On her fourth album, the UK rapper wrestles with the split between her public persona and private self, raising broadly relatable questions about the craving for validation.

王以太和艾热设想了一个极端例子，假如世界末日真的来临，幸存下来的人会怎么想？他们该如何生存下去？
在过去的一年里，人类经历了比往年更多的灾难，沙漠蝗灾、森林山火、平原洪水和全球疫情……这一系列灾难诱发出的末日情绪成为了王以太和艾热这张全新联合专辑《幸存者的负罪感（Survivor’s Guilt）》的灵感来源。
在灾难里经历了毁灭性创伤事件后存活下来的人很容易患上一种叫“幸存者内疚”的心理疾病，这些幸存者往往并不会抱有逃过一劫的喜悦，反而经常会有强烈的负罪感，表现出易怒、抑郁、焦虑和恐惧的情绪，它可以持续数月，数年，甚至一生。
如果这一天真的到来，幸存者们要怎样才能用积极的心态看待内疚和悲伤，继续面对现实的生活，疗愈伤口呢？
王以太、艾热在专辑里演绎了两名灾难的幸存者，置身末世的电影院里，用音乐一起探讨着这些命题，这些被记录下来的对话，组成了这11首歌曲。
《末（Intro）》
作为专辑的序言，《末（Intro）》采样了很多近期或者已经发生过的“灾难”新闻事件，从两人的对话开始展开讨论，如果末日到来，世界会是什么样子，你还是不是原来的你？
《Pay Right Now（种瓜得瓜，种豆得豆）》
因为“种什么因得什么果”、“做坏事的人一定会付出代价”的惯性思维，刚刚获得幸存的人们在末日伊始还会享受着属于幸存者的小雀跃。但幸存者的武器绝不是躲起来的键盘和鼠标，而是担起幸存者的己任，是将凝聚的精神力化作我们坚固的利刃，打碎末日，来好好爱这个世界。
《醉》
浮躁的世界里不要太得意忘形，幸存者们继续着狂欢，在感觉自己快被欲望吞噬的最后一瞬间被理性拉回，告诉自己“别喝得太醉”。
《无言以对》
冷静下来的幸存者们开始认真思考所谓的负罪感到底是什么？我们幸存是不是只是在某些时候被选择了或者说选择对了，而不是因为我们本身是对的。“这样幸存下来的你真的是幸存者吗？”总有一些我们应该去为其发声的事情，这是我们所获盛名的责任。
《现实的生活》
回归内容至上的Old School HipHop，用玩味性质的辞藻勾勒了现实的生活，充满了戏谑和无可奈何。
《生而为人总错过》
人都会犯错，生而为人总是错过，那就去请求犯过错的人或事情的原谅，心里总难能可贵，“告诉你前进哪怕一小步，只要在说唱我们就是随大流的少数”。
《没时间流眼泪》结束深邃的思考，不再去在意过去纠结的事情，生活中有太多值得我们忙碌的事情，所以没有时间流眼泪。
《头头是道》就算是在世界末日，爱情也是一个很重要的维度。《头头是道》用最写实的手法描述了小情侣吵架的日常，细腻平实的字词句中勾勒了一幅幅真实生活的生活场景，你来我往的琐碎中其实夹杂了爱情的甜蜜。
《别怕变老》整张专辑中极具流行性的一首歌曲。这是王以太和艾热写给他们彼此爱人的歌，岁月划过指尖，但年轮不会改变，就像爱你的心，藏在了字里行间，别怕变老，有我们陪你。因为“Love can fight everything” ，这是属于他们最暖心的爱情宣言。
《乡野传说》描绘了一幅超脱释怀的生活蓝图。最开始源于艾热用bass和吉他演奏、创作录制的小样，之后两人共同完成的一首歌，歌曲表达了两人共同对于美好生活的一种向往。
《始 （Outro）》中的人声部分做了特殊处理，在同一歌声里两个人的声音随时切换，代表着两人的共同口吻和态度。最后回归主题，这是专辑幕歌，也是希望的开始。假如在末日幸存，你会感到幸运吗？
在《幸存者的负罪感》中，艾热和王以太延续并融合了彼此的个人特色，也尝试着突破原有的音乐风格，专辑涵盖R&b、HipHop、Jazz、Soul、Reggae、Trap、Country/folk、Gospel、Experimental 等音乐元素、为大家带来一场末世的音乐疗愈之旅。
“中文说唱，榜样，责任，纽带，目标，收入，个性，资产，意识。”
这里饱含着幸存者的负罪感。
我们为所有生灵与创造祈福。
未来，拭目以待。

——施鑫文月签约第四音乐首张个人专辑《巴蜀文艺复兴》——
二十出头的年纪，一半记忆在成都，一半记忆在美国。
在成都，他第一次认识了世界，在美国，他通过Hip-Hop音乐打开了另一个世界。
2020年，施鑫文月从波士顿回到成都，尝试着用他的“丝滑Hip-Hop”解封对老成都街头巷尾、人情风貌的记忆，掀起一场中西合并、推陈出新的“巴蜀文艺复兴”。在这场复兴运动里，情感通过音乐继续生根，无限延伸……
力拔山兮，无畏险阻，由东向西，《开天辟地》；
然而，毫无防备的差异像极了一场推拒的爱情，从轻松甜蜜的《竹林摇》到充满期待的《锦江爱情故事》，最后逃不开说一句《素芬儿，别走》的结局；
恍然收神，安静下来，再次想象我们一起《Surfin’ on the Moonlight》；
呐喊一声，收集回音，同志者同行，让潮水感受《锦江New Wave》；
《“嗯”》，是时候收拾行装，奔向未来的路了；
这条路上有什么比童年的《丁丁猫儿》更好的坐骑呢；
当然，不能忘了《Grab》婆婆的叮嘱，那景象历历在目，却只能在《婆-语录》再次听到她的声音；
就现在吧，无须犹豫等待，带上我的一切往《前头跑》！
巴蜀文艺复兴，开始了……

Run the Jewels have finally announced the details of their new album Run the Jewels 4. It’s out June 5 via Jewel Runners/BMG. The new album features the previously shared songs “ooh la la” and “yankee and the brave (ep. 4).” Plus, there are guest appearances from Rage Against the Machine’s Zack de La Rocha, Pharrell, 2 Chainz, Queens of the Stone Age’s Josh Homme, and Mavis Staples.

Camp Lo is an American hip hop duo, formed in 1995, which hails from The Bronx, New York

People's Instinctive Travels and the Paths of Rhythm is the debut album by the alternative hip hop group A Tribe Called Quest, released on April 17, 1990[11] on Jive Records. Though the album was well-received critically, it had little mainstream appeal. The album did earn the band a devoted following, however, within the alternative hip hop community. People's Instinctive Travels was praised for its inventive lyricism and bizarre sense of humor, mixed with socially aware and literate message tracks. It is one of three albums included in The Source's 100 Best Rap Albums. It also was certified gold by the RIAA on January 19, 1996. The record was given the perfect rating of 5 mics in The Source in 1990 — according to Pitchfork, it was the first album ever to receive this honor.

On their final album, Q-Tip, Phife Dawg, Ali Shaheed Muhammad, and Jarobi rekindle a chemistry that endeared them to hip-hop fans worldwide. Filled with exploratory instrumental beds, creative samples, supple rhyming, and serious knock, it passes the headphone and car stereo test. “Kids…” is like a rap nerd’s fever dream, Andre 3000 and Q-Tip slaying bars. Phife—who passed away in March 2016—is the album’s scion, his roughneck style and biting humor shining through on “Black Spasmodic” and “Whateva Will Be.” “We the People,” “The Donald,” and “The Killing Season” (featuring an uncredited Kanye West) show ATCQ’s ability to move minds as well as butts. We got it from Here—Thank You 4 your service is not a wake or a comeback—it’s an extended visit with a long-missed friend, and a mic-dropping reminder of Tribe’s importance and influence.

妮姬米娜／女皇
饶舌女皇霸气登场
★乐坛唯一饶舌女皇、葛莱美提名认证，睽违四年全新大碟霸气登场
★话题收录白金认证曲《Chun-Li》、与流行天后亚莉安娜再度携手主打《Bed》等
从粉红芭比《Super Bass》、丛林摇辣臀《Anaconda》到最新单曲《Chun-Li》化身春丽⋯出道至今话题不断，听觉与视觉双重呛辣造型，总是惊艳全球娱乐圈，妮姬米娜Nicki Minaj成功塑造出自己的独特风格，并且透过剽悍的女力饶舌调调，彻底改变了嘻哈界的样貌，成为新世代最具影响力的歌手之一。
本名Onika Tanya Maraj的Nicki Minaj，从2004年踏入乐坛后，靠着《Pink Friday》、《Pink Friday: Roman Reloaded》写下告示牌三冠王（流行／R&B／饶舌榜）的惊人纪录，而她的销售成绩更是亮眼，生涯共三张个人专辑，就突破2,500万张销量，同时还以「助阵歌手As featured artist」身份，创下超过6,000万张的单曲销售；除此之外，座拥6座全美音乐大奖、6座MTV系列大奖、10座BET大奖等百座大奖肯定，累积了10次葛莱美奖提名认证，无疑是本世纪最杰出的女性嘻哈/饶舌歌手，这些不凡成就让许多新生代歌手都望尘莫及！继上一张专辑《The Pinkprint》宣传期结束后，Nicki Minaj陆续加入了Ariana Grande《Side To Side》、Katy Perry《Swish Swish》、Migos & Cardi B《MotorSport》等人的排行神曲中，并透过合作吸取丰富的音乐养分，接着在17年底重回到录音室，Nicki Minaj兴奋表示，「我必须说，这张新专辑是我有史以来最棒、最棒、最棒的作品，我的音乐生涯中还没有写出这么屌的作品过！」终结了四年的等待，如Nicki Minaj般霸气的全新大碟《Queen》终于问世。
《Queen》囊括了今年嘻哈界最强黄金阵容，包含雷鬼大师Supa Dups（Drake、Eminem）、嘻哈王牌操盘手Billions（The Weeknd、Beyoncé）等，联手打造完美的饶舌女皇大作；由师兄Lil Wayne入阵献饶、火辣喷张的《Rich Sex》，展现出了自家厂牌的完美实力，向世人证明Young Money依然是乐界的嘻哈火药库；继《Side To Side》后，再度搭上流行天后Ariana Grande加入献声的《Bed》，全球串流快速冲破1亿次点播；繁中入镜、充满亚洲风味的首支主打《Chun-Li》，以经典的电玩传奇角色「春丽」为创作灵感，成为生涯第16首告示牌热门榜TOP10金曲，更加稳固「史上最多TOP10主打女饶舌歌手」纪录！
Nicki Minaj依然稳坐乐坛饶舌女皇宝座，最新大碟《Queen》将以女皇之姿，将嘻哈界推向全新高点。

人生的长河
我把酒当歌
血液流淌着
长江和黄河

In the two years since To Pimp a Butterfly, we’ve hung on Kendrick Lamar's every word—whether he’s destroying rivals on a cameo, performing the #blacklivesmatter anthem on top of a police car at the BET Awards, or hanging out with Obama. So when DAMN. opens with a seemingly innocuous line—"So I was taking a walk the other day…”—we're all ears. The gunshot that abruptly ends the track is a signal: DAMN. is a grab-you-by-the-throat declaration that’s as blunt, complex, and unflinching as the name suggests. If Butterfly was jazz-inflected, soul-funk vibrance, DAMN. is visceral, spare, and straight to the point, whether he’s boasting about "royalty inside my DNA” on the trunk-rattling "DNA." or lamenting an anonymous, violent death on the soul-infused “FEAR.” No topic is too big to tackle, and the songs are as bold as their all-caps names: “PRIDE.” “LOYALTY.” “LOVE.” "LUST.” “GOD.” When he repeats the opening line to close the album, that simple walk has become a profound journey—further proof that no one commands the conversation like Kendrick Lamar.

GO$H Music Present
WUDU MONTANA首张Demo《勒是雾都》虾米上线发布

A gradual crescendo of spirit-lifting gospel introduces "Yesterday's Gone", perfectly fitting for the debut longplayer from the young master of 'confessional hip hop'. Indeed as Ben Coyle-Larner spits sombre bars over "The Isle Of Arran"s soulful grooves, the South Londoner touches on family, bereavement and religion, all with the same intricate flow and honest delivery. It's a sound that's at odds with the current slew of mumbling, stumbling, gangtas who dominate the charts and mixtapes, celebrating gold, diamonds and designer footwear as they breeze through meme-references and barely decipherable hooks. Rather, Loyle Carner takes his cues from Mos Def, Talib Kweli and London's own Roots Manuva, delivering conscious rhymes over gentle, jazzy grooves. Intimate, intricate and tough to imitate, Loyle Carner is entirely relatable as he treats us to everyday tales of family, food, romance and regret, laying his growing pains bare across a dozen tracks and a couple of well placed skits. If the recent ATCQ LP's put you in the mood for some proper hip hop, then this is your new jam.

Stephen Bruner, bka as Thundercat returns with his follow up to 2015s The Beyond / Where the Giants Roam . The latest album titled Drunk is released on Flying Lotus Brainfeeder label and features production from Flying Lotus himself. After attaining national attention following his Grammy award winning collaborations on Kendrick Lamar s To Pimp A Butterfly , Bruner delivers arguably his most ambitious work to date. Vocal features include Michael McDonald & Kenny Loggins, Kendrick Lamar, Wiz Khalifa and Pharrell. In addition to Kendrick Lamar, Thundercat has worked with a wide range of artists including Erykah Badu, Childish Gambino, Mac Miller, Ty Dolla $ign, Bilal, Suicidal Tendencies, Kamasi Washington, Terrace Martin and more making him one of the most in demand musicians of our time.

Sixteen years after the release of their critically acclaimed, award winning debut Since I Left You, The Avalanches return with their second album, Wildflower. Created by the band's core duo Robbie Chater and Tony Di Blasi Wildflower is like The Beach Boys' Smile re-imagined in the Daisy Age: a mind-bending cartoon road movie that's best viewed with closed eyes and an open mind.