very personal... unlike the "set" poetic atmosphere at all..

Daniel Barenboim’s first solo recording on the remarkable new concert grand Barenboim-Maene which he developed in collaboration with instrument maker Chris Maene
Barenboim has selected works by four keyboard masters to display his piano’s timbral and tonal capabilities: “I’ve fallen in love with my new piano”, he exclaims, “and want to spend as much time with it as possible.”
Conceived and commissioned by Barenboim himself, the new piano was developed and built by esteemed Belgian instrument maker Chris Maene, with support from Steinway & Sons.
Barenboim was inspired to create a new piano after playing Franz Liszt’s restored grand piano during a trip to Siena in September 2011. Struck by the vital differences in sound of an instrument constructed with straight, parallel strings rather than the diagonal crossed ones of a contemporary instrument, he set out to create a brand new instrument that combines the best of the old and the new and offers a real alternative for pianists and music-lovers in the 21st century.
Barenboim says:
"The transparency and tonal characteristics of the traditional straight-strung instruments is so different from the homogenous tone produced by the modern piano across its entire range. The clearly distinguishable voices and color across its registers of Liszt's piano inspired me to explore the possibility of combining these qualities with the power, looks, evenness of touch, stability of tuning and other technical advantages of the modern Steinway…"

An ensemble of maestros offers four legendary interpretations from a golden age of chamber music playing.
Performances that display “richness, warmth and vitality” (American Record Guide).
Original “Westminster” couplings.
David Oistrakh remarked that chamber music “gives great joy not only to the listeners, but first of all to the performers themselves”. For 17 years after the Second World War, these three great soloists carried on a warm-hearted musical conversation and formed one of the finest chamber ensembles in the world.
Here are four of their legendary interpretations, praised by The American Record Guide at the time for their ”richness, warmth, and vitality” (Chopin and Ravel) and for their “well-integrated performances” (Dvoøák and Smetana). (Review quotes from The American Record Guide, 1957).