Caetano Emanuel Viana Telles Veloso is a Brazilian composer, singer, guitarist, writer, and political activist.

1962–1966, also known as the Red Album, is a compilation album of songs by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart 1967–1970 (the "Blue Album") in 1973, the double LP peaked at number 3 in the United Kingdom. In the United States, it topped the Cash Box albums chart and peaked at number 3 on the Billboard Top LPs & Tape chart while 1967–1970 reached the top spot. The album was re-released in September 1993 on compact disc, charting at number 3 in the UK.

The album was instigated by Apple Records manager Allen Klein shortly before he was dismissed from his position. Even though the group had success with cover versions of songs, particularly "Twist and Shout", the original release of 1962–1966 contains only songs composed by the Beatles. It also omits any George Harrison compositions from the era, such as "Taxman", and as such, consists entirely of Lennon–McCartney originals.

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

FREDDIE HUBBARD,trumpet
GEORGE COLEMAN,tenor sax
HERBIE HANCOCK,piano
RON CARTER,bass
TONY WILLIAMS,drums

Time Further Out continues the Dave Brubeck Quartet's exploration of unusual time signatures that began on their 1959 album Time Out. The tracks are ordered by the number of beats per bar, starting with "It's a Raggy Waltz" and "Bluette" in 3/4; "Charles Matthew Hallelujah", a tribute to his newborn son, in 4/4; "Far More Blue" and "Far More Drums" in 5/4; "Maori Blues" in 6/4; "Unsquare Dance" in 7/4; "Bru's Boogie Woogie" in 8/8; and concluding with "Blue Shadows in the Street" in 9/8. The time signatures are listed on the album's cover, where they are referred to as "tempos". Like Time Out, Time Further Out's cover features a work of modern art: a painting by Catalan-Spanish artist Joan Miró.

John William Coltrane was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz.