Original Motion Picture Soundtrack (OST) from the film 1917 (2019). The soundtrack music was composed by Thomas Newman (The Highwaymen, The Shawshank Redemption, The Man with One Red Shoe, Passengers).
1917 is a British-American war drama film written by Krysty Wilson-Cairn and Sam Mendes, directed by Sam Mendes. The film stars Benedict Cumberbatch, Colin Firth, Mark Strong, George MacKay, Dean-Charles Chapman, Richard Madden, Andrew Scott, Daniel Mays, Adrian Scarborough, Jamie Parker, Nabhaan Rizwan, Claire Duburcq.
The movie was filmed by DreamWorks Pictures, New Republic Pictures, Amblin Partners, Neal Street Productions, and Reliance Entertainment, distributed by Universal Pictures.

TVアニメ「銀魂」サントラ第3弾！
お待たせしました！テレビ東京系にて絶賛放送中の大人気アニメ「銀魂」のサントラ第3弾が遂に発売！今回は、人気エピソード「ミツバ編」で使用された楽曲から3年目の楽曲まで全28曲を収録。もちろん、あに伝説のアニメ「ギンタマン」のオープニングテーマもフルバージョンで収録だァァァ！

由曾經執導過【曼哈頓戀習曲】、【曾經。愛是唯一】兩部經典音樂電影之英國愛爾蘭名導John Carney所自編自導、帶有些許自傳性質的全新作品【Sing Street】，在本屆日舞影展上首映之後廣受好評，主演卡司包括佛迪亞威爾斯皮洛(Ferdia Walsh-Peelo)、露西波恩頓(Lucy Boynton)、傑克雷納(Jack Reynor)、艾登吉倫(Aidan Gillen)等，講述了英國都柏林80年代的青春音樂世代。故事由一名14歲的少年Conor Lalor開始，因種種原因從貴族私立學校轉學至貧窮的公立學校；在那裡，他飽受同儕的欺壓與霸凌、與當地的氛圍格格不入，但就在遇見一位美艷的模特兒之後，一切逐漸有了改變，他的青春歲月也逐漸踏上了充滿搖滾樂的世界。Conor Lalor與許多同樣不被接受的夥伴們組起了樂團，應和著80年代英倫搖滾的復甦、曼城音樂的崛起，這一批來自都柏林的少年小夥子，藉由音樂改寫了自己的人生；同時，面對家庭問題紛擾、雙親婚姻危在旦夕的Conor Lalor，該怎麼運用可改變世界的搖滾樂，影響家庭成員並挽救家中的危機？而Conor Lalor與朋友們的樂團，是否能在英國闖出名號？

Standard edition+Deluxe edition bonus tracks+MovieTickets.com bonus track

Main Titles
Blush Response
Wait For Me
Rachel's Song
Love Theme
One More Kiss, Dear
Blade Runner Blues
Memories Of Green
Tales Of The Future
Damask Rose
Blade Runner (End Titles)
Tears In Rain
Longing
Unveiled Twinkling Space
Dr. Tyrell's Owl
At Mr. Chew's
Leo's Room
ONE ALONE (Bonus Track)
Deckard And Roy's Duel
Dr. Tyrell's Death
DESOLATION PATH (Bonus Track)
Empty Streets
Mechanical Dolls
Fading Away
Launch Approval - Scott Bolton, Bryce Bolton
Up And Running - Sir Ridley Scott
Mail From India - C. Lambrakis
BR Downtown - Oliver Stone, Akiko Ebi, Cherry Vanilla
Dimitri's Bar - Akiko Ebi, Oliver Stone, Dimitris Tsakas
Sweet Solitude - Dimitris Tsakas
No Expectation Boulevard - Rutger Hauer, Wes Studi, Bhaskar Balakrishnan
Vadavarot - Irina Valentinova, Florencia Suayan Tacod
Perfume Exotico - Edward James Olmos
Spotkanie Z Matka - Roman Polanski
Piano In An Empty Room
Keep Asking - Bryce Bolton

The original motion picture soundtrack to Jim Jarmusch's forthcoming crypto-vampire love story 'Only Lovers Left Alive'.
Due for release via ATP Recordings on February 24th 2014, as a Double 180 gram 12" Red Vinyl (with download code) or CD.

Alexandre Desplat 为 2011 年电影《哈利波特与死亡圣器（下）》创作的配乐。
作为哈利波特系列电影的最后一部，Desplat 为这部“It All Ends Here”的电影谱写的配乐着实是可以比肩此系列最初的 John Williams 作品的大作，为哈利波特电影配乐谱上了一曲动人的末章。（罗伊）

From Warner Independent, a new division of Warner Bros. Pictures, comes "A Very Long Engagement" – a love story set during World War I featuring the director and star of "Amelie," Jean-Pierre Jeunet and Audrey Tautou. With a box-office total of $152 million, "Amelie" is one of the most popular foreign language films of recent years. Director Jeunet’s "Engagement" is the biggest budget French film in history, opening on 800 screens in its home country. Based on the acclaimed novel by Sebastien Japrisot, the story takes place at the close of the war, when Mathilde(Tautou) receives word that her fiancee is one of five wounded soldiers who have been court-martialed and forced into the no-man’s-land between the French and German lines to die an almost certain death. Unwilling to accept that her lover is lost to her forever, Mathilde embarks on an investigation, strengthened by a steadfast hope. In her quest to discover his fate, she is drawn deeper into the horrors of war and the indelible marks it leaves on those whose lives it has touched. The orchestral score is by Angelo Badalamenti ("Twin Peaks," "Mulholland Drive," "The Company," "The Straight Story," "Lost Highway"), conducted by Phil Marshall.

CD enhanced with exclusive wallpaper and screensaver, flip book of stills from film, exclusive link to demo of new EA Harry Potter video game, Golden Ticket Contest: Winner receives trip to Hollywood to tour WB lot and museum, pull out poster.


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Track Listing

1. Lumos! (Hedwig's Theme) (1:37)
2. Aunt Marge's Waltz (2:15)
3. The Knight Bus (2:52)
4. Apparition on the Train (2:15)
5. Double Trouble (1:37)
6. Buckbeak's Flight (2:08)
7. A Window to the Past (3:54)
8. The Whomping Willow and The Snowball Fight (2:22)
9. Secrets of the Castle (2:32)
10. The Portrait Gallery (2:05)
11. Hagrid the Professor (1:59)
12. Monster Books and Boggarts! (2:26)
13. Quidditch, Third Year (3:47)
14. Lupin's Transformation and Chasing Scabbers (3:01)
15. The Patronus Light (1:12)
16. The Werewolf Scene (4:25)
17. Saving Buckbeak (6:39)
18. Forward to Time Past (2:33)
19. The Dementors Converge (3:12)
20. Finale (3:24)
21. Mischief Managed! (12:15)

Celeste: RANDY KERBER
Early Music Instruments: THE DUFAY COLLECTIVE
Chorus: LONDON VOICES
Children's Choir: THE LONDON ORATORY SCHOOL
"Double Trouble" includes performance by LONDON SINFONIETTA

Music Recorded & Mixed at ABBEY ROAD STUDIOS, LONDON, March 2004

Total Playing Time: 68:38

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

John composed "Double Trouble" during the production of the film as we decided that a children's choir would be a warm welcome back to Hogwarts. The theme, a melodic mischievous close cousin of the "Hedwig's Theme" composed around text from Shakespeare's "Macbeth", became the foundation stone for the rest of the film score. Its medieval color became the musical identity of the wizarding world in this third installment of Harry Potter.

John juggled these medieval motifs with a late 19th century rossini-esque narrative, a delirious big band Jazz number, and 20th century music (which we both share a love for). How he managed to create a unity out of it all, beats me!

It was a great privilege to witness, as the scoring sessions unfolded, music breathing life into what has become a much better film.

Gracias Maestro!

Alfonso Cuaron, Director

92年に発売された,耽美OVAのイメージアルバム第3弾がリリース。さまざまな旋律を持った楽曲の合間に吉田理恵子書き下ろしによる新録ナレーションを収録し,奇妙な雰囲気の中にもシャープな美しさが感じられる仕上がりとなっている。

《灌篮高手》被认为是日本写实主义漫画之颠峰，在动漫界的名气不容小视。而电视动画版在各地播映期间更是在青少年中掀起了前所未有的篮球热潮。相信，很多80后对于篮球的热爱是建立在这部动画片之上的。对于TV版的主题曲，看过动画版的人一定都很喜欢。其实，动画片主题曲的名气一点也不逊色于原作本身，这一点是多数人都同意的。本作的多首著名歌曲甚至已超越了动漫歌曲的范畴，主题曲在国内外的火爆，使得即使是没有看过动画版的人，都知道《好想大声说喜欢你》、《只注视着你》……某种意义上，这部动画片的主题曲的影响力也已成为日本动漫歌曲繁荣的一个里程碑。

戴上耳机，体验飞翔的感觉吧

十年的光景，不浓烈也不漫长。期间的每一点困顿和迷惘，坚守和喜悦，一弹指就都成了往事。但有些人，有些事，在我心里留下的痕迹，却从未变得浅淡。
十年前，我有幸遇到了这部《大明宫词》。李少红导演，曾念平导演，婉姐（总制片李小婉），叶锦添老师，大廖（本片音乐统筹）挤在我那个十余平米的“微型”工作室听我的音乐小样。。。跟郑重（编剧）、大廖激烈讨论片中的每一段配乐。。。
历历在目的情景，仿佛就发生在昨天。
严格意义上说，这是我独立创作的第一部影视配乐。说实话，起点真的是很高。感谢少红导演和婉姐的信任，给了我这么重要的一个机会。想要说的话好多，但不知道如何恰当地用文字表达此时的心情。
如今的唱片业已几近崩溃，出资出唱片无异于自杀，然而，在这部伟大的作品诞辰十周年之际，我还是不自量力独立出资出版这部剧的原声配乐。为的是回报少红姐，婉姐的知遇之恩，并答谢所有喜爱《大明宫词》的影迷和乐迷，纪念自己音乐生命中的一个十年。
需要说明的是，本片的音乐不全是原创。有一部分是本片的音乐统筹兼编辑廖家伟找来的风格很特别的音乐，有的曲风甚至很怪异。但是，正如大家所闻所见，运用的都非常出色。另外，还有几段音乐是后来片中没有使用的，这次我也一并收录进来了。
当我们痛心疾首地发现正处身于一个不幸的音乐时代时，还有多少人能守住这份对音乐的虔诚？也许再过一个十年，我也不再是意气风发踌躇满志，但只要还有人喜爱我的音乐，我就一定有勇气，做我自己。