一群荷尔蒙分泌过往的年轻人，一段张狂而跋扈的残酷青春。
谁爱谁？谁不爱谁？重要么？
谁是谁？谁不是谁？谁在乎？
年轻的天空总呈现魔幻般的彩色，当日复一日的乏味生活让我们无法忍受，就注定了叛逆的因子要从此刻爆发，且一发不可收拾。那澎湃卷涌的蘑菇云会遮天蔽日，冲破万物，直上云霄。
一生只得一次的半熟时光，难道不能用来挥霍？
莫非必须要用一份漂亮成绩单来换取一盎司的大麻？
那不是我们，我们想到就说，有屁就放，肆意狂妄，横冲直撞。
沉迷高浓度酒精和电音派对，企图挖掘深入的成人世界。
我们崇拜上帝，崇拜犹大，崇拜亚当，崇拜夏娃，崇拜舞者，崇拜吉他手，崇拜安全套，崇拜拳击手套，崇拜Doris Lessing，崇拜Paul Potts，崇拜肉体，崇拜烟草，崇拜青春痘，崇拜非处男，崇拜迷幻音乐，崇拜迷幻药，崇拜大麻，崇拜雪糕，崇拜Radiohead，崇拜金钱，崇拜酒精，崇拜宿醉，崇拜旧的球鞋，崇拜John Galliano，崇拜有logo的内裤，崇拜性爱，崇拜蓝天，崇拜Anne Sudwort，崇拜哥特式，崇拜嬉皮，崇拜神明，崇拜神经病，崇拜爱情，崇拜Alfie，崇拜Casanova，崇拜他的那话儿，崇拜板球手，崇拜对冲基金，崇拜魔术师，崇拜糟老头的遗产，崇拜女模特的胸部，崇拜海鸥，崇拜The Big Brother的赢家，崇拜地球另一端，崇拜闪光的他们，崇拜迷失的自己。
我们都生活在精致的皮囊中，用彼此依偎，亲肤取暖的方式来慰藉这迷乱而孤独的青春。

DAT112 - DJ Trace, We welcome Trace back to DJ, this time with three remixes of his all-time classic "Lost Entity" and an alternate mix of "Jazz Primitives". The "Lost Entity" remixes include the OG remix put out on Lucy Spin back in 1995, plus fresh remixes by Harmony and Dev/Null. "Jazz Primitives alt mix" is a different take of the tune from 1995, discovered on DAT alongside the original: a nice piece of lost jungle history for the heads.

The fourth album from Glasgow's kings of glowering, volatile quasi-instrumental rock is subtler than their previous work, compositionally beautiful but intense and trance-inducing at the same time. 9 tracks. Matador. 2003.

Zero 7由Henry Binns及Sam Hardaker两位在伦敦当地录音室工作的伙伴一起组合而成，九零年代初期他们潜伏于录音室中，锻炼各种音乐制作上的技巧，并逐步发表他们改造别人歌曲的混音作品，其人以为英国摇滚名团Radiohead的”Climbing up the walls”以及Terry Callier的”Love Theme from Spartacus”最引人注目，展露精湛的制作功力，并与Pet Shop Boys及Robert Plant等巨星合作，在首张专辑《Simple Things》出版之前他们发表了两张少量生产的EP，造成了一股抢购搜集的热潮。
《Simple Things》一张集合各式轻松电乐感觉的作品，混融爵士、灵魂、放克等元素在柔缓的chill-out电音情调中，辑内的演唱歌声部份特别找到了 Mozez,Sia Furler以及曾在Groove Armada、 Grooverider专辑中献声的Sophie Barker跨刀。音乐杂志形容他们是”英国的Air”，也有很多人喜欢把他们拿来和Morcheeba, Rae & Christian, Nightmares on Wax及早期的Massive Attack等乐团做比较，不过这些都不能确切地表达出Zero 7在此辑中的完美演出，不刻意地加入歌剧中受灵魂乐影响的女伶歌声，古典音乐的编曲风格以及带有迷幻气息的电子音墙，实在令人不得不赞叹这两位制作高手的深厚功夫。
NME音乐周报－８分，All Music Guide音乐网站－四颗半星，都给予此辑近满分的超高评价，而Zero7也以这张作品分别荣膺英国两大指针性音乐奖：水星音乐奖(Mercury Music Prize) “年度专辑”及全英音乐奖(Brit Award) “最佳新进团体”等提名。喜欢轻淡舒缓的如Air、 Groove Armada、 Bent这些人的电音作品的话，千万别错过Zero 7这张专辑，光是”In the Waiting Line”一曲中的曼妙曲调就足以让人流连忘返。

Mythology has a recurring theme: creating ambiguity by rearranging worlds and creatures that normally don’t belong together. Centaurs, Minotaurs, Hydras and so on: mockery and mystery intertwine into entities that are in equal parts magnificent and ridiculous. Referencing this idea in the present, Loris S. Sarid conjures 12 compositions simultaneously showing traits of dreamlike trap, candy-flavoured New Age and Spoken Word. The lines between spiritual and mundane, drama and parody are bent and questioned, used as raw material and treated with the same importance. Binding the work together is the sense of feeling peacefully lost inside a shuffling iPod, buried in a quiet zen garden inside a noisy shopping mall or vice versa. What connects Ambient music, which often anonymously swims into endless sleeping playlists with monthly subscriptions to well-being, to the mainstream output of commercial music? "Ambient $" doesn’t explore the social aspect of this question, but rather celebrates the beauty of its paradoxes. This album is the morning choir of forgotten NFTs, brewing lyrics in their binary exile. The television homily of a wrestler turned priest, turned influencer chef, then hermit and then rapper. Randomness is reclaimed as a human quality, and the aesthetics of mass music consumption are repurposed into a rather inexpensive guide to streaming-service-enlightenment.