1970s
Third 豆瓣
8.7 (10 个评分) The Soft Machine 类型: 流行
发布日期 1970年6月6日 出版发行: Sony
Third is a 1970 double LP by Soft Machine, with each side of the original vinyl consisting of a single long composition. Its music explores the emerging jazz fusion of the type present on Miles Davis' Bitches Brew, which was released just a few months earlier. Third marks the most major of Soft Machine's several shifts in musical genre over their career, completing their transition from psychedelic musicto jazz, and is a significant milestone of the Canterbury scene, featuring interplay between the band's personnel: Mike Ratledgeon keyboards, Robert Wyatton drums, Hugh Hopperon bass and newest member Elton Deanon saxophone. Lyn Dobson appears on saxophone and flute on "Facelift", recorded while he was a full member of the band (then a quintet), although he is credited as an additional performer. Jimmy Hastings(brother of Pye Hastingsfrom Caravan)makes substantial contributions on flute and clarinet on "Slightly All The Time", free-jazz violinist Rab Spall (then a bandmate of Wyatt's in the part-time ensemble Amazing Band) is heard on the coda to "Moon In June", and Nick Evans(a member of the band during its short-lived septet incarnation) makes a very brief appearance on trombone in "Out-Bloody-Rageous".
In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock(2005), the album came #20 in its list of "40 Cosmic Rock Albums".
The Elements 豆瓣
9.0 (6 个评分) Joe Henderson / Alice Coltrane 类型: 爵士
发布日期 1973年1月1日 出版发行: Ojc
Alice Coltrane, also known by her adopted Sanskrit name Turiyasangitananda, was an American jazz musician and composer, and in her later years a swamini.
Songs From the Wood 豆瓣
Jethro Tull
发布日期 1977年2月11日 出版发行: Capitol
Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003.
Katzenmusik 豆瓣
6.8 (5 个评分) Michael Rother
发布日期 2007年8月21日 出版发行: Water
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk) recorded this, his third solo album with producer Conny Plank in 1979. Rother's signature multi-tracked guitar sound, synthesizer washes and the mechanical percussion (courtesy of Jaki Liebezeit from Can) make Katzenmusik a pioneering effort in the field of instrumental electronica. Essentially a suite in two parts, many consider this record to be Rother's opus. Remastered with new detailed liner notes. Water. 2007.
Live Cream 豆瓣
Cream 类型: 摇滚
发布日期 1970年4月1日 出版发行: Polydor / Pgd
Live Cream (also called Live Cream, Volume 1) is a live compilation album by Cream released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by Eric Clapton.
Funky Stuff 豆瓣
9.1 (28 个评分) Jiro Inagaki & Soul Media 类型: 放克/灵歌/R&B
发布日期 1974年1月1日 出版发行: P-VINE
Jiro Inagaki_tenor & soprano sax, flute
Hiromasa Suzuki_fender rhodes
Takashi Imai_trombone
Hiroshi Yasukawa_guitar
Akira Okazawa_bass
Hazime Ishimatsu_drums
前記事のSOUNDS OF LIBERATIONもファンキーでしたが、
こちらもファンキー。その名も「FUNKY STUFF」。
稲垣次郎と言えば、日本を代表するサックス奏者で、
特に1970年の「ヘッド・ロック」はジャズの粋を遙かに超えた
ジャズ・ロックの名盤として燦然と輝く評価を今は手にしている。
2009年にも1970年ごろの「ヘッド・ロック」と同傾向の
「ウッドストック・ジェネレーション」がP-VINEよりCD化されマニアの話題を誘った。
そしてこの「FUNKY STUFF」は1974年の作品で、ジャズ・ロックから
徐々にソウル・ジャズやファンクに移行していった時期の代表作。
それが2010年に日本コロムビアの「昭和アーカイブ・ジャズ・シリーズ」より
CD化された!しかも2,000円!安い!これは喜ばしい初CD化!
一曲目から再生してみると・・・
ん!ん!ん!
これは石川晶の超名盤「GET UP!」にも収録されていた曲ではないか!
その盤にも参加していたコルゲンこと鈴木宏昌が同じく
この「FUNKY STUFF」でも編曲、キーボーディストとして参加している。
石川晶の高速なタム回しとは違い、石松元(彼も同じ時期に沢山のレコーディングに参加しているスタジオ・ミュージシャン)のドラムというだけで同じ曲でも随分と印象が違う。ちょっとバタバタした感じと若干テンポが違った感じもなかなか良い。
次の「ファンキー・モーション」は、ベース・ソロの曲。
これがメチャクチャ重低音の聞いたファンキーで歌心があるソロで
最近ベースを弾く自分としても非常に魅力的。
ベースラインと似たようなスキャットもかぶさってます。
そして再び鈴木宏昌のオリジナルによる3曲目「ブリーズ」。
これはミッド・テンポのグルーヴで非常に洗練された印象。
このアルバムの良い所は、何かとカバーの多い同傾向のアルバムが多い中、
これは圧倒的にオリジナルが多くしかもレベルが高い曲ということ!
その中でもアルバム・タイトルに持ってきてもいる5曲目はクール&ザ・ギャングの曲。
この曲ですが、三保敬太郎がかかわった和モノ名曲の「ザ・ゴリラ7のテーマ」に
非常に良く似てます。というかきっとパクッたんだと思いますが。
これもベースラインぶりぶりで、歌の部分を全部ホーンで担ってます。
稲垣次郎のサックスはといえば、全編にいえますが、そこまでバリバリ吹いてません。
むしろグルーヴ優先で、「グルーヴが出るなら俺は吹かんでもいい!」といわんばかり。
でも要所要所でまとめてくる辺りはさすが。
6曲目は鈴木宏昌が稲垣次郎に捧げた「ワン・フォー・ジロー」。
ここではさっきの曲とは異なり燻し銀で歌い上げています。格好ええ!
全体的にボトム・ラインが非常に重低音でグルーヴィー!
そこに鈴木宏昌の良い感じのエレキ・ピアノが絡んできてメチャクチャ格好良いです。
こればっかり聞いていて最近どっぷりFUNKに目覚めてしまいそう。
全く今まで興味なかったFUNKとかSOULが急に面白いです。
どこでどうつながるか分かりませんが、それだからこそ音楽は飽きません!
Drum Method 豆瓣
Takeshi Inomata & Sound Limited 类型: 爵士
发布日期 1972年1月1日 出版发行: self
The last Inomata's work with Sound Limited, band was restored with the original members (except the second guitarist Shigenori Kamiya, that was involved in in Akira Sakata's Wha-Ha-Ha project later) is weaker than the previous two works. Here is the main course is brass jazz rock in Chicago vein and fusion with the funk elements and latino rhythms. But it should be mentioned that Inomata from the album to album pays more attention and time to his own part, often going to the first plan, not going background because his role not only in the rhythmic component. Here he enlarged his arsenal with the different gongs, tambourines, kettle-drums and other percussion - mostly manual type. Not sure that was the right decision to go further. There are many covers on this record, some good tracks but it is average. Later philippino jazz musician Jake Concepcion took care about this band, released in late 1972 the record under the name Jake H. Concepcion & the Sound Limited.
On Jupiter - 2021 豆瓣
Sun Ra and his Arkestra / Sun Ra 类型: 爵士
发布日期 2021年1月1日 出版发行: Enterplanetary Koncepts
Sun Ra, as well as anyone, proved that an artist could change with the times without being a dedicated follower of fashion. In fact, Ra and his music never stopped evolving. A series of albums recorded from 1978 to 1980—Lanquidity, On Jupiter, Sleeping Beauty, and Strange Celestial Road—demonstrate the influence on Ra of musical and production trends of the mid- and late-1970s, especially heavy, studio-enhanced dance floor grooves (traceable from soul and funk to disco), and atmospheric New Age "dream" pieces. But Ra never fully surrendered to these trends; it's arguable that he even embraced them. He adapted techniques, but what he created amounted more to reinventions than "File Under" genre works.
Rodger Coleman, writing in 2008 at his Sun Ra Sundays blog about the albums On Jupiter and Sleeping Beauty, said: "These two 1979 Saturn sessions present Sun Ra at his most accessible — groovy, dreamy, spacey, and suitably cosmic while reigning in the full-blown freakouts that can make Sun Ra’s music difficult for some .... That is not to say that these are lesser albums. Quite the contrary! This is simply beautiful music! Essential!"
They are also, quite often, very danceable, and not without "full-blown freakouts," as evidenced on "I'll Wait for You" from Strange Celestial Road (which originated at the Sleeping Beauty sessions).
ON JUPITER, issued on Sun Ra's Saturn label (cat #101679), was comprised of three tracks from two sessions at NYC's Variety Recording Studio, one in mid- to late-May 1979, the other on October 16, 1979.
Typical of Ra during the '70s and '80s, he didn't waste time dallying between recording and commercial release. Ra was incapable of artistically selling out, but that didn't prevent him from redefining the phrase "making a quick buck." During this period, LPs were pressed based on immediate economic need—and often timed to coincide with tours which required an immediate cash infusion. These albums would be pressed in limited quantities without printed covers, with minimal or no information on the labels, absent personnel credits, and often without track and album titles. Sometimes covers were hand-designed by the band (this digital release's "cover" was one such artifact, sans typography).
Many of these small press runs—which were estimated to number from 100 to 300—were sold for cash to Rounder Distribution, with copies set aside for the band to sell at concerts and club gigs. Glenn Jones, who coordinated Ra's distribution deal with Rounder, would solicit from Ra—and, if the artist wasn't available, occasionally have to speculate about—album and track titles. This info would be Xeroxed on rectangular sheets of colored paper and taped to the back of the outer cardboard sleeve. Copies which did not circulate through Rounder might not have these sheets; consequently, Saturn albums from this period were often known by two (or even three) different titles, depending on what was scribbled on the label of a particular customer's copy. The album On Jupiter has occasionally been called Seductive Fantasy. Both titles appear on the album, the former as track 1 on side A, and the latter as the entirety of side B.
As chronicled in The Earthly Recordings of Sun Ra (2nd ed., 2000), by Robert L. Campbell and Christopher Trent: "[Drummer] Samarai Celestial pointed out that 'UFO' was recorded before he joined the band in July 1979, whereas [tracks 1 and 3] came from a later session. Personnel from [Hartmut] Geerken’s discography with corrections by Samarai and [Campbell]."
A bonus track is included on this digital edition: an early, wordless live rendition of "UFO" performed and recorded on Halloween, 1978, at Grendel's Lair, a Philadelphia club that occasionally hosted Ra and his entourage. The work was found on a tape by Michael D. Anderson of the Sun Ra Music Archive. By the time the title was recorded at Variety during the On Jupiter session, lyrics existed and had already been modified. According to Earthly Recordings, the work was performed on May 5, 1979, at the New Orleans Jazz and Heritage Festival, and "the vocal on that version was somewhat different from the vocal on [the] studio recording and subsequent concert performances." According to the book, Ra "told a member of the audience that he had 'prepared a practice piece' for the [concert]. The only previously unperformed piece [heard on an existing tape of the concert] was 'UFO'." However, based on the Grendel's Lair tape (which was unknown at the time Earthly Recordings was published), we now know that "UFO" had, in fact, been previously performed, albeit sans lyrics.
— I.C.
Note: On Jupiter has long been available from Art Yard, whose license terminated at the end of 2020. Our 2021 edition is a new remastering from alternate sources. The bonus track and the above annotation are new to this reissue.
credits
released January 1, 2021
2021, Enterplanetary Koncepts
All tracks produced by Sun Ra
Tracks 1–3 recorded at Variety Studios, NYC, May 1979 (UFO) and October 16, 1979 (On Jupiter and Seductive Fantasy)
Track 4 recorded live at Grendel's Lair, Philadelphia, Oct. 31, 1978
PERSONNEL (tracks 1–3)
Sun Ra: piano, organ
Eddie Gale: trumpet
Michael Ray: trumpet
Marshall Allen: alto sax, flute, oboe, percussion
John Gilmore: tenor sax, percussion
poss. Julian Pressley: baritone sax
Danny Ray Thompson: baritone sax, flute
Julian Pressley (poss.): baritone sax
James Jacson: bassoon, flute, Infinity-drum
Skeeter McFarland: electric guitar
Taylor Richardson: electric guitar
Steve Clarke: electric bass (2)
Richard Williams: bass (1, 3)
Reg McDonald: drums (2)
Samarai Celestial [Eric Walker]: drums (1, 3)
Atakatune: conga, percussion
June Tyson: vocals (1, 2)
Ensemble: vocals (1, 2)
PERSONNEL (track 4)
Sun Ra: organ
Michael Ray: trumpet
Walter Miller: trumpet
Eddie Gale: trumpet
Marshall Allen: alto sax
Danny Davis: alto sax
John Gilmore: tenor sax
Danny Ray Thompson: baritone sax
James Jacson: bassoon, Infinity-drum
Eloe Omoe: alto sax, contra-alto sax, clarinet
Vincent Chancey: French horn
Craig Harris: trombone
Tony Bethel: trombone
Dale Williams: electric guitar
Steve Clarke: electric guitar
Oscar Brown III: bass
Luqman Ali: drums
Atakatune: conga
Michael D. Anderson: percussion
Eddie Thomas: percussion
Digital restoration by Irwin Chusid
Tracks sourced from vinyl and tape
Disc transfer by Timothy Stollenwerk, Saturn LP courtesy Craig Koon
Tape transfers by Michael D. Anderson, Sun Ra Music Archive
Cover design by IC adapted from an original hand-designed Saturn sleeve from the collection of Chris Reisman
Thanks to Peter Dennett/Art Yard and Peter Beckmann
Thanks for Christopher Trent for identifying personnel on track 4
"On Jupiter" and "Seductive Fantasy" composed by Sun Ra
"UFO" composed by Sun Ra, Steve Clarke, and Taylor Richardson
All titles © Enterplanetary Koncepts (BMI)
Issued under license from Sun Ra LLC
license
Purple Sun 豆瓣
Tomasz Stanko 类型: 爵士
发布日期 1999年1月1日 出版发行: Milo
Bass – Hans Hartmann
Design – Witold Popiel
Drums, Percussion – Janusz Stefański
Engineer [Recording] – Ulrich Kraus
Liner Notes – Milo Kurtis
Photography By – Andrzej Tyszko
Remastered By – Piotr Safjan
Soprano Saxophone, Tenor Saxophone, Flute, Percussion – Janusz Muniak
Trumpet – Tomasz Stańko
Violin, Alto Saxophone – Zbigniew Seifert
Recorded on March 9th, 1973, Musikhochschule Munchen
Remastered at Recording Studio Kraków / Poland
Hear and Now 豆瓣
Don Cherry 类型: 爵士
发布日期 2007年7月17日 出版发行: Wounded Bird Records
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Cherry had a long association with free jazz saxophonist Ornette Coleman, which began in the late 1950s. Cherry was also a pioneer in world fusion music in the 1960s and 1970s