Manufactured By – Tokuma Japan Corporation
Distributed By – Tokuma Japan Communications Co., Ltd.
Recorded At – Mouri Studio

Arranged By – Caramel Mama, Minako Yoshida
Design Concept, Design – Mitsuhiro Koshida
Drums, Percussion – Tatsuo Hayashi
Electric Bass, Acoustic Guitar, Percussion – Haruomi Hosono
Electric Guitar, Percussion – Shigeru Suzuki
Engineer [Recording, Remix] – Kinji Yoshino
Engineer [Remix] – Masaki Nomura
Orchestrated By – Minako Yoshida
Organ, Accordion, Percussion – Masataka Matsutoya
Photography By – Joji Ide
Producer – Haruomi Hosono, Kinji Yoshino, Minako Yoshida
Vocals, Piano, Percussion – Minako Yoshida
Written-By – Minako Yoshida

1962–1966, also known as the Red Album, is a compilation album of songs by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart 1967–1970 (the "Blue Album") in 1973, the double LP peaked at number 3 in the United Kingdom. In the United States, it topped the Cash Box albums chart and peaked at number 3 on the Billboard Top LPs & Tape chart while 1967–1970 reached the top spot. The album was re-released in September 1993 on compact disc, charting at number 3 in the UK.

The album was instigated by Apple Records manager Allen Klein shortly before he was dismissed from his position. Even though the group had success with cover versions of songs, particularly "Twist and Shout", the original release of 1962–1966 contains only songs composed by the Beatles. It also omits any George Harrison compositions from the era, such as "Taxman", and as such, consists entirely of Lennon–McCartney originals.

VSOP

Herbert Jeffrey Hancock (born April 12 1940 in Chicago, Illinois) is an award winning American jazz pianist and composer. Hancock is one of jazz music's most important and influential pianists and composers. He embraced elements of rock, funk, and soul while adopting freer stylistic elements from jazz.

Gravado em França em 1972 mas só editado em Portugal em 1973, num período em que Sérgio Godinho estava radicado no Canadá, o seu segundo álbum de originais é um trabalho de uma expressiva e insuspeita maturidade de onde saíram alguns dos seus clássicos mais unânimes e incontornáveis ("Barnabé", "A Noite Passada", "Pode Alguém Ser Quem Não É?", "O Homem dos Sete Instrumentos").

E, num período onde a intervenção era de rigor para os jovens cantores-compositores, Godinho assina um conjunto de canções de extraordinária atenção às emoções pessoais.