Japanese pressing of this supergroup's 1978 debut album packaged in a miniature LP sleeve. Virgin. 2006.

Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.
Morrocan Roll is not a step toward the rock & roll side of the fusion equation, but rather an experiment with Eastern sounds and softer textures that trades in the thunderstorms of their debut for rhythmically rich siroccos. Expanded to a quintet with the addition of percussionist Morris Pert, Brand X balances their arrangements with more equanimity, resulting in a subdued sound that is mesmerizing rather than arresting. The songs are written by individual members (their debut credited the band), but this doesn't yield the results you might expect: while Percy Jones' "Orbits" is essentially a showcase for the fretless bass, Lumley's "Disco Suicide" shares more with Frank Zappa than the artist's typically dreamy tones, and it's Phil Collins' "Why Should I Lend You Mine" that sounds most like the work of Lumley. The better compositions come from John Goodsall, including the opening "Sun in the Night" (featuring sitar and a smattering of vocals from Collins), the parched-sounding "Hate Zone," and the album-ending "Macrocosm." Jones' "Malaga Virgen" is another highlight, led by the artist's popping bass, delivered with a unique mix of restraint and explosive energy. Morrocan Roll is notable for a heightened sense of humor, from lighthearted liner notes to its everything but the kitchen sink ending. If the music is more spiritually informed than their flashy debut, the contemplative listener will find this brand of subdued fusion jazz equally rewarding.

Ian Brown : Vocals
Reni : Drums,Backing vocals
John Squire : Guitar
Mani : Bass
All Songs Written by Squire except "Daybreak"Written by Brown/Mounfield/Squire/Wren,"Begging You"Written by Squire/Brown and"Straight To the Man"Written by Brown.All Song Published by Publising Designee.

十多年前，地球上并没有人可以预言到来自美国中部俄克拉荷马城的The Flaming Lips，有朝一日可以跻身「伟大乐队」之列，甚至到底他们跟主流厂牌Warner Bros的宾主关系能维持多久，也叫人怀疑。然而时间却证明，The Flaming Lips是可以化腐朽为神奇。不是当年我们把他们低估了，而是他们有一天忽然洗心革面起来。
一队本是只有在乐坛上浮浮沉沉的乐队，凭着1999年的一张The Soft Bulletin专辑，当时已出道十六年的The Flaming Lips便得以脱胎换骨而来，为他们取得重大的音乐成就与高度评价，从NME到Uncut都选之为全年最佳专辑。看到是The Flaming Lips音乐生涯上一个历史性的转折点，更被奠定为Cosmic American迷幻音乐的新典范，建立起其美丽的迷幻王国。
The Soft Bulletin在1999年面世，俨如改写了这队乐团的命运。毕竟在The Soft Bulletin之前，The Flaming Lips只是一队在乐坛上浮浮沉沉的队伍。
成立于1983年的The Flaming Lips，早年是一队深受Buffhole Surfers影响的Noise Rock乐团。由八十年代过度至九十年代，适逢九十年代初叶Alternative Rock狂流冲击着主流乐坛，The Flaming Lips亦跟众多美国另类摇滚乐队一样，与主流唱片公司（Warner Bros）签下一纸合约。当年他们的撒手，是在台上表演「放火」以作哗众取宠。
直至93年专辑Transmissions From The Satellite Heart，The Flaming Lips才初尝商业成功的滋味──单曲She Don’t Use Jelly成为流行一时的大热作，甚至出现在坏孩子卡通片Beavis & Butthead里。可惜She Don’t Use Jelly的成功，随后The Flaming Lips却无以为继，最叫人深刻的，就只有97年出版过那套要四张CD用四部CD机同步播放的Zaireeka专辑（结果只售出二万五千张）而已。那时，我们都可以明正言顺地把The Flaming Lips称之为一队One-Hit-Wonder。
万料不到，他们竟然可以力挽狂澜，洗心革面地弄出一张The Soft Bulletin。
在台上继续放火，还是处心积虑谱写好歌？The Flaming Lips选择了后者。到了The Soft Bulletin，便是他们的收成期。
The Soft Bulletin的惊艳之处，是我们都为The Flaming Lips能够谱出这样美丽动听的迷幻流行曲而深表赞叹；Wayne演绎出一首首犹如The Beach Boys / Brian Wilson般漂亮美好歌曲，同时又配以种种光怪陆离的奇趣电子声响，打造出充满新鲜感的聆听经验。
Wayne表示当时他们的态度跟以往已不同日而语，他们从音乐才华到经验再到制作资金都增长了，加上阵中的多功能乐手Steven Drozd开始充当起音乐总监，而令到The Flaming Lips有组织起来，实行由从前的「灾难性」摇滚乐队，而演进为要打造出美丽的歌曲为己任。大家亦自此开始对The Flaming Lips重新衡量。

頭脳警察解散後ソロになってから、世紀の大傑作『クリスタル・ナハト』までのパンタの足跡を辿ることができる。目玉は初CD化された頭警時代の「赤軍兵士の歌」の続編、「GESANG DES SOLDATEN DER ROTEN ARMEE」や、美しいバラード「スカンジナビア」だろう。

作为中国摇滚乐重要的唱片之一，发行于1997年的苍蝇乐队《the fly 1》二十二年后首度黑胶化。该黑胶唱片全部在德国压制，由四分律香港公司出版发行，限量：516张，全部手写编号。

ound of Confusion
2.35 [Version 1]
Losing Touch With My Mind
Amen
That's Just Fine (Vocal Version)
Come Down Easy
Mary Anne
Feel So Good
2:35 (Feedback Version)
Hey Man
It's Allright
2:35 (Version 2)
Things'll Never Be the Same
Transparent Radiation [Organ Version]

Recorded at Sear Sound by F. Kevorkian, New York, March 26, 1991.
Tenor Saxophone, Producer – Joe Henderson
Bass – Rufus Reid
Drums – Al Foster
Executive-Producer – Sergio Veschi
Art Direction – Marco Pennisi
Photography By [Cover] – Elena Carminati
Recorded By – F. Kevorkian*