Recorded on October 12, 1991 at Kyoto University Seibukodo (track 2 to 5); June 27, 1992 in Seoul (8 to 10); September 12, 1992 in Space Denega, Hirosaki (6); October 7, 1992 in Manda-La2, Tokyo (1, 7, 11, 12)l and November 10, 1992 in Kamakura (13).
Mastered at Tokyo CD Center on January 10, 1995. Digipak.
Manufactured By – Off Note
Distributed By – Meta Company Limited
Recorded At – Seibu Kodo
Recorded At – Space Denega
Recorded At – Manda-La2
Mastered At – Tokyo CD Center
Alto Saxophone – 篠田昌巳*
Artwork – 竹村朋子 (Tomkem)*
Drums – 中尾勘二* (tracks: 2, 6, 8 to 10), 久下恵生* (tracks: 1, 7, 11, 12)
Engineer – 坂井利徳*
Executive-Producer – 神谷一義*
Mastered By – 滝瀬真代*
Pedal Steel Guitar – 駒沢裕城* (tracks: 2 to 5)
Photography By – 桑本正士*
Producer – 中尾勘二*
Recorded By [Dat] – 加藤彰* (tracks: 2 to 5), 坂井利徳* (tracks: 1, 6 to 12)
Soprano Saxophone – 中尾勘二* (tracks: 3 to 6, 9), 吉野繁* (tracks: 1, 7, 11, 12)
Tuba, Producer – 関島岳郎*
Written-By – 篠田昌巳* (tracks: 1, 4, 6, 10, 12), 関島岳郎* (tracks: 2, 3, 8, 11)

Fifths Of Seven算是另一支Godspeed You Black Emperor家族的乐团，毕竟来自加拿大蒙特利尔的他们，女大提琴手Beckie Foon是来自Silver Mt. Zion、Set Fire To Flames和Esmerine，而女Mandolin手Rachel Levine则跟Alexandre St-Onge组成过Cakelk(这位Alexandre正是GYBE分支Et Sans的成员)，那已令Fifths Of Seven绝对可以出现在GYBE的家族图上，再加上Wolf Parade的钢琴手Spencer Krug(又名Sunset Rubdown)，便构成他们这队Trio乐团。
然而Fifths Of Seven并不是另一支Post-Rock/Avant-Rock乐队，他们所打造出，是充满思古幽情的Neo-Classical音乐。乐团的首张专辑Spry From Bitter Anise Folds，是交由法国的Les Disques Du Soleil et De L’acier厂牌出版，一张满溢著Poetic Beauty而发人深省的唱片，诗意、忧愁、古雅、纯美──据说唱片公司收到乐团从加国寄来的CD后不够一个小时，便马上联络他们。
把Fifths Of Seven介定为新古典，但他们却非典型的室乐团，毕竟阵中有一位Mandolin手──一队由大提琴、钢琴和Mandolin构成的Trio，的确有点非比寻常。
Beckie哀怨缠绵的大提琴仍是那么教人怦然心动(甚至心碎)；Spencer的钢琴在思古幽情之餘也处处流露著Erik Satie的「傢俬音乐」对他的影响(偶意他也会弹手风琴)，像他的钢琴独奏曲目Waiting便宛如Satie(甚至John Cage)的钢琴音乐作品之薰陶；而Rachel一手鏗鏘的Mandolin，却为Fifths Of Seven优雅的音乐添上一份古朴的民谣(民间)风味。
比方如Echoes From A Wandered Path在Spencer的典雅探戈钢琴与Rachel充满民族风情的Mandolin之间，彷彿奏出了月色下的神秘美丽。
然而他们并非一支纯粹要古雅盎然的乐队，所以Bless Our Wandering Dreamers的氛围化演奏，正流露出是Fifths Of Seven的现代乐派的倾向。