6.2/10
瑜伽妹斗罗 (2016) 豆瓣 IMDb TMDB 维基数据
Yoga Hosers
3.5 (8 个评分) 导演: 凯文·史密斯 演员: 约翰尼·德普 / 莉莉-罗丝·德普
其它标题: Yoga Hosers / 瑜伽白痴
柯莱特(莉莉-罗丝·德普 Lily-Rose Depp 饰)和麦肯齐(哈莉·奎恩·史密斯 Harley Quinn Smith 饰)是一对古灵精怪的姐妹花,白天, 两人一起在学校里上课,放学后,她们便会来到名为Eh-2-Zed的便利店打工。近日里,姐妹两人最大的指望就是不久之后即将举行的十二年级聚会,两人为了这场聚会做好了充足的准备。
某日,一个沉睡百年的远古恶魔苏醒了,破土而出的它在小镇上不断作恶,它的存在让十二年级聚集面临着被取消的威胁,这可急坏了两个姑娘,她们结识了猎杀恶魔的传奇猎手盖伊(约翰尼·德普 Johnny Depp 饰),三人合作,利用瑜伽秘术来对付这个诡计多端强大邪恶的对手。
2026年1月28日 看过
2026年1月28日 评论 a review of 瑜伽妹斗罗 - Kevin Smith's follow up to horror-comedy Tusk and the second entry in the "True North Trilogy" ups the humor, weirdness, and stupidity. You can tell it was built from the ground up to be a dumb B-movie. It's evident that Smith and crew were having a lot of fun making it. Fortunately some of that fun makes its way into the movie making things a little easier for audiences to swallow. One just has to come into it with expecting outlandish absurdity. Much like Tusk , the movie is kind of batcrap crazy. Only this time it's more in the realm of just plain stupid. It's a fun kind of stupid, but stupid nonetheless. The kind that's going to turn off a lot of people that don't have a stomach for over-the-top ridiculousness. The intentional silliness and refusal to take anything seriously is amusing. Smith fills the movie with clever one-liners and amusing scenarios that poke fun at this technology obsessed generation. The ranting of an old man? Perhaps. Luckily the two leads are given some sharp dialog to combat it and provide the audience with some chuckles. Eventually though all this goofiness and oddball imagination reaches a point where it all beings to feel like too much. That's when the "Bratzis" (bratwurst Nazis) finally show up. We get an amusing first conflict and then the plot deepens, we meet the main villain, and we start wishing things would wrap up already. Mercifully it does, but not before that eccentric sense of humor and absurdity that started as the movie’s strange sense of charm and strength in spite of its flaws begins to get on our nerves. Then there's the stuff where Smith just takes shots at his critics. After Tusk I was expecting something weird, funny, and maybe even moronic. Turns out that's exactly what I got and I found myself suitably amused throughout the majority of it's runtime. It lacks Tusk ’s charm and quality (a big red flag should be going up if you didn't like that movie), but altogether it can prove amusing if you're just looking for some cheap laughs and something different to watch with your brain turned off. If B-movie horror-comedies aren't your thing then don't bother checking this one out. It's the kind of movie you watch for the silly jokes and just to see what kind of bizarre crap happens onscreen. It does go to idiotic at times, but it's not a total waste of time if you know what to expect. And let's be honest, the plot description should give you a pretty darn good idea of what that is.
6.2/10 old review transfer
猛禽小队和哈莉·奎茵 (2020) 维基数据 IMDb Eggplant.place 豆瓣 TMDB
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
5.5 (383 个评分) 导演: 阎羽茜 演员: 玛格特·罗比 / 玛丽·伊丽莎白·温斯特德
其它标题: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn / 哈莉·奎因:猛禽小队
你听过一个有关警察、歌手、神经病和黑手党公主的故事吗?《猛禽小队和哈莉·奎茵》是一个只有哈莉·奎茵本人才能讲出来的超乎寻常的奇妙传奇。哥谭市最为凶残自大的恶棍罗曼·赛恩尼斯和他狂热的手下萨斯为了寻找一个年轻女孩卡斯,将这座城市翻了个底朝天。哈莉、女猎手、黑金丝雀和蕾妮·蒙托亚不期而遇,看似违和的四人组不得不团结一致、携手作战,才有可能打败罗曼。
2020年7月3日 看过
2020年7月3日 评论 a review of 猛禽小队和哈莉·奎茵 - Over the past few years DC Comics has seemed intent on turning Harley Quinn into their very own Deadpool, complete with fourth wall breaking antics and everything. While this has led to some amusing results and is responsible for much of the character's ever-growing popularity, she has yet to match her obvious inspiration in terms of cleverness and originality. Nowhere has that been more evident than in this movie. While I'm happy to see to see another studio follow in Fox's footsteps by making a R-rated superhero flick in this post-MCU market, the more mature and graphic content this allows for never feels as good a fit for Joker's ex as it did for Wolverine and the merc with a mouth. So all the F-bombs, gore, and raunchy humor end up coming off as sad attempts to be edgy more often than not. One of the more divisive aspects of 2016's Suicide Squad was it's Hot Topic visual aesthetic. It returns here and might actually be worse this time around. I really hope Warner Bros. ditches it going forward because I'm tired of the way it makes classic characters like Black Canary look ratchet. As much as I loved Jurnee Smollett-Bell in the role and want to see her return to it in a Green Arrow movie or something, her wardrobe was a consistent problem for me. With a few exceptions, the heroes and villains that have been unfortunate enough to find themselves in this corner of the DCEU have been subject to bad designs. Birds of Prey also lags behind other superhero films in the action department. It's hard to take Quinn herself seriously when her foes are clearly just standing there and letting her beat the crap out of them. Even when there are people onscreen who can believably carry a fight scene the choreography is usually sloppy. I wasn't expecting John Wick or anything, but this is well below the standards set by its peers. The story was the saving grace for me. There's no potential world ending threat here. It's just another messed up night in Gotham. Not only does this allow the adventure to stand out from the pack, but it also harkens back to the kind of material that got me into superheroes in the first place. Plus, it has the most memorable villains of any comic book adaptation to date in Black Mask and Victor Zsasz who actually benefit from all the gaudy flair. The script is a touch bloated (why is Huntress is even in this?), it makes no sense for Harley to have not been given top billing in the title, and much like David Ayer's critical misfire it all begs the question of where are the good guys? Specifically, where's Batman? This all going down in his city at night so it's hard to not wonder why he or some other member of the Bat-family didn't get involved at some point. For all of it's flaws though I loved the smaller, more intimate approach that was taken here. I think all of this just goes to show that if you're going to make a follow up to one of the entries in your cinematic universe, you might not want to pick the one that's arguably the worst of the bunch. You can take the most popular character from it and put them front and center, but if your still using so many of the same elements the results aren't going to be that much different. Then you have to add Harley Quinn's identity issues on top of that, as taking her content in a more hyperactive and harsher direction has betrayed so much of what made her interesting in the first place, as well as caused her to become more annoying than endearing. Something that, to the film's credit, is acknowledged multiple times by most of the people she comes in contact with. Overall, this isn't terrible, but it is a disappointing step back for the DCEU right as it had begun to redeem itself with its last few outings.
6.2/10