在70年代的歐美音樂風影響下，日本本地也吹起了一陣美式音樂風潮，本日介紹的「八神純子」即是其中一位有著洋派作風，演唱實力堅強的資深女歌者。

Personnel:
Osamu Kitajima (ac-g, biwa, synth, shamisen, suzu, koto),
Kazu Matsui (shakuhachi),
Geoffrey Hales (perc),
Abraham Laboriel (b),
Victor Feldman (key),
Russell Kunkel (d),
David Mansfield (v),
Bobby Hutcherson (vib),
Alex Acuna (d),
John Klemmer (ts),
Brian Whitcomb (org)
《素浪人》是Osamu Kitajima 一生最精彩的两张唱片之一（另一张也是久已绝版的《龙王》）！！

音質はアナログからCDに変わったとは言え７７年のデビュー当時の録音。
今と変わらず唄がうまい。つい最近「渡辺　真知子」を知った人は一度，
聞いてみる価値あると思います。

Ebo Taylor “Twer Nyame” is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs and artwork as per the original release.

Originally released in 1978 on Philips-West African-Records. Classic highlife sounds; uptempo grooves, vocals, tons of percussion, guitar, horns and organ lines. Featuring

the stand-out ‘Atwer Abroba’.



Ebo Taylor is one of Ghana's finest producer/arrangers.

Taylor was heavily influential in the unique sound that emerged from the country in the 70's; a combination of traditional Ghanaian with Afro-beat, jazz, and funk rhythms.



He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and Sol Amarfio who later joined Osibisa), Apagya Show Band and fellow musicians C.K.Mann, Gyedu-Blay Ambolley and the legendary Pat Thomas.

「Light Mellow 和モノ669」掲載盤。
｢LEE RITENOUR｣、｢TOM SCOTT｣など、西海岸の重要人物をゲストに迎えた1stアルバム。｢サディスティックス｣の面々が参加したアーバンなトロピカル・グルーヴA-2.｢戻っておいで・私の時間｣収録！当時の｢加藤和彦｣さんらしい、｢サヴァンナ・バンド｣系の傑作ナンバーです。ほかにも、｢山下達郎｣が作曲を手掛けたA-3.｢夏の恋人｣、B-5.｢サンタモニカ・ハイウェイ｣など、デビュー作とは思えない充実の内容です！

Pano-Cru é o quinto álbum de Sérgio Godinho, lançado em 1978.

Ao quinto álbum de originais de Sérgio Godinho descobrem-se dois dos clássicos absolutos da carreira do "poeta Godinho": "O Primeiro Dia" e "Balada da Rita" (escrita para o filme Kilas, o Mau da Fita, que só em 1981 estrearia).

Marcando a sua transição para a Orfeu, Pano-Cru é o primeiro passo em direcção à consagração que ocorreria três anos mais tarde com Canto da Boca e a prova de que Sérgio Godinho estava pouco disposto a fechar-se em guetos facilmente catalogáveis.