Proto-Punk
Black Monk Time 豆瓣
9.3 (12 个评分) Monks 类型: 摇滚
发布日期 2004年10月12日 出版发行: Polydor
Black Monk Time is the debut studio album by Germany-based American rock band The Monks. It was released in May 1965 through Polydor Records and was the only album released during the band's original incarnation. The album's subversive content was radical for its time and today is considered an important landmark in the development of punk rock.
脱缰野马 豆瓣
9.6 (10 个评分) Patti Smith 类型: 摇滚
发布日期 2005年11月8日 出版发行: Arista
November 2005 marks the 30th anniversary of the release of Patti Smith's debut album, Horses, a groundbreaking rock & roll masterpiece which continues its unparalleled influence on rock music, style and culture. Arista/Columbia/Legacy Recordings will celebrate this musical milestone with the release of Horses/Horses, a two-disc Legacy Special Edition of Patti Smith's debut album, on Tuesday, November 8.

Disc One of Horses/Horses features the original album, in its entirety, along with the bonus track, Patti's interpretation of the Who's classic "My Generation." Initially released as the B-side to "Gloria," the first single from Horses, in 1975, "My Generation" features John Cale, the album's producer, on bass. The Legacy Special Edition of Horses has been remastered by Greg Calbi producing superior sound to previous editions of the album.

The second disc of Horses/Horses showcases Patti Smith and her Band--Lenny Kaye (guitar), Jay Dee Daugherty (drums), Tony Shanahan (bass), Tom Verlaine (guitar) and featuring Flea from the Red Hot Chili Peppers--performing the complete Horses album live, with a "My Generation" encore, at the Royal Festival Hall in London on June 25, 2005. This historic performance of Horses was the culminating concert at the 2005 Meltdown Festival, which was curated by Patti Smith. (Lenny Kaye and Jay Dee Daugherty were both members of the ensemble that played on the original Horses while Tom Verlaine was a guest artist on the 1975 album).

Horses/Horses comes packaged with a deluxe booklet featuring rare archival photographs, ephemera, lyrics and documentation of the 2005 concert as well as Paul Williams' provocative essay on "Gloria."