀏览更多