"Mega-rare light psych item is one of the few in the genre in which the creative force is a woman, Sue Akins. This isn't really much like all of the Airplane-wannabe bands, either; Hendrickson Road House has a distinctive sound with mildly jazzy arrangements, subtle lead guitar, a tad of autoharp, smooth vocals and a definite late-night feel. The guitar playing has a bit of a West Coast influence, though it's not the least bit heavy. The closest comparison would be the Serpent Power songs with Tina Meltzer on lead vocals. One jazzy instrumental with a lot of sax manages not to sound out of place. Otherwise Akins sings all of the songs, and the album has a coherence not often felt in the genre. Not a masterpiece, but quite good, and the lack of a reissue is truly puzzling given its quality and rarity." (The Acid Archives of Underground Sounds review)

Emily. Her name is Emily Bindiger. Recorded this album with Dynastie Crisis when she was 16 years old. She now singing pop and playing in musicals she had Grammy award nomination for one her album don't know why her first lp is losted she too not tulk much about it in her bio is not mentioned too.
this is her myspace page:

Cacho Tirao - Roberto Todd - Horacio Corral - Domingo Cura

专辑类型：Progressive Folk
专辑厂牌：Second Battle
专辑介绍：
德国前卫民谣团体 Carol Of Harvest 78's经典同名专辑当年由厂牌"Brutkasten"以LP极限量发行，至今仍是受乐评极度推崇及收藏家必列入的一张作品.
以优美且些许忧愁感的女声主唱主导搭配长篇Acid guitar、keyboads、Moog synthesizer演奏编曲，张力十足的Prog. Folk杰作，2001年由德厂"Second Battle"以CD版本重发，加收3首Live曲

Quite possibly the pinnacle of Krautfolk, Broselmaschine is certainly tops in the folk subgenre and is recommended to those interested in the lighter side of Krautrock. Broselmaschine combines the highly talented acoustic guitar playing of Peter Bursch (a master of the instrument who has published many instructional books on the subject), romantic vocals, and a mild Eastern influence highlighted by the use of sitar and flute. The album begins with 'Gedanken', a peaceful track with a slight renaissance-era feel, featuring acoustic and electric guitar, flute and romantic lyrics. Next the group performs the Scottish traditional 'Lassie' with multi-tracked vocal harmonies. Next, 'Guitarrenstuck', is a beautiful piece played with folk guitar and a soothing female vocal. 'The Old Man's Song' seems slightly out of place due to its use of wah-wah peddle, but this gives way to some rather ominous sounding Duul-ish acoustic guitar and folk percussion. 'Schmetterling' introduces an Eastern flavor to the album and is most notable for its sitar which reminds me a little bit of mid-period Popol Vuh. Bursch's guitar playing on this track is simply masterful and the track is given an extra boost from some atmospheric mellotron. 'Nossa Bova' stands out as a folk masterpiece with its incredible guitar work, folk percussion, and female vocals. This track has a peaceful quality similar to Paradieswarts Duul, the only difference being the musical ability of Broselmaschine's members. The album was produced by Rolf Ulrich Kaiser and engineered by Dieter Dierks and was first issued on Pilz in 1971. [4.5/5 Doug]

Barbara Keith首张专辑，与第二张一样都是同名专辑。

英国FOLK-ROCK乐队，女主唱的声音很好。

The only album ever from The Ashes -- a group who both pre-dated and post-dated Peanut Butter Conspiracy -- morphing into that famous act after an initial 60s run, then changing back to Ashes form with this group featuring female singer Pat Taylor! Taylor's got a style that's folksy, but a bit fierce too -- a quality that almost gives the group a Jefferson Airplane sound on vocals, but a bit lighter overall and not nearly as trippy. Tunes are relatively straightforward, occasionally a bit rootsy -- late 60s California underground work at its best, although more Northern Cali than southern. Titles include "My Life Has Changed", "Sands Of Love", "Sleeping Serenade", "Gone To Sorrow", "Simple Complexities", "Look Around Rock", and "Her Invention".
The Ashes were a folk-rock group formed in 1965 that included John Merrill (guitar/ vocals), Alan Brackett (bass/ vocals), Barbara Robison (vocals), Spencer Dryden (drums) and Jim Cherniss (guitar/ vocals). Before they were known as the Ashes, the group called themselves the Young Swingers and released two long lost 45s under that name: "Love Her Every Day" b/w "Or Else You'll Cry" (Courtney 746) and "Let's Take Our Love" b/w "The Winds Up High" (Portafino 901) . From the summer of 1965 up until May of 1966, the Ashes served as the house band at a club in Santa Monica called the Waleback. They released their first single under their new moniker in 1966: "Is There Anything I Can Do?" b/w "Every Little Prayer" (Vault 924). The a-side was written by Jackie DeShannon and featured a fine lead vocal from Barbara Robison. This 45, along with its follow-up "Dark on You Now" b/w "Roses Gone" (Vault 936), also appeared on the 1967 compilation WEST COAST LOVE-IN (Vault 7980). Around the time of the first Ashes single, Spencer Dryden left to replace Skip Spence in Jefferson Airplane. Jim Cherniss also exited the group at this time.