DEATH‘s seventh and final album ‘The Sound of Perseverance‘ will see its official re-issue on February 15th in North America (February 21 internationally) via Relapse Records and is available for pre-order now at this location. The first in a series of official DEATH re-issues slated for 2011, ‘The Sound of Perseverance‘ has been remastered from the original studio tapes and expanded to include a second disc of previously unreleased demo material. The re-issue will also include enhanced artwork (viewable here) and liner notes from the original cover artist Travis Smith as well as liner notes from DEATH guitarist Shannon Hamm and never-before-seen photographs from ‘The Sound of Perseverance‘ era

Advaitic Songs is the fifth studio album by American rock band Om, released on July 24, 2012. The album has received a generally favorable response from both fans and critics, though its reception was more mixed than past works. The album has a 67 on Metacritic, indicating "generally favorable reviews". As with Pilgrimage and God Is Good, Advaitic Songs' album cover again visits Iconography from Christianity. The cover of the album features an image of John the Baptist.

2009 release. It's been years now just about two judging from the sun. OM have done their time in the desert and ever-changing are returned. Today they say God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources filtering through the external and the internal. OM albums are rituals personal convictions transcripted into verse. Playing the music is visceral emotional a catharsis of soul and spirit.

Teitanblood – “From the Visceral Abyss”





Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.



This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.



As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.



The cycle is eternal. The dead shall die again, their bodies will be feasted upon by worms, and the voice of the black earth will proclaim to those who sleep in the dust with the tumultuous clamour of empty graves, overshadowing the clouds.