Mark Kozelek has released six studio albums as frontman for Red House Painters along with three solo records; however, it is with Mark's new band Sun Kil Moon that he has received some of his greatest commercial and critical success. With Sun Kil Moon, Pitchfork says, Mark is "putting to use a variety of wondrous subtle sonic touches that mark unbelievable artistic growth, unraveling unexplored harmonic territory while staying faithful to his trademark brand of languid folk-rock introspection." Two years ago, Mark saw Modest Mouse and sensed something original and explosive. The unorthodox songwriting of singer Isaac Brock intrigued him with its fractured, intuitive lyric style and cathartic, rapid-fire vocal delivery. Sun Kil Moon added songs like "Dramamine" to their set list and began work on what would become Tiny Cities, a full-length album of Modest Mouse covers released on Mark's label Caldo Verde. As with his past covers of AC/DC, KISS, Simon and Garfunkel, and John Denver, Mark's aim was to bring attention to the words and sentiments--to reinterpret freely but to respect the spirit. On Tiny Cities, Mark slows down Issac Brock's words to let them breathe without sacrificing their idiosyncratic power. The results bear the singular, hypnotic style that could only come from Mark Kozelek. Digipak.

Red House Painters的灵魂人物Mark Kozekek的Solo Project - Sun Kil Moon的首张专辑，沿袭了之前乐队的风格，大部分以清澈的吉他和沉静的人声为主线，以及感伤优美的旋律；在‘Duk Koo Kim’这首长达14:30的歌曲中，Mark Kozekek凌乱细碎如水晶线一般的吉他与轻声地吟唱带你进入有如梦幻般的美丽境界，喜欢Red House Painters的朋友一定不会失望的。
Where it's the gorgeous string trio underpinning "Last Tide," the melancholy epic "Duk Koo Kim," the unexpected driving rhythms of "Lily and Parrots," or the compelling personal reminiscences of "Floating," the material both expands and refines Kozelek's trademark sound. The songs on Ghosts of the Great Highway concern themselves more than ever with matters of life and death, without ever forgetting the inherent magic of a pretty melody or a gripping beat.