57ヵ国で1位を獲得した前作『ハードワイアード...トゥ・セルフディストラクト』から6年半ぶり、待望の12枚目となるスタジオ・アルバムが完成。先行シングル「ルクス・エテルナ」は、40年に及ぶメタリカの軌跡を3分半に凝縮した、短くも鮮烈な爆発的シングル。

French trio GLOWSUN are back with their third studio album and strongest record to date: “Beyond The Wall Of Time”! The sound and tone of the new album perfectly fits into the Instrumental Psychedelic Rock realms. From the start the listener is kidnapped by the spherical sound, between enormous atmospheric compositions with pure rock riffs and psychedelic melodies perfectly intertwined into this scenery.

Lost In Kiev from Paris, France released their first full album Motions on dunk!records in 2013 and proved their live skills at dunk!festival in 2013 and 2014.
Their progressive energy leads to oneiric epic post-rock while still emitting the massive energy of post-rock. Their influences are Russian Circles, Red Sparowes, 65daysofstatic, Cult of Luna, Maybeshewill, Mogwai,...
Nuit Noire, their second full album, is an anthem of the night. Odes to nights of dreams and nights of loneliness that also becomes mystical. The stories (written and recorded by the band) will immerse you in each of these Nuits Noires. As you can deduct from their influences Lost In Kiev's origins are firmly grounded in post-rock. However, more direct layouts of the new tracks, a more airy sound and an electronic touch will reveal their new direction.
Be sure to check out the pre-order deals including a Nuit Noire T-shirt and their previous album Motions.
"If you love post-metal then make sure not to miss this incredible release." — Will Not Fade

"There are aspects of Time Travel Dilemma that most certainly play to genre, but even these do so with a palpable intention toward leaving an individualized mark rather than simply repeating what’s come before. To call that admirable would be an understatement."
-TheObelisk
"This is an album that catapults us into the coldest and loneliest stars of spatial infinity. Enter 'Time Travel Dilemma' orbit and witness one of the most aesthetic matches between opulence, delicacy and rhythmicity."
-velho-coyote.blogspot.pt

《Blue Blood》是X-Japan乐队于1989年4月21日发行的一张专辑，它收录第一张专辑《Vanishing Vision》的两首重录曲《Kurenai》、《Unfinished》（both with alternate/expanded lyrics），专辑风格相较Rose of Pain更偏向于交响摇滚（symphonic rock），这张专辑的不少乐曲都成为乐队的演唱会保留曲目。
这张专辑事实上是X第一张正式的CD专辑，也是首次和强大的SONY RECORDS合作而发售的首张MAJOR大碟，震撼日本乐界的Ｘ至此冲出地下，以雄壮的「Prologue」为开端开始了他们的神话。作品的作曲开始以YOSHIKI为主，另有2首HIDE的作品。X在这个时期就有了很多今后传为经典的代表歌曲，确立了X在日本音乐界难以动摇的地位。整章专辑风格偏向Metal，也能找到如「ROSE OF PAIN」这首与X风格迥异作品。虽然在作曲不如专辑「Jealousy」丰富，但此专辑自有着其它专辑无法望其背向的成就。

首先看整容。在当时——不，如果是现在也是无比豪华无比牛比的整容，Dead死后，乐队一直没找主唱，这张唱片的主唱是从其他乐队借来的（关于主唱后面会写到）。发行这张唱片的时候1994年，当时乐队也快瓦解了，虽然新人补充了近来 但是原班人马要不是死要不就坐牢，就剩下个Hellhammer，至今还在Mayhem中发挥余热。
说到Mayhem，本来想说说他们的历史的，什么自杀啊杀人啊烧教堂的，但是没什么必要，大家都知道，也不浪费大家时间了。这张专辑是Mayhem最完美的一张，甚至乃至于整个BM中最完美的，它的高度至尽无法逾越。
这张专辑从头听到底，一气呵成，每一首歌都是BM的经典之作。整张唱片都处于一种极高速，极暴躁，极不安，充斥这阴冷邪恶的感觉。Euronymous、Hellhammer、Varg 的组合完全把他展示在我们的面前，再加上主唱Attila极富特色的嗓音和独特的唱腔（他在自己乐队并不使用这种唱腔）。虽然有些歌的节奏简单，充斥着大量的Riff，原始性毕露无疑，如果说专辑里哪首歌最好的话——虽然我很不象这么做，但是Freezing Moon的出色无法不让我选择它。这首歌的变化很丰富 一开始吉他的riff 引出了阴冷的感觉，然后再有鼓声把整首歌的速度提升了上去。（说到鼓，我们一般就不在表扬Hellhammer了，因为这实在是太习以为常了，你可以用任何赞美鼓手的词来赞美他，甚至还不止，他的鼓声快、重、狠、富有变化，仿佛鼓象有了灵魂，他的每首曲子都能作为教科书。）这时主唱的声音出现。（说到主唱，我更加喜欢Dead的那首。Dead的嗓音很具特色，穿透力强，从低音区到高音区都能感觉出他那冰冷的象把利刀的声音，但是我们也要赞赏Attila一下，他的声音充满着邪恶感，唱BM真是对得起他的喉咙了，他在Freezing Moon中的唱法非常独特，极具颗粒感的哭丧的黑腔，时而低吟，时而呻吟，感觉就象一个邪教老大在说教。）到了中后段有一段不长也不短的Solo，你初听的话觉得非常简单，无任何所谓的技巧可言，但是我想除了Euronymous没有任何一个人能够演奏出如此阴冷、窒息、邪恶、散发这寒气。这就是为什么他能够统治当时的BM界，被称之为“死之王子”的原因。他的死把他最完美的时刻保留在歌迷的心中，说到Bass部分，起初那张是varg演奏的，但是由于他把Euronymous杀了之后，Euronymous家人强烈要求删去varg的Bass部分，所以这张专辑的Bass部分是Hellhammer演奏的，varg演奏的那张专辑也发行过，但是数量极少，ebay上也没人说有，反正如果用有的话，卖个2000多美金是不成问题的。

Forbidden is the eighteenth studio album by British heavy metal band Black Sabbath, released in June 1995. This also saw the reunion of Black Sabbath's TYR-era lineup from 1990, with the return of Neil Murray and Cozy Powell. The album was panned by critics and fans alike. This was the band's most recent studio album released under the Black Sabbath name, until the band announced in November 2011 that the original lineup (with vocalist Ozzy Osbourne) would be recording a new album for release in 2012. It was also the last album to feature Tony Martin on vocals.