This fairytale started to unravel four years ago with the release of Triarii’s "Piece Heroique" (ES-05). A sinister seed was planted in the fertile soil of northern Europe as Christian Erdmann (Triarii) and Tomas Pettersson (Ordo Rosarius Equilibrio) gave birth to the track "Roses 4 Rome".
And now finally, the progeny has been conceived and fully developed; and what they call TriORE, has ultimately been born. Both participants go beyond themselves and step out of normal character, but TriORE is nonetheless the embodiment of all that which is Triarii, and all that which is Ordo Rosarius Equilibrio; like a succulent apple in two opposite pieces just waiting to be devoured.
The bombastic touch of Triarii is still there; the string sections, the choirs, the martial drums and much more; alongside the eloquence of Ordo Rosarius Equilibrio, musically, melodically, as well as lyrically.
This is what all lovers of both bands have been waiting for, a complete forty minutes of Art Deco Industrial Pop. This work begins where Roses 4 Rose left us, and takes all the way from the rising of victory, through the trenches and all the way till Europa falls.

Simon Heath is back for the 3rd time with a new album taking us on a dark blackened journey. Beyond the malignant jail cells and narrow asylum walls, our hidden tormentors laugh at us from a world of smoke and mirrors. Kapnobatai, the third installment from Atrium Carceri, ventures further still into the wretched world beyond the place we so resignedly inhabit, and into the sublimely unkown. Shattered yet enlightened we are thrust forcefully through the illusion of our making, to the ancient sprawling city that is the one true testament to human achievment. The visions of the Kapnobatai (those who walk in smoke) are seen, heard and felt in this genderbending and exquisitely detailed black ambient album from philosopher/visionaire/composer/artist Simon Heath. This is a place of ancient machines, rusty walls and whispered sighs. With lavish attention to detail this profound composition of the mind wrests the listener away from the mundane, perchance never to return. Expected late September, 2005 on Cold Meat Industry.

This surprising new star on the apocalyptic-folk-scene sprouts from the punk–sing-songwriter–rock genres, but is cleaver to set a personal imprint, with obvious influences of course, to a singer-songwriter-apocalyptic-folk music. ROME is about emotive songs that are both catchy and disturbed. The songs awake memories of love and death, with the reoccurring themes of despair and loss, guilt and grief, might and war. With the cynical opening line “Once we learned to speak we learned to fail”, the band sets a grand colour to this exquisite candy piece of 6 exclusive songs; a teaser to their upcoming full-length CD planned for this autumn. “Berlin” comes in a very appealing digipak. Rome is neither from Rome, nor Berlin....

Draconian Poetry is the new album by Sephiroth, a much anticipated sequel to the 1999 debut, Cathedron, which in itself still finds and enthralls new listeners six years down the road. Once again, Sephiroth takes us along on a trip to the twilight zone inbetween darkness and dawn, to forgotten cities and distant, barely remembered lands, where ancient rituals and Eastern influences meet pounding metallic poly-rhythms emanating from subterranean catacombs. If Cathedron moved along the deep green/blue axis on the chromatic scale - as in the hues of the jungle and the ocean - Draconian Poetry arrives in the earth-tinted spectrum: the brownish soil, the corroding greyness of withering, weather-beaten ruins, and the blindingly green setting sun. Sephiroth is there to meet you, bidding you welcome at the crossroad where civilization ends and the unexplored begins; the threshold where dull reality is terminated in favor of boundless fantasy....

Sephiroth relate stories about the inexorable and destructive power of Time, mankind's futile attempts of resistance, and the sunken cities, fallen towers, and overgrown ruins that this has resulted in.

"The Empty Hollow Unfolds" is a grim travelogue from the land where the sun never rises; grievous keyboard passages overlayed by factory noises and the trademark chanting monks turns this into some of the most unsettling listening since the days of Lustmord's 'Paradise Disowned'.

The last album by ARCANA on Cold Meat Industry, released in 2002, is now available again! On ‘Inner Pale Sun’ the strings flow as gently as ever, the rolling drums and the sonority of the chimes accentuate the various moods spelled out by the music, while the voice of the female companion take the compositions to even more celestial spheres. This album stands as a magnificent proof that Arcana are in a leading position among the host of bands on the romantic/ethereal fringe of the darkwave scene and is regarded as one of their best albums ever

Label: Cold Meat Industry
Catalog#: CMI166
Format: CD, Album, Digipak
Country: Sweden
Released: Nov 2006
Genre: Electronic
Style: Industrial, Experimental
Credits: Producer, Recorded By - Lina Baby Doll
Notes: Recorded and produced at Generalstaab Studios 2006.
Comes in a digipak.

Decadence has been proudly signed to Cold Meat Industry for their first album since the "Something to love, something to spend" LP in 2003. With their new album "Where do broken hearts go?", Decadence manage to create a perfect harmony between sophisticated Neo-Classical and Neo-Folk music; dramatic classical orchestrations, militaristic snares and soft melodies played by piano and acoustic guitars. Fragile innocence presented by female singer Eufrosyne, and completed by the cynical voice of Petros - a perfect combination of Romance and Sin.
Decadence have released very limited vinyls on prestigious labels before, that were instantly sold out, so we are finally glad to present their new album, to a larger audience.
Jewelcase with 24-pages fullcolour booklet with decadent and sexy pictures.

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Limited edition of 731 copies, of which 31 copies were hand-numbered. Packaged in a gate-fold sleeve.

Limited Edition of 450
Re-released on CD by Staalplaat (here). Later remastered and re-released again on Cold Meat Industry, both in the Re-Enter Salvation boxset and on it's own

The Protagonist may not be known for being the most productive band, but they should definitely be known and statued as a prime example of how Neoclassical music should sound. 7 years after their debut CD "A Rebours" they still remain as a great influence to many new acts. In a most dramatic way it forces your will to desire for more, not only more of music but more of life. The bombastic male drums and snares are seduced by the romantic and feminine violins.

The Protagonist's music is classic in design, strongly inspired by literature, film and the fine arts. For this recording accompanied by The Royal Dramatic Theatre of Sweden. 4 tracks 21 minutes of supreme Neoclassical music. - Lighten up your absinthe, sink down into your sofa, lay back and let your self be devoured by the romantic atmosphere of a early 1900-century - France - Paris - dreamers - thinkers - creators. Loose yourself in a theatrical world of beauty, mystery, nightmares.... here is the soundtrack to your dearest desires.

The imminent release of the debut CD by new CMI signing The Protagonist has proved to be the most anticipated since Arcana's "The Dark Age Of Reason", mainly due to the ingenious tactics by the person behind the project, Magnus Sundström. By participating on a number of prestigious compilation albums, giving a couple of well-timed concerts in Europe, and putting up enticing musical samples for public scrutiny on the web, The Protagonist has been turned into a name mentioned with utmost respect by connoisseurs of eclectic matters. The classically designed music draws a lot of inspiration from cinematic and literary sources, leaving little doubt about the ardour with which Sundström approaches his calling. With the release of the "A Rebours" CD, this proclaimer of the beauty in darkness transcends both spiritually and musically the mediocricity that distinguishes most of what passes for industrial music these days, and adds yet another masterpiece to the already impressive roster of Cold Meat Industry.

We are certainly living in apocalyptic times, there is finality in the air, the world seemingly heading toward ever more upheavals of epic proportions – and what soundtrack could be more fitting to these times of ours than the new Ordo Rosarius Equilibrio album Apocalips?
Ordo Rosarius Equilibrio continue their march amongst seeming polarities - of creation and destruction, of dark and light, of joy and sorrow, of sex and war- toward the Coniunctio Oppositorum, the conjunction of opposites.
Their seventh full-length album thus far, the eagerly awaited Apocalips, true to the ethos of The Order of Roses and Balance, is an opus of decadent beauty, of shining darkness, of fierce eroticism, of dreams, of blood, sperm and fire.
Despite these familiar themes, Apocalips is also more grippingly personal and melancholic than previous records - perhaps reflecting the personal apocalypses of its creator, Tomas Pettersson.
Having refined their sound to yet again new levels of clarity and completeness, Ordo Rosarius Equilibrio continue in their tradition of sound, the instruments ranging from drifting acoustic guitars, piercing percussions, lush pianos and strings to the fittingly decadent samples (including the ever-present Saloon Kitty) and above all the deep voice of Tomas Pettersson, delivering his poetic diatribes and evocations via spoken word, and even more than on previous works, via singing.
The tracks on Apocalips range from the ferocious and yet tender "Do Murder & Lust Make Me a Man" to the tribally industrial and aggressive rhythmic soundscapes of "Hear the Sound of a Black Flame Rising"; from ”My Venus in Furs”, inspired by the old Velvet Underground S&M classic, to the ending track ”Who Stole the Sun from its Place in My Heart?”, which is possibly the most beautiful (and most sad) Ordo Rosarius Equilibrio song thus far.
So whether you are experiencing downfall on a personal level or in the grander scheme of things, Apocalips is a suitably bitter-sweet music to accompany the end-times, laying kisses and rose petals on the path toward the inevitable.
Comes in a deluxe foilprinted digipak with 32-pages booklet and a CD with the fragrance of rose!