Third installment in Soul Jazz Records' journey into the underground music of New York City in the 1980s, this time focusing on the Electronic Dance/Post-Punk mutations and Proto-Electro music that originally came out on mainly small D.I.Y. labels. Today, the new wave of New York Art/Rock groups such as DFA, The Strokes, the Rapture, Juan McLean, James Murphy, The Liars and the Yeah Yeah Yeahs all have their roots in this early 1980s New York Noise music scene. This album features text, original photos and interviews documenting this amazing period. New York Noise Vol. Three is compiled and annotated by Stuart Algabright, an important participant in the New York music scene during this period and features music from Implog, Suicide, Snatch, James Blood Ulmer, Dominatrix and many more. 2006.

Released on ZE Records in 1978, this is Lizzy Mercier Descloux's first band. As far as I know this EP is the only Rosa Yemen release, before Descloux moved on to a solo career. This album is fantastic! So energetic and spastic! Comparable somewhat, if only aesthetically, to DNA, or Mars. I like this a lot more then her solo stuff, or what ive heard of it. It's much more aggressive. more info:
"Lizzy Mercier Descloux was a pioneering force in avant-garde rock and in the worldbeat genre, chalking up significant achievements in the latter field well before it existed. Tremendously precocious in an artistic sense, Mercier Descloux dropped out of art studies in order to co-manage a punk boutique and record store in Paris with future ZE Records executive Michel Esteban. In 1975 Mercier Descloux first visited New York City and fell right in with the no wave scene, becoming close friends with Richard Hell and Patti Smith, both of whom contributed material to her first book, Desiderata. Mercier Descloux recorded her first ZE Records release in 1978 as Rosa Yemen, a low-key no wave-styled effort that reflects the influence of the no wave band Mars. Little about Rosa Yemen indicated the genius that would soon carry Mercier Descloux through an unparalleled string of four innovative masterpieces to come."

A side-project of Lydia Lunch and Kim Gordon from Sonic Youth that was named after the author Harry Crews. The band briefly toured Europe from September 5th to September 24th, 1988, and the album Naked in Garden Hills, named after one of Crews' books, consists of live recordings made at the Mean Fiddler, London and Metropol, Vienna.

兵马司
MAYBE 18.1
八眼间谍，2007年8、9月间成立于南京。几场演出后，被坊间认作为一支无浪潮、噪音摇滚乐队，并加入弥勒唱片。
乐队偏好非常规的结构和节奏，偏好吉他噪音，偏好嘶裂的人声和惹人的旋律。
2009年2月中旬开始录音，作为制作人兼录/混音师，PK14乐队的杨海崧全程监督。
首张专辑《到饮马巷到底有多远？》于2009年11月由兵马司旗下Maybe noise厂牌和弥勒唱片联合发行。
豆瓣小组：
豆瓣音乐人：

One of the brightest and most famous projects of the entire punk/new wave scene, No New York was released in 1978 on Island's sub-label Antilles and became a total cult in the Indie scene. Featuring some of the most incredible rule-breaking bands of the underground New York art and music scene, the project, produced by Brian Eno, is a genuine snapshot of the massively creative NYC scene, from which innumerable trends started and became part of the modern pop music as we know it. Influential, powerful and ground breaking, this collection features four of the top icon-shattering Gotham City's no-wavers like James Chance (Contortions), Arto Lindsay and Ikue Mori (DNA), Lydia Lunch (Teenage Jesus) and Sumner Crane (MARS). This is the first time No New York has ever been released in the West. This CD digi-pak version includes a detailed booklet. The musical legacy of this collection runs right from the Swans and Sonic Youth straight through to Glenn Branca, Jon Spencer and all the current crop of New Wave Of No New Wave outfits (such as The Rapture, Yeah Yeah Yeahs, etc..) burning up hipster dance floors worldwide! 16 total tracks. Lilith. 2005.