这是Schoolgirl byebye的第一张，也属于乐队2016年至2018年的风格练习。《佐杜洛夫斯基的沙丘》、《亚当斯一家的价值观》、《Love Lust Luck》像是在看电影，歌词表明，那时我还在生活之外，而慢歌5首是绝对浪漫的作品（但缺乏蜡烛）。整张专辑对我而言，有点类似：“你有想过自己的生活吗？”为了感谢我们，你们也可以仔细想一想。
——更生仔

The Lee's首支單曲〈新界香港跨區之戀〉
維港唱片超級發現，出盡全力推動之超新星，在傳聞中的世界末日前現身！由才華美少女主唱Yuki、樂隊主催人兼男主唱阿榮，以及前 False Alarm 主唱兼結他手阿靈組成的 The Lee's，將會是一枚香港獨立音樂界不能置信的巨大炸彈！
不能否認，樂隊的視覺焦點將會落在長得漂亮標緻的Yuki身上，但請不要單以美貌來判定她只是一張吸引人的臉孔，她還擁有演奏音樂的才華，包括彈結他及鍵琴，所以無論是男樂迷或女樂迷，都會有不同原因愛上她；至於樂隊主催者阿榮，其實大部分作品皆出自他手筆，演奏之餘他筆下充滿想像空間的詩意，單是寫詩已經可以做個詩人，再配合音樂，更能令大家透過聆聽而獲得奇特的快感；阿靈對於香港忠心獨立樂迷已經不用多說了，他是樂隊False Alarm 的前線人物，加入 The Lee's 將其迷幻結他基因注入樂隊，令 The Lee's 變得更加不一樣，加上在製作音樂上的多年經驗，The Lee's 在輸出到你耳裡的聲音，大多由他把關，更令人喜出望外的是，Indie 樂隊 My Little Airport 成員阿P，亦有幫忙參與製作。
〈新界香港跨區之戀〉來自阿榮身邊人的經驗，他有一對朋友就是像歌中的戀人般，一個住在新界區，一個住在香港島，在這個上深圳快過在香港與新界移動的世代，阿榮寫出來的卻是情侶之間不因地域而阻隔的浪漫情懷，音樂上清新得來又因為阿靈的結他而帶點迷幻感，我們會以「迷幻民謠」來形容歌曲的風格，這也是 The Lee's 其中一個朝著走的取向。
The Lee's 下一首派台歌叫〈一齣8米厘獨立電影〉，這將是更迷幻但維港有信心成為樂隊大大飲歌之作，敬請期待。11月23日，樂隊將於獨立音樂聖地 Hidden Agenda 演出，同時亦是他們推出首張專輯《白色太陽槍》的大日子，現場首度發售，歡迎傳媒朋友到場欣賞，我們會為大家作出門票安排。
今年獨立樂圈，The Lee's 將會是你不止眼前耳際一亮、還是年終前最後爆發的絕對驚喜！

New Song in 2014. Enjoy!
Track by Bugs of Phonon
Recording Studio / 普魯士藍錄音室 PrussianBlue Recording Studio(Guitars、Bass), 地基音樂工作室(Drums)
Recording / Kane Huang(Guitars、Bass)、Sam Lee(Drums)
Mixing and Mastering / Bi Xian Huang

The third album from Ill Considered has been a revelatory part of the journey for its members. While the first album was completely improvised in a two hour session involving all four musicians and no pre-written tunes, the second album was a live gig recorded at The Crypt Jazz Club, London, involving mainly compositions ( taken from the first album, as well as new tunes and some from Wildflower (the other band in which Leon Brichard and Idris Rahman collaborate with drummer Tom Skinner). The creation of Ill Considered 3 was quite different again.
A session was booked at the same studio in which Ill Considered’s first album was created, and the four musicians met (this time with Satin Singh on percussion) with a view to recording some pre-written melodies as well as some fresh, improvised material.
The band soon realised that although the pre-written tunes were to some degree working nicely, there was no comparison with the vibe, energy, spontaneity and overall freedom of the fully improvised material. There is a musical freedom that this particular combination of musicians needs to express - throwing caution to the wind they create soundscapes, atmospheres, dreamy groove based journeys immediately in the moment, held together by deeply felt musical interaction and the interspersion of hooky bass lines and melodies. Using simple but effective motifs, the band again manage to build from delicate, intimate moments of emotion to screaming climaxes and drum and bass inspired head-bangers.
Meditative and spiritual in essence, there are a wide range of textures in this album:
Djinn has an ethereal, mystical calm about it, whilst the bass harmonics and minimal percussion of Nada Brahma give an almost Gamelan-like texture. Delusion and Meditation have a head-nodding, deep and dirty jazz-funk-inspired restless energy punctuated by abstract melodic hooks that stay with you long after you’ve finished listening.
Along with the improvised band tracks, there are three short solo tracks from bass, drums and sax - again created in the spirit of freedom.
releases April 1, 2018
Artwork by vincent De boer

Personel in alphabetical order:
Leon Brichard: Bass
Idris Rahman: Sax
Emre Ramazanoglu: Drums
Satin Singh: Percussion
recorded, mixed and mastered by Emre Ramazanoglu at Hoxa HQ

Personel on the recordings:
Idris Rahman: Saxophone / FX
Leon Brichard: Electric bass
Emre Ramazanoglu: Drums / Mix / Mastering
Satin Singh: Percussion
Artwork by Vincent De Boer

「THUNDER LIVE」(1980年作品)「MINT JAMS」(1982年作品)「CASIOPEA LIVE」(1985年作品)と言う初期ALFA時代のライヴ名盤3枚から選りすぐりのパフォーマンスを収録したLIVE&BEST。2012年に発売したスタジオ録音盤からのベスト選曲の「ULTIMATE BEST~Early Alfa Years」同様にオリジナルマスターからリマスタリングした高音質HYBRID仕様(CD/SA-CD貼り合わせ)での商品化です。8/21の名古屋クラブダイアモンドホールを皮切りに8/23大阪BIGCAT、8/31東京SHIBUYA-AXと行われるCASIOPEA 3rd今夏のライヴツアー『SPECIAL SUMMER GIG 2013』に合わせてのリリースとなります。
黄金期と称される初期ALFA時代の野呂一生(ギター)、向谷実 (キーボード)、櫻井哲夫(ベース)、神保彰(ドラム)による演奏を収録したLIVE&BEST。最新リマスタリング、HYBRID仕様。

昏鴉(闇黑奇情狂躁大樂隊)
失序的鼓 殺手的吉他 冰冷的低音牆 夢裡的喃喃自語 雨中的小提琴點著 琴聲和著、激情的群鴉
一種概念式的低鳴與狂躁編織的聲響 以及一個一直存在又不存在的自我
團員簡介
中立 主唱/吉他:樂隊創建者,籌組昏鴉前並無任何樂團經驗,吉他造詣也淺嚐而止,沈迷於古典存在主義與奇異戀曲,自戀其慘情一面並將其注入於樂隊血液裡.
杰霖 合音/貝斯:主唱自幼好友,原為樂隊鼓手,某夜夢裡頓悟音符與節奏間的曖昧,開?其貝斯之路. 註：桌遊狂熱收集者
易修 鼓手:歇斯底里的代表,不受世俗之見所拘的鬼才,亦為心電樂的主腦,樂隊經歷豐富,與主唱邂逅於心碎的場合,一路攜手抗敵.
大酷 合音/吉他:嚴以律己的天才音樂人,佛香甜、BHD主腦,因主唱的一句“嘿！來組個現代竹林七賢吧!!”,從此與昏鴉不謀而合.
灰雁 合音/小提琴,吉他:艷陽下的陰影總更為黑暗,和吉他手大酷同為佛香甜、BHD團員.黑暗有很多層面,而其小提琴的點綴為樂隊氛圍帶來一場陰冷詩雨.
大寬 古鈴/舞者:主唱好友,莫名被拉攏而來,成為昏鴉篇幅中最奇特的角色,舞臺上戴著怪奇面具,伴隨音樂跳著鬼魅舞步,深得孩童們的歡心.
神祕人物 合音/手風琴,中阮,鐵琴:俊美的樂妓,樂隊的陰陽師,因其特殊的經紀合約而無法暴露身分於光天化日,說起來也挺尷尬的,但人生不就是滿載著尷尬嗎？
歌曲概述
1.親愛的密室殺人事件:昏鴉奇愛參部曲之壹
故事主角回到家裡時看見自己與女友沈睡在床上的畫面,正感迷惑時一旁的烏鴉不停給予線索,在思緒中抽絲剝繭後回想起原來他們相約於死亡後的世界,就在漸漸的思念起兩人過往情愫時,床上的女友睜開了雙眼.
2.宇宙只有我和妳:主角在自己房間裡進行某種迷幻實驗,不小心迷失於自己創造的腦海宇宙,漫步星系中體認到自己將孤獨地在那無聲宇宙中老去,直到女友打來電話,帶著主角回航.
3.午夜暗橋探戈探戈:陰闇的午夜裡,神祕男子跟蹤著紅衣女郎,踏著追隨的舞步不停發出傾訴之音,男子一刀劃出後,女郎的恐懼將不再是她的恐懼.
4.我就是迷戀著妳即使妳已沈入湖底:昏鴉奇愛參部曲之貳
繼首部曲後,主角發現原來相約死亡乃是一場騙局,於是主角帶著愛戀的心潛入女友的夢裡,以喃喃之語帶領她沈入那最黑暗的湖底.
5.打包我的心當午餐吧寶貝:昏鴉奇愛參部曲之參
繼貳部曲主角將女友帶入湖底後,兩人終在地獄相見,互吃對方的身體及靈魂,最後合而為一,愛戀滿分.
6.黑海之舞:海邊的一場虛幻舞步,看著海面上月光倒映的金色漣漪,原來世俗的規範就如同海面上的波紋,但別忘了我們是活在海底的唷
7.敦北地底洞窟探勘實錄:都會地下迷宮裡的夏日戀曲 尋奇
8.透明的夜:化身為“罪與罰”內的人物,存在主義的一場自我辯論.
9.寓言式的深黑色風景:小黑貓離家冒險,和城市的幽暗劃為一道深黑色風景,
如果死亡的那一天能再相聚,那死也不是那麼大不了的事了
10.詩:主唱大人的浪漫小戀曲

In May 2014, three decades after the Jesus and Mary Chain first appeared on the scene in an explosion of noise, leather and attitude, it was announced that the Mary Chain, one of the most turbulent groups in pop history, would be performing their classic debut album Psychocandy live in its entirety for the first time to celebrate its thirtieth anniversary. By November 2014, the first Psychocandy shows were underway. They were both deafening and blinding, sound and light practically being used as weapons against the mesmerised crowd, and as the smoke unfurled and great tides of feedback rose and crashed everyone present surrendered to it all over again. This Deluxe package is a true collector's item chronicling the bands homecoming gig at Glasgow's legendary Barrowlands Ballroom, celebrating the tour that has propelled the band across the globe into the hearts and minds of faithful worldwide. Within the 40-page hardback book package you'll find the LP of the Pyschocandy performance cut to 180-gram heavyweight black vinyl by engineer Noel Summerville as well as the 7-track prelude set containing key singles and fan favourites including 'April Skies', 'Head On' and 'the monstrous 'Reverence' cut to a bespoke 10" entirely exclusive to the package. Also included is a CD of the entire performance, a candid interview with Brothers Jim & William Reid as well as Alan McGee about the Anniversary Tour and the future, and pages of unseen photography from behind the scenes.

2005年秋末台北樂團一隅之秋解散，擔任主唱/吉他手的洪申豪計畫組織一新樂團，於是找來了一隅之秋時期負責彈奏電吉他的唐世杰擔任鼓手一職，並邀請好友張盛文加入樂團。樂團成立初期一直沒有固定的BASS手，2007年初薛名宏於網路論壇上看見透明雜誌的徵團員啟事後主動和洪申豪連絡，經過多次樂團練習後確定加入。透明雜誌現在的陣容成型。
透明雜誌的作品風格主要建立在四位團員的音樂喜好之上，並無以一特定之類型作為創作最終目標。初期受Pixies、Superchunk、Fugazi、Sonic Youth、Weezer、Cap'n Jazz以及NUMBER GIRL等8、90年代的外國樂團影響所寫的直線吉他噪音搖滾曲子為多數，這些歌曲常以直線行進的爵士鼓和電貝斯為架構搭配刷滿大音量破音效果的電吉他。樂團於2007年9月獨立發行的『4 TRACKS EP』中的四首曲目皆為上述之風格。
十分重視現場演出氣氛的樂團，初期表演的文字宣傳多會註明『請觀眾穿著輕便、盡量避免攜帶相機等物品至現場，以方便活動』。直至近期現場的全員合唱、流汗跳舞、騷動熱絡的氣氛已成透明雜誌的表演傳統，常看透明雜誌現場演出的客人也可接受如此型態的現場演出，不只是站著"看"表演而是參與一場表演。

In Spring 2010 Sonic Youth gathered at their Echo Canyon West studio in Hoboken, New Jersey to watch the rushes of a new film, ‘Simon Werner a Disparu,’ by French director Fabrice Gobert. The band spent the following few weeks recording music which was then shaped to fit the various scenes of the film. For this release it was decided to do more than present the abbreviated clips of music used in the film. Instead the band went back to the original tapes and re-organized the various pieces; sometimes montaging multiple tracks together, other times extending cues into new sonic realms.

Hildur Guðnadóttir (“Sicario: Day of the Soldado”) composed the 17-track soundtrack to director Todd Phillips’ original, standalone origin story “Joker” which explores the world of—and according to—Arthur Fleck. Indelibly portrayed by three-time Oscar nominee Joaquin Phoenix (“The Master,” “Walk the Line,” “Gladiator”), Arthur is a man facing the cruelty and outright scorn of society, along with the indifference of a system that allows him to spiral from vulnerability into depravity. Caught in a cyclical existence teetering on the precipice of reality and madness, one bad decision brings about a chain reaction of escalating, ultimately deadly, events. Phoenix stars in the titular role alongside Oscar winner Robert De Niro (“Raging Bull,” “The Godfather: Part II”) as Franklin.

菅野洋子（1964年3月18日－）是日本的作曲家、编曲家、音乐制作人。日本宫城县人，丈夫是同为作曲家兼大提琴家的沟口肇，2007年離婚。毕业于日本早稻田大学文学系。主要为日本广告、动画、游戏、电影、电视剧制作配乐，也为日本歌手制作流行音乐及担当音乐制作人（今井美树、小泉今日子、坂本真绫等）。
海街diary (2015) 原声

HPD-18
Artwork – Syu
Lyrics By – Shing02
Producer – Nujabes