指人儿首张全长专辑—《愿燃烧殆尽》
专辑制作一路从北京到东京，从后海到热海，独树一帜的热血朋克少年们更是经历了一场破茧重生。
专辑录制于京城大牌录音棚TTL，而混音、母带则是来自LUNA SEA、BUCK-TICK、阴阳座、AKB48御用录音棚—King Sekiguchidai Studio。成立于1931年的日本国王唱片（King Records）旗下的King Sekiguchidai Studio打造了一张独属于指人儿的专辑，加之日本国宝级漫画家、书法家平田弘史亲题的封面
指人儿2016全国巡演将于10月起航，敬请关注！
指人儿乐队
乔伊娜 : Vocals and Choirs
卢东博 : Electric and Acoustic Guitars
张赫 ; Drums and Percussion,Vocals
Produced by 指人儿乐队
Sound Produce, Direction, Arrangements, Additional Guitars, Edited by 重田真佑
Additional Bass Guitars : a.k.a. 隔壁老王
Recording Engineer : 李卓, 重田真佑
Additional Engineer : 雷长航
Recorded at Tweet Tone Lab BeiJing, GuTetsu Studio@CBD
Mixing Engineer : 泷川博信(King Sekiguchidai Studio)
Mastering Engineer : 涩泽贤(King Sekiguchidai Studio)
Mastering Adviser : 山田慎也(King Records)
Mixed & Mastered at King Sekiguchidai Studio, Tokyo Japan
Album Masthead & Band logo : 平田弘史
Art Direction & Design: 周梦瑶
Cover Design & Photography : 鸟先生
Stylist: 乔伊娜
Artist Management : 刘佳星

僅有十幾歲的"花兒學生樂團"，一出片就掀起樂壇的熱潮，讓人刮目相看。這次他們更要讓大家跌破眼鏡，推出《放學啦》專輯。同名主打歌「放學啦」之前曾由北京滾石收錄在《中國火3》專輯中，當時一出片，便傳遍大江南北的校園，紅不可擋；滾石因此決定再度製作「放學啦」，收錄於這張專輯中。《放學啦》共收錄了十二首歌曲，其中「轟隆隆」為開首曲，表現出活力與激情，一股難以抵抗的吸引力將你帶進音樂的世界。「花」是一首悅耳的心靈作品，描述著一段成長中的心動，單純而樸實，將少年的情懷盡收其中。「靜止」是大張偉在聯考前所寫的，簡單幾行字，卻將一個獨生子沒有玩伴的寂寞心情異常動人。而「結果」是描述大張偉對母親說的獨立宣言，也是很多青少年此刻的心聲。《放學啦》曲風多樣，展現年輕人的心情寫照，的確值得一聽！

Self-professed skate punk Avril Lavigne sings that she'd "rather be anything but ordinary" on her debut. While the fact that she had a record deal by the age of 16 separates her from the pack, too often Let Go's lyrical shortcomings drag the teenager's musically impressive recording entrée into the realm of the typical. The catchy choruses of Go are substantial, though, thanks to Lavigne's riff-driven melodies and powerful vocals, which at times adopt the unorthodox intonation quirks of fellow Canadian Alanis Morrissette. The nuanced, dynamic "Losing Grip," "My World" (which perfectly captures the ennui of suburbia), and the buoyant power-pop blast "Sk8er Boi" are the collection's highlights. But Lavigne's honest yet awkward words weigh down the likes of "Mobile," "I'm with You," and "Naked." "Nobody's Fool," which displays her Pink-like take-me-as-I-am credo, hints that someday Lavigne's lyrics will match the strength of her music. --Annie Zaleski

With her breakthrough 2002 debut, Let Go, Avril Lavigne tried to market herself as the bona fide alternative to tarty teen queens, Britney and Christina. Her guitar-pop hits were irresistibly bratty but the whole "Complicated" teen pose was a little hard to swallow, especially since two songwriters called the Matrix--who had at least twenty years on the Canadian singer--fed her most of the material. Having had the chance to live a little, Lavigne returns to make good on her angsty image with Under My Skin, an album rippling with delightfully dour melodies and heartfelt lyrics about loneliness ("How Does It Feel") and fractured relationships ("Don't Tell Me"). Is it clichéd? Sure. Will it scare off her necktie and t-shirt wearing fans? Possibly. But there's nothing quite as satisfying as watching a teen-pop icon actually reveal her soul. --Jaan Uhelszki

11月4日、5日の二日間限定でメジャーセカンドアルバム「THE GUERRiLLA BiSH」をゲリラ先行販売

最凶最悪最高悪幸、これがBiSHの全て 『THE GUERRiLLA BiSH』から1年半、BiSHの全てを描ききる新曲全14曲を収録した待望のメジャー3rdアルバム。