SUPERB 180G REMASTERED VINYL WITH ALL ORIGINAL ARTWORK (INCLUDING INNER SLEEVES). Hollywood Records. 2008.

Queen首发于1975年的这张《歌剧院之夜》可能是摇滚乐历史上最华丽的篇章，把摇滚歌剧这个概念发展到前所未有的高度，奢华无比。主打歌Bohemian Rhapsody被滚石杂志的编辑称为有史以来最“歌剧化”的摇滚歌曲，简直就是个小型歌剧，并且打破了当时英国单曲排行榜上冠军时间最长记录。不过这首歌，乃至这张专辑都有点晦涩灰暗，有人说常听 Queen的东西会发疯，我不能确定，但不可否认这首在整个摇滚历史上都很有影响的歌曲在华丽的编曲之外，歌词其实是非常阴暗的。这张制作成本非常夸张的专辑在美国也大卖300万张。
这张专辑在滚石杂志选出的500张历代最强专辑中排名第230位。

"Killer Queen" is a song by the British rock band Queen. Written by pianist and lead singer Freddie Mercury, it was featured on their 1974 album Sheer Heart Attack, and also appears on the band's compilation album, Greatest Hits.[1] When released as a single, "Killer Queen" was Queen's breakthrough hit, reaching number two in the United Kingdom and number 12 in the United States.[2][3] It was released as a double A-side in the UK, the US and Canada (where it reached number 15 in the RPM 100 national singles chart),[4] with the song "Flick of the Wrist". In 1986, it was featured as the B-side to "Who Wants to Live Forever".[5]

★完美吸纳华丽摇滚、前卫摇滚、重金属及古典乐精髓，彻底颠覆摇滚乐既定形象的伟大乐团
★入选「死前必听的1001张专辑」、双列Kerrang!「英国史上百大经典专辑」和「史上百大摇滚经典」名单，Mojo、NME等媒体一面倒好评
★直奔英国亚军+美国TOP12，缔造多白金亮眼商业佳绩
完美吸纳华丽摇滚、前卫摇滚、重金属以及古典音乐的精髓，彻底颠覆摇滚音乐的既定形象，丰富添加前所未有听觉和视觉感官上的新震撼！无可取代的超级团队Queen，风光成为摇滚名人殿堂终身会员，成为20世纪由大英帝国入侵全球市场最卖座的伟大乐团之一，造就18张冠军专辑+18首登顶单曲+10枚第一名DVD，创下全球总量突破3亿张门坎的惊人销售纪录，双双攻入VH1频道「百大硬式摇滚经典艺人」和「史上百组伟大艺人」名单之列！
因为1974年初『Queen II』的卖座成功，到了年底打铁趁热发行【Sheer Heart Attack】，更上层楼的直奔英国亚军+美国Top12，缔造亮眼商业佳绩，多白金销售轻松入袋。三度请到流行/摇滚大师Roy Thomas Baker(Mick Jagger、Ozzy Osbourne)和Queen团员齐力完成。入选「死前必听的1001张专辑」一书、双列Kerrang!「英国史上百大经典专辑」和「史上百大摇滚经典」名单，还有Mojo、NME等媒体一面倒的好评。"Killer Queen"、"Flick Of The Wrist"、"Lily Of The Valley"、"Now I'm Here"、"Stone Cold Crazy"都是不能错过的好歌。
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record -- just by a matter of months; it was the second album they released in 1974 -- but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless -- it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar -- but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings and as they learn how to soar to the clouds. There's a genuine excitement in hearing all the elements to Queen's sound fall into place here, as the music grows grander and catchier without sacrificing their brutal, hard attack. One of the great strengths of the album is how all four members find their voice as songwriters, penning hooks that are big, bold, and insistent and crafting them in songs that work as cohesive entities instead of flourishes of ideas. This is evident not just in "Killer Queen" -- the first, best flourishing of Freddie Mercury's vaudevillian camp -- but also on the pummeling "Stone Cold Crazy," a frenzied piece of jagged metal that's all the more exciting because it has a real melodic hook. Those hooks are threaded throughout the record, on both the ballads and the other rockers, but it isn't just that this is poppier, it's that they're able to execute their drama with flair and style. There are still references to mystical worlds ("Lily of the Valley," "In the Lap of Gods") but there's not the fantasy does not overwhelm as it did on the first two records; the theatricality is now wielded on everyday affairs, which ironically makes them sound larger than life. And this sense of scale, combined with the heavy guitars, pop hooks and theatrical style, marks the true unveiling of Queen, making Sheer Heart Attack as the moment where they truly came into their own.