《安晚册》内容为：此八大山人精品画片系列丛书是依托我社荣获第五届国家图书奖的《八大山人全集》所选编整理的册页精选。此册内容为现藏日本泉屋博古馆的八大山人晚年册页杰作《安晚册》，作品共二十二幅，以花鸟、山水、书法为主。正如安晚题名之意，此册意境散淡，取材奇致，墨法高妙。《安晚册》散页装帧，印刷精致，是学者、画家，研究、欣赏和临摹八大山人绘画艺术的优秀范本。

郎静山先生（1892～1995年），浙江兰溪人，自幼喜爱中国传统书画。中学时代开始接触摄影。1911年后，进入上海《申报》、《时报》，成为中国最早的摄影记者之一。郎静山先生在其长达80余年的摄影生涯中，以相机为画笔，塑造出中国画悠远冲淡的意境，将西方的摄影技术与中国山水画完美地融合，创造出具有中国水墨渲染美感的摄影作品，在世界影坛独树一帜。

The celebrated contemporary photographer Michael Kenna presents a gorgeous new collection of images, all photographed with plastic Holga cameras. Michael Kenna is internationally renowned for producing evocative black-and-white images of nature and the urban environment. Often photographing at night or in the early morning hours, the majority of his photographs involve long time exposures with the camera on a tripod. However, some of Kenna’s more quirky, whimsical, and unpredictable images have been photographed with inexpensive, hand-held, plastic Holga cameras. These cameras generally produce relatively lowfidelity images, with marked vignetting. Precisely because of these attributes and its portability, Kenna often carries a Holga camera, even when he is not specifically photographing. For this beautifully produced book, Kenna has chosen his favorite Holga images, many never seen before, from his vast archive of negatives. Despite their low-tech origin, these refined and artful photographs bear the hallmarks of Kenna's brilliant work.

《大地的表情》内容简介：国家地理新近推出的这本顶级图片集即是一次赞颂地球宏伟壮丽的盛会，也是一场吸引视觉、抚慰灵魂的饕餮盛宴。《大地的表情》：唯美，雄壮，神奇，由国家地理杂志主编克里斯约翰斯作序（Chris Johns），该书就像是一座引领读者领略怡人美景，风土人情，珍稀动物以及自然界中惊鸿一瞥的展览馆。书中的照片选自国家地理杂志中的“大地的表情”专栏（读者评价最高的），或我们著名的《图片收藏》，以及由全世界顶尖摄影师拍摄的照片。其中许多照片从未面世。
《大地的表情》展示了许多伴随在我们的生活当中，却时常会被我们忽略的唯美，雄壮，神奇的点滴瞬间。这些照片包括：伴随着晨曦的霞光，蝴蝶破茧而出；正在进行表演的蚂蚱昂首阔步地前进；一个正在拉小提琴的伊拉克男童，像在演奏着希望；印度尼西亚的清真寺里一个身着红衣小女孩站在一群头裹白巾的妇女中显得格外瞩目。打扮得五颜六色的西班牙年轻人头戴超大纸质面具正在加泰罗尼亚欢庆节日，而在印度锡克教的庆典仪式上的表演者正口含煤油上演着惊险的口吐火莲。
书中每一章节选录的照片的集中诠释了一个共同的主题：从开篇到结尾，中间分为图案、形状、表面、视角、惊喜等多个主题。多达250多张照片展示了地球上生物的品种多样和宏伟壮丽，赞颂了世界上奇妙的景致。每张精美的图片都配以生动有趣，诙谐幽默的奇文妙语。比如，“在每一个限定时段地球上都有十亿多只鸟儿，而其中最常见的就是公鸡”，“墨西哥的普埃布拉有着世界上最小死火山，其规模只有43英尺（13米）高”，等等都生动诠释了地球上的奇观。
海报：

This beautiful book presents a meditative, arresting, and dazzling collection of 240 black-and-white images of Japan, made over almost 30 years by the internationally renowned photographer Michael Kenna. A rocky coast along the sea of Japan; an immense plain of rice fields in the snow; Mount Fuji towering over misty wooded hills; silent temples devoid of people but brimming with Buddhist deities; a Torii gate mysteriously emerging from moving clouds and water--these are a few images from this remarkable collection of photographs by Michael Kenna, whose black-and-white work is highly renowned. Forms of Japan, brilliantly designed by Yvonne Meyer-Lohr, is organized into chapters simply titled, "Sea," "Land," "Trees," "Spirit," and "Sky." The quietly evocative photographs, often paired with classic haiku poems of Basho, Buson, Issa, and
others, provide a contemplative portrait of a country better known for its energy and industry. Gorgeously reproduced to convey the enormous subtleties that exist in Michael Kenna's traditional black-and-white silver prints, the photographs in this book include both well-known and previously unpublished images from all corners of Japan: Hokkaido, Honshu, Kyushu, Okinawa, and Shikoku.

After his "aperitif" book of models, Ten Women, which was a world success within five months of publication, Peter Lindbergh presented in 1997 his long-awaited larger title Images of Women, comprising the creative essence of his photographic work. Images of Women contains Lindbergh's classic fashion photos, his great portraits of actresses and pop stars such as Madonna, Tina Turner, Demi Moore, Milla Jovovitch, Catherine Deneuve, Charlotte Rampling, Daryl Hannah, and many, many more— and, of course, all the photos of his supermodels that he has been saving up for his larger book. Images of Women thus provides a comprehensive overview of twenty years of artistic work of the highest level, showing Peter Lindbergh in his favourite role—as a man who loves women.

Robert Frank’s The Americans was first published on May 15, 1958 by Robert Delpire in Paris. It featured 83 of Frank’s photographs taken in America in 1955 and 1956, accompanied by writings in French about American political and social history selected by Alain Bosquet. Delpire’s Les Américains formed part of the Encyclopédie essentielle series, which presented foreign countries to a French audience. Each of Frank’s photographs in this edition is placed on a right-hand page, with the texts on the left-hand pages.
The first English edition of The Americans was published in 1959 by Grove Press in New York. It presented the same photographs as the Delpire edition, however a text by Jack Kerouac replaced the French writings. The book begins with Kerouac’s introduction, followed by Frank’s photographs in the same sequence as the Delpire edition. On the left-hand pages are short captions from Frank, which describe the location.
Since 1959 The Americans has been reprinted by different publishers, in multiple languages and formats. Frank has had varying influence on these editions; some were printed without his input, approval or knowledge. In July 2007 the Steidl edition of The Americans was printed. Frank was involved in every step of its design and production. The 83 photographs were scanned in tritone at Steidl’s digital darkroom from vintage prints in Frank’s collection, which revealed that many images in past editions were actually crops of the originals. For the Steidl book Frank studied and revised these crops and in many cases included the full photographs; in only a few cases the Delpire and Grove Press compositions remain.
The Steidl edition also reproduces two photographs printed from negatives different to those used for all previous editions. These photographs depict the same two subjects as in other editions (Metropolitan Life Insurance Building–New York City and Assembly Line–Detroit), but from a slightly different perspective.
Kerouac’s text and Frank’s captions remain unaltered from the Grove Press edition, the typography however was redesigned. As well as revising the book’s design, Frank also chose the paper, endpaper and book linen. He opted for a thread-stitched book, and conceived a new dust jacket made from the same paper as in the book (Xantur 170 g from Scheufelen, Germany), sealing it with a simple varnish. Frank personally oversaw printing on July 18, 2007, inspecting and approving each sheet at Steidl’s press in Göttingen.
In January 2009 the National Gallery of Art, Washington, will celebrate the 50th anniversary of "The Americans" with an exhibition that will examine both the construction of the book and the photographs themselves. All 83 photographs published in "The Americans" will be presented in the order established in the book, providing a detailed examination of the book's roots in Frank's early work and the impact on his later art.
"Looking In: Robert Frank's The Americans" will be touring the following US museums:
National Gallery of Art, Washington D.C. January 18–April 26, 2009
San Francisco Museum of Modern Art, May 17–August 23, 2009
Metropolitan Museum of Art, New York, September 20–December 27, 2009
"Looking In: Robert Frank's The Americans"
Edited by Sarah Greenough
ISBN 978-3-86521-748-6
Co-published by National Gallery of Art and Steidl
in conjunction with the exhibition

This classic volume of colour photographs of Cape Cod is back in print in an expanded edition with a new preface and photographs from Joel Meyerowitz's continuing body of work taken on Cape Cod. Originally published in 1979, the book is regarded as one of the most influential photography texts published in the latter part of the 20th century. Common scenes - tiny figures on a beach, a porch railing against a storm-darkened sky, a blue raft against a summer cottage - are transformed by the poignant light of the Cape and the photographer's subtle vision.

Sixty Years of Photographs, back in print after many years, is one of the most comprehensive surveys of the power and force of a major photographic figure of our time. Before his death in 1976, Strand spent his last days going over his photographic prints and his many books with an eye to the completion of this volume. Because of his insistence on growth and movement toward perfection throughout his career, and to be true to his vision, the editors examined over three thousand photographs, constituting the main body of the work of Strand's lifetime. This volume, includes an insightful biographical profile by Calvin Tomkins and excerpts from Strand's correspondence, interviews, and other documents.

Previously published in 1959, Frank's most famous and influential photography book contained a series of deceptively simple photos that he took on a trip through America in 1955 and 1956. These pictures of everyday people still speak to us today, 40 years and several generations later.

何藩語錄：…【大家記著非萬不要拋棄舊底片。因為它們可能是一個寶藏來的。因為今天你在底片上看不到的東西，十年後因為成長了，人生哲學改變後你可能對同一影像有新的看法。所以我覺得正方形的菲林格式對我的創作非常有用、大家一定要保留所有的底片。】 （原英文訪問，Bobby Lee翻譯）

Product Description
A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.
Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City, to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.
It wasn’t until realtor and amateur historian John Maloof stumbled upon a box of anonymous negatives in a Chicago auction house just a few years ago that any of her marvelous work saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the first wave of the best of her incredible body of work—much of which still hasn’t been enlarged or in some case even developed into negatives. Hidden treasures like this don’t come along every day, and powerHouse is excited and honored to present this astounding body of never-before-seen work to the public at large.
About the Author
There is still very little known about the life of Vivian Maier. What is known is that she was born in New York in 1926 and worked as a nanny for a family on Chicago’s North Shore during the 50s and 60s. Seemingly without a family of her own, the children she cared for eventually acted as caregivers for Maier herself in the autumn of her life. She took hundreds of thousands of photographs in her lifetime, but never shared them with anyone. Maier lost possession of her art when her storage locker was sold off for non-payment. She passed away in 2009 at the age of 83.
John Maloof is a historian, street photographer, and former real estate agent from Chicago’s Northwest Side. He discovered the first negatives of Vivian Maier’s work in 2007 while compiling a book about the history of the neighborhood where he grew up.

艾略特·厄威特是当今最具声望的摄影大师之一，他继承了布列松的衣钵，以捕捉日常生活中幽默、诙谐的瞬间而知名。他是在世的马格南摄影师中最德高望重的一个，他还获得了国际知名的ICP摄影无限奖的终身成就奖。艾略特·厄威特著程墨编译的《艾略特·厄威特个人精选(精)》是对厄威特毕生作品的一个回顾，由大师自己挑选他认为最满意的作品，共收录了343幅照片，呈现了厄威特漫长的摄影生涯中创作的精品力作。本书中的许多作品已经成为20世纪最为人所熟知的影像，比如玛丽莲·梦露、切·格瓦拉的人像照，比如那些在日常生活中捕捉到的充满了诗意、智慧和幽默感的作品。本书还收录了一些厄威特早期拍摄的从未面世过的作品，对于深入了解这位大师极有意义。

人迹罕至之处的绝美图像
带你踏上一段激动人心的旅程
进入一个近乎原始的美丽世界
👩 编辑推荐
🌟 不一样的视角，在空中看地球
从距离地球表面480—680千米的高空俯瞰地球：曲折的海岸线、永久冻土区、深蓝色环礁和难以登顶的山峰……带领读者们踏上一段激动人心的旅程，并进入一个近乎原始的美丽世界。
🌟 高品质卫星图像，展示地球惊人之美
伊奥视觉是总部设于奥地利萨尔茨堡的一家公司，致力于出品震撼人心的优质卫星图像。《无人涉足的荒野》收录上百幅高品质卫星图像，向我们展示广袤雪原、原始丛林、奇伟冰川、巍峨群山和荒凉沙漠这些亘古不变的景观，使我们得以一瞥这些未经开发、人迹罕至之处的奇异景象。公司员工在挑选、加工与解读卫星图像方面拥有数十年的专业经验，让我们领略地球惊人之美的同时，更深刻地意识到必须以负责的态度对待生态环境。
📕 内容简介
本书收录上百幅绕地卫星拍摄的地球人迹罕至之处的绝美图像。无论是澳洲内陆的地质断层，还是呈现出如支气管般延展的分叉图案的红树林，或是火山上在不同海拔高度对称的植被分布，惊人的图案和丰富的色彩搭配都随处可见。
这本大开本的卫星图集显示了人类活动对环境造成的影响，聚焦于人类生存空间中那些令人着迷的细节，并期望以这种直观的方式让公众在意识到自身改变自然的能力后，也相应地承担起对未来应负的责任。

130幅城市复原图，重现古文明全景
借由细腻画笔，溯着时间之流，触碰千年前的繁华巨梦
以地中海沿岸为中心，横跨九大地域，近百座建筑群跃然眼前
它们是古代统治者雄心与抱负的见证
也是我们理解古希腊、罗马、埃及文明的最佳途径
🌟 所有伟大的城市，都是在信念与梦想中建构而成。
它们并不只辉煌于历史，其光芒也照耀了后世前进之路。
🌟 古代城市复原领域巨擘让-克劳德·戈尔万凭借集绘画、建筑与考古学于一身的天赋， 将那些化为尘土，颓成残垣的古老废墟重新修葺。
📕 内容简介
当我们阅读历史书籍，闭上眼睛想象古代人的生活时，最大的困难和最容易出现的错误不是古代人的活动本身，而是他们活动的场所。失去场所的活动很快便脱离了我们想象的控制，背景的缺失让一切陷入失序，美妙和谐的图景转化成或滑稽或丑陋又失去连贯性的碎片。而古代城市复原图的重要作用便是：让我们回到现场，用想象力带着肉体，亲身体验历史。
毫无疑问，古代城市复原图的绘制是一项具有挑战性的工作，而本书作者让-克劳德·戈尔万及其团队用丰厚的考古学、建筑学知识，以及他出色的绘画天赋达成了目标。他用细腻的水彩画直接呈现了古地中海文明，从公元前2500年直到公元5世纪，时间横跨3000年。130幅复原图配以文字，精心介绍了87个地区与城市，将美索不达米亚、古埃及、古希腊和古罗马一网打尽，其中不仅铕被各类史书反复提及的重要城镇，还有曾经辉煌一时却被人遗忘的诸多地方。每一幅图画都是成千上万条信息的结晶，甚至一幅图中浓缩了一座城市数佰年的历史，值得人们细细品味。
通过眼前的复原图，凝视众多文明结晶，我们获得了观察历史的另一个视角，不失为一种有趣的智力体验。
👩 编辑推荐
☆130幅复原图呈现古地中海文明三千纪的繁华与梦幻
公元前2500年直到公元5世纪，时间横跨3000年。130幅复原图、配以文字精心介绍87个地区与城市，囊括巴比伦、迦太基、雅典、特洛伊、罗马等众多历史名城，将古地中海文明全景呈现。
☆古代城市复原图制作领域巨擘率领的专家团队，用纸笔精准重构历史发生之地
让-克劳德·戈尔万，建筑师，考古学家，曾指挥位于埃及卢克索的“法国·埃及·卡尔纳克神殿研究中心”逾10年，法国国立科学研究中心（CNRS）研究员，发表古代城市复原图数百幅，更有超过千幅作品被阿尔勒考古博物馆收藏。作者及其团队（历史学家、碑文研究者、建筑师、地理学家等）从事专业城市复原图绘制工作30年，每一幅复原图的背后都包含着千万条信息。
☆图文结合，详解城市历史与其建筑之间错综复杂的关系。
对城市规划，城市主要建筑的来历、规模、结构等方面的详实说明，深入古代城市的肌理。无形的历史受肉于各有魅力的城市，变得可以被触碰、抚摸。
☆ 地中海古城版“清明上河图”，用艺术的手法呈现历史之美
冰冷的研究成果被转换成生动的水彩画作，错落有致的线条辅以层次分明的淡彩，宏大的景观冲击着读者的视觉感官，让读者以苍鹰的视角看尽古地中海世界的繁华，又给予读者充足想象的空间，带领读者亲临其中，感受其美。
☆各色城市、各式建筑，多角度透视历史
历史不仅仅属于帝王将相，更属于芸芸众生；历史中的城市不仅仅有都城、重镇，也有着边境据点、乡野小镇。从帝王宫殿、神庙到普通人家、磨坊，本书所绘城市不仅是在历史上留下浓墨重彩的名城，也有已湮没于历史长河中的地区，通过叙述后者平常而不失波澜的的生活，给人们另一个观察历史的角度。

致读者：当你面对充满皱褶的封面，请不要惊讶，
我们只是想以此来寓意沉溺于故纸堆的惊讶及过程，
期待与你分享这份感受。
100年
249位插画师、艺术家、设计师
450余幅图像
10篇口述
以年代为序勾勒上海百年插画艺术的视觉历程，
与《上海字记》共同集成“字与画”的城市文化图像简史。
从清末小说绣像、西人引入的科技铜版画，
到朵云轩木版水印、民初西式美术教育带来的审美格调，
国货运动的商业 广告包装 ，战时的红色印迹，
至新中国工业腾飞、改革开放掀起的流行风尚……
插画于各个年代及各个领域的表现形式，
在本书中悉数展陈在读者面前。
本书出版获上海文化发展基金会图书出版专项基金资助

本书是一本图录，配合在首都博物馆展出的新中国六十年重要考古发现成果展览，该展览集中展出了1949-2016年中国重要的考古发现及相关考古成果，是对中国文物考古事业的一次巡礼。