以相传为唐时口音“客家话”做为人声表现…辅以朝简惯用的氛围乐音绘陈诗文情景…并‘长恨歌’以“…渔阳鼙鼓动地来…”句为起始而后倒叙前因…
出品人：杨子江
录音/混音/制作执行：李杰
制作人：窦唯
男声：杨一
氛围吉它：文大可
旋律贝斯：何锋
合成器/鼓/采样：窦唯
录音时间：2021年6月
录音室：尊悦光华b1录音棚
鸣谢：余先生 子江及五中校友团队！

一些细节让我感到，你真的摆脱了，进入一个新世界，认真地游离其中，看到天上有露珠瓦解，你会笑着感到疑惑，脑波轻柔地颤抖，继续舞蹈，在似曾相识的霎那，四周响起一首浪漫而用力的钢琴曲，很远的地方，我站在一片旷地，看着公园的路，所有人都在移动，临近质变，我想遍历所有空间，但隔着异样的距离，根本无法迈出一步，想起那天车来车往，年轻又凶的阳光穿透树叶，车站旁是巨大的电钻和灰尘，争先恐后的人群，想要把一切都排除在外，这种聒噪的幸福感，来自那场耳语，想再找到只能选择在一个布满鬼怪的深夜，全速冲进瀑布，经历源自个人历史之一段危险，在充满雾气的尽头，用一小时面对终将到来的自我审判，一直以来我都是干枯地蜷缩着，但住在潮湿的地方，被水汽滋出油沫，浑身泛出香味，于是总有水蛇来缠绕，也不知道是搏斗了还是拥抱了，反正力气耗尽，我还以为我站着，可能这就是逐渐沉默的理由，沉重的生命力发出低声嗡鸣，它们经过我，从脚后跟到后脑勺，脊背没有任何发凉，就掉进了深渊，也许是因为峭壁亮起了灯，原本无法承载的电压，带来了安详，听起来像是死了，我顶天立地地看着上面，不太确定，无声中躺下，在所有平静表象的缝隙中，有隆隆的条理在运转，现在从何而来？这个漫长的假日，我就此对回忆模糊推演。
一张传统、朴素、具体的唱片，带有强烈自省、自责、自怜的意味，记录一段回忆以及展现个人某些意识发展、成立和回忆的关联。

Composed and produced and performed by David Shea in collaboration with:
Mindy Meng Wang: Guzheng and Voice
Speak Percussion:
Eugene Ughetti – Percussion
Matthias Schack-Arnott – Percussion
David Shea – Electronics, Piano, Singing Bowls, Vocal Overtone and Multiphonic singing, sample collage, and field recordings
Guest Musicians –
Tamara Kohler – Alto Flute/ Flute
(from samples of Rituals)
Oren Arambachi – Elec.Guitar
Joe Talia – Drums
Girish Makwana – Tablas
Ictus Ensemble - (excerpts from Chamber Symphony #1)
Recorded by the Australian Broadcast Corporation at the Melbourne Recital Centre by Chris Lawson and Duncan Yardley March 2017
Additional material recorded by Pat Telfer and David Shea
Mixed by Pat Telfer and David Shea
Overdub/Mix/Editing Engineer - Pat Telfer
Special Thanks: Mindy Meng Wang, Jill Morgan, Monica Lim, Pat Telfer, Paul Ransom, Native Instruments, Diane Shea, Peter Fraser,
DoanTran Nguyen, Eugene Ughetti, Matthias Schack-Arnott, Northwest University for Nationalities, Dunhuang Dance all those I still have so much to learn from and the thousands of artists, monks and workers who made, created and allow the continuing life of the Mo Gau Caves to continue its story.

专辑介绍：
朝简宋词元曲三集之第二篇（第三篇大约在秋季面世）以现代氛围乐韵再谱今声遥和古人……六一儿童节再见！
司职：
出品人：杨子江
录音/混音：罗皓
制作人：窦唯
编曲：朝简
吉它：文大可
小号：文智湧
人声：窦唯
旋律贝斯：何锋
扬琴：赵霞
录音时间：2021年一月
录音棚：董冬冬音工室
鸣谢：子江及校友...

one long song
recorded nowhere
between May 2019 and May 2020
released Aug. 7th, 2020
as a 2xLP by
P.W. Elverum & Sun
box 1561
Anacortes, Wash.
U.S.A. 98221
get one:

重塑雕像的权利耗时八年的新专辑。

Avant-garde. Years active. 1968–present. Meredith Jane Monk (born November 20, 1942) is an American composer, performer, director, vocalist, filmmaker, and choreographer.

五鹊 望天儿 三鸽鹊 西光鹊 见光鹊 扶桑鹊 安拉鹊 观鸟儿 六雁 过山 巡河 下水

Recorded at Abbey Road Studios, Olympic Sound Studios, De Lane Lea and Chappell Recording Studios, London, England between November 24, 1966 and November 7, 1967. The first six songs on Magical Mystery Tour were the soundtrack to the Beatles' TV movie of the same name. The film was an experimental mess, but the experimental pop of the album included some of their most memorable productions. The soundtrack side was dominated by Paul McCartney pop tunes, including the bittersweet piano ballad "Fool On The Hill" and "Your Mother Should Know," an impossibly catchy bit of Vaudevillian pop. But it also featured George Harrison's mystical "Blue Jay Way" (about his house in Hollywood) and John Lennon's "I Am The Walrus," which wedded a stream-of-consciousness lyric to a fierce drum beat, layers of strings, odd voices and some dialogue from Shakespeare's "King Lear." McCartney's "Hello Goodbye," which led off the assorted singles, featured some neatly arranged contrapuntal vocals, and may well have been about the dissolving partnerships (songwriting and otherwise) between McCartney and Lennon. Lennon's strangely arranged "Strawberry Fields Forever," whose two halves blend different takes of the same song, one slowed down to match the pitch of the other, was a trippy reverie; its bridges, orchestrated with horns, cellos, and backward cymbals, are sheer brilliance. "Penny Lane," a wistful fantasy featuring a beautiful trumpet solo, was McCartney at his melodic best, the AM foil to Lennon's FM headiness. EMI. 2005.

即将出炉的《雨吁》共收录了12首曲目，分别是《静安》、《引》、《禧晤》、《乱战国》、《语虚何以言知》、《雨吁》、《天水》、《山秀谷》、《郑公》、《喜调》、《安》、《尾声再》，光看这些曲名就能猜出整张专辑的古意。在这张灌录于2000年的专辑中窦唯还是以人声来演绎，此后就走向了纯音乐的道路，所以这也是至今窦唯最后一张有歌词的专辑，由于当年他与滚石魔岩产生分歧，这张唱片在录制完成后并没能最终出版。

1987 digitally remastered Japanese pressing of 1967 album packaged in a standard jewel case. Parlophone/Apple.

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.
Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.
Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen.
The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

作曲：白水
all music by baishui
器樂,音效,编混：白水
instruments,sounds,produced,mixed by baishui
母帶：羅可居
mastered by luo keju
設計，繪畫，人聲：袁田
vocal & artwork by yuan tian

白水『声动』计划之第二辑《拼图》，是一部为单一声音材料所作的组曲。作者尝试使用相对简单的器乐演奏、人声材料、实地录音架构出一本无字的叙事组诗。
全本《拼图》分三章，包含五首器乐曲和三首人声曲。在器乐曲目中，《四弦道》、《暗杀》、《石蛙川》的主要声音材料分别来自中阮、吉他、洞箫的即兴独奏，而《偏头痛》和《怪蛾》的材料则是采自铜铃、镲片等金属打击乐器，及部分日用金属器皿。三首人声曲目《五粒沙》、《矮人》、《此心》由姚春旸、袁田、安娜等三位女声演唱，是演唱者分别对应每章中的器乐曲目所作。另外，在部分音乐中，作者还使用到了实地录音素材及少量软硬件合成器的声音采样。
作曲：白水
composed by baishui except vocal performance (#1, 3, 8)
制作：白水
produced by baishui
阮、吉他、洞箫、铜铃：白水
ruan, guitar, bamboo flute, bells by baishui
镲片：陈冉 (#7)
cymbals by chen ran (#7)
人声：姚春旸 (#1)、袁田 (#3)、安娜 (#8)
vocal by yao chunyang (#1), yuan tian (#3), anna (#8)
实地录音：白水 (#2, 5, 6)
field recording by baishui (#2, 5, 6)
编混与母带：白水
edited, mixed & mastered by baishui
照片：邱俊松
original photo by achiu
艺术设计：袁田
design & layout by yuan tian
封面人物：张典凌
cover artist is zhang dianling

So here's a new song, called 'These Are My Twisted Words'.
We've been recording for a while, and this was one of the first we finished.
We're pretty proud of it.
There's other stuff in various states of completion, but this is one we've been practising, and which we'll probably play at this summer's concerts. Hope you like it.
From DEAD AIR SPACE

A Moon Shaped Pool is the ninth studio album by the English rock band Radiohead, produced by Nigel Godrich. It was released as a download on 8 May 2016. CD and LP editions will be released on 17 June 2016, followed by a "special edition" in September, containing two additional songs. Soon after its release the album was played in its entirety on BBC Radio 6 Music, presented by Tom Robinson.