Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of
. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.
Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band's existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.

Commonly seen as the legendary Norwegian writer's masterpiece, this story tells the tale of Siss and Unn, two friends who have only spent one evening in each other's company. But so profound is this evening between them that when Unn inexplicably disappears, Siss's world is shattered. The Ice Palace is written in prose of a lyrical economy that ranks among the most memorable achievements of modern literature.

From the bestselling novelist and author of The Invention of Solitude, a moving and highly personal meditation on the body, time, and language itself
"That is where the story begins, in your body, and everything will end in the body as well.
Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations—both pleasurable and painful.
Thirty years after the publication of The Invention of Solitude, in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. Winter Journal is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.

Awe and exhiliration--along with heartbreak and mordant wit--abound in
, Nabokov's most famous and controversial novel, which tells the story of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze.
is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.

Klingsor's Last Summer tells the story of a famous painter named Klingsor as he experiences a final burst of creativity in his last summer of life. He grabs the cup of life with both hands and drinks until he simply cannot take any more.

Klingsor is an expressionist painter ruled by emotion, his commitment to art is total, for art is the embodiment of what he feels to be the essence of life. Klingsor’s most prominent traits are his love of extremes. As a person he is violently opposed to moderation or mediocrity. He burns the candle at both ends and shuns the safety of moderation.

Klingsor is very much a man of the moment. He does not like to plan ahead in any way. He does not believe in tomorrow and he regards every day as his last. Klingsor's two primary interests in life are creating art and making love and he succeeds in both endeavors.

Like Demian, Siddhartha, Goldmund, and Joseph Knecht, Klingsor is no ordinary person. He has attained a remarkable degree of success in his chosen field and he works intensely to maintain this level of achievement. Like other Hesse’s heroes, Klingsor seeks and finds his own unique and independent path to fulfillment.

The style of the story is expressionist, it conveys a feeling of exuberance and excitement. The imagery is wild and colorful. The reader feels transported to Klingsor’s side as he attempts to embrace the wonders of life and nature with his entire being, only to accept that his time is nearly up.

The novel is somehow autobiographical, Hesse began painting around 1917 and Klingsor's Last Summer was written in the summer of 1919, the novel is a more direct self-portrait of the Hesse of that year when Hesse settled in the Ticino mountain village of Montagnola to start a new life without his wife and children.

Some of the characters have relevance to Hesse's real life. Hermann the poet could be a self reference and Louis was modeled on Hesse's artist friend Louis Moilliet. Klingor, the name, is taken from the magician who appears in Richard Wagner's opera Parsifal.

M Train is a journey through eighteen "stations." It begins in the tiny Greenwich Village café where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. We then travel, through prose that shifts fluidly between dreams and reality, past and present, across a landscape of creative aspirations and inspirations: from Frida Kahlo's Casa Azul in Mexico, to a meeting of an Arctic explorer's society in Berlin; from the ramshackle seaside bungalow in New York's Far Rockaway that Smith buys just before Hurricane Sandy hits, to the graves of Genet, Plath, Rimbaud, and Mishima. Woven throughout are reflections on the writer's craft and on artistic creation, alongside signature memories including her life in Michigan with her husband, guitarist Fred Sonic Smith, whose untimely death was an irremediable loss. For it is loss, as well as the consolation we might salvage from it, that lies at the heart of this exquisitely told memoir, one augmented by stunning black-and-white Polaroids taken by Smith herself. M Train is a meditation on endings and on beginnings: a poetic tour de force by one of the most brilliant multiplatform artists at work today.

In
Tove Jansson distills the essence of the summer—its sunlight and storms—into twenty-two crystalline vignettes. This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia’s grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland. The grandmother is unsentimental and wise, if a little cranky; Sophia is impetuous and volatile, but she tends to her grandmother with the care of a new parent. Together they amble over coastline and forest in easy companionship, build boats from bark, create a miniature Venice, write a fanciful study of local bugs. They discuss things that matter to young and old alike: life, death, the nature of God and of love. “On an island,” thinks the grandmother, “everything is complete.” In
, Jansson creates her own complete world, full of the varied joys and sorrows of life.
Tove Jansson, whose Moomintroll comic strip and books brought her international acclaim, lived for much of her life on an island like the one described in
, and the work can be enjoyed as her closely observed journal of the sounds, sights, and feel of a summer spent in intimate contact with the natural world.

From one of today’s most brilliant and beloved novelists, a dazzling, epic family saga set across a half-century spanning World War I, the rise of Hitler, World War II, and the Cold War.
Colm Tóibín’s magnificent new novel opens in a provincial German city at the turn of the twentieth century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice. He is the most successful novelist of his time, winner of the Nobel Prize in literature, a public man whose private life remains secret. He is expected to lead the condemnation of Hitler, whom he underestimates. His oldest daughter and son, leaders of Bohemianism and of the anti-Nazi movement, share lovers. He flees Germany for Switzerland, France and, ultimately, America, living first in Princeton and then in Los Angeles.
In a stunning marriage of research and imagination, Tóibín explores the heart and mind of a writer whose gift is unparalleled and whose life is driven by a need to belong and the anguish of illicit desire. The Magician is an intimate, astonishingly complex portrait of Mann, his magnificent and complex wife Katia, and the times in which they lived—the first world war, the rise of Hitler, World War II, the Cold War, and exile. This is a man and a family fiercely engaged by the world, profoundly flawed, and unforgettable. As People magazine said about The Master, “It’s a delicate, mysterious process, this act of creation, fraught with psychological tension, and Tóibín captures it beautifully.”
Review
Praise for The Magician
"The tenth novel from the Booker Prize-winning author of The Master and Brooklyn is an intimate portrait of one of the 20th century’s most intriguing literary figures: Thomas Mann. As he did with Henry James in 2004’s The Master, Tóibin blends the factual with the imagined—following Mann and his complex family through the first world war, the rise of Hitler, World War II, and exile—to conjure the rich inner life, and repressed sexuality, of a man 'whose gift is unparalleled and whose life is driven by a need to belong and the anguish of illicit desire.'"
—LitHub
"This vibrates with the strength of Mann’s visions and the sublimity of Tóibín’s mellifluous prose. Tóibín has surpassed himself."
—Publisher's Weekly, starred
"The personal and public history is compelling ... Tóibín succeeds in conveying his fascination with the Magician, as his children called him, who could make sexual secrets vanish beneath a rich surface life of family and uncommon art. [The Magician is] an intriguing view of a writer who well deserves another turn on the literary stage."
—Kirkus, starred review
"As with his triumphant fictional biography of Henry James, The Master (2004), Tóibín once again takes as his subject a literary titan, the Nobel laureate Thomas Mann ... Employing luxurious prose that quietly evokes the tortured soul behind these literary masterpieces, Tóibín has an unequalled gift for mapping the interior of genius. In Mann, Toibin finds the ideal muse, one whose interior is so rich and vast that only a similar genius could hope to capture it."
—Booklist, starred review
"As with everything Colm Toibin sets his masterful hand to, The Magician is a great imaginative achievement—immensely readable, erudite, worldly and knowing, and fully realized."
—Richard Ford
"This is not just a whole life in a novel, it’s a whole world – with all its wonders, tragedies and sacrifices. I loved every page of this beautiful and immersive journey into The Magician’s mind."
—Katharina Volckmer author of The Appointment
Praise for The Master
"The work of a first-rate novelist artful, moving and very beautiful."
—The New York Times Book Review
"A spectacular novel."
—Alice Sebold, author of The Lovely Bones
"A gorgeous portrait of a complex and passionate man."
—Azar Nafisi, author of Reading Lolita in Tehran
"Tóibín takes us almost shockingly close to the mystery of art itself. A remarkable, utterly original book."
—Michael Cunningham, author of The Hours
"A marvel."
—John Updike, The New Yorker
"A deep, lovely, and enthralling book that engages with the disquiet and drama of a famous writing life."
—Shirley Hazzard, author of The Great Fire
Praise for Brooklyn
“Tóibín… [is] his generation’s most gifted writer of love’s complicated, contradictory power.”
—Floyd Skoot, Los Angeles Times
“A classical coming-of-age story, pure, unsensationalized, quietly profound… There are no antagonists in this novel, no psychodramas, no angst. There is only the sound of a young woman slowly and deliberately stepping into herself, learning to make and stand behind her choices, finding herself.”
—Pam Houston, O, the Oprah Magazine
“Reading Tóibín is like watching an artist paint one small stroke after another until suddenly the finished picture emerges to shattering effect…. Brooklyn stands comparison with Henry James’s The Portrait of a Lady.”
—The Literary Times Supplement
“[A] triumph… One of those magically quiet novels that sneak up on readers and capture their emotions.”
—USA Today

Speak, Memory, first published in 1951 as
and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov's life and times, even as it offers incisive insights into his major works, including
,
,
,
,
t, and
.