“第一次是先有了专辑名字才开始的歌曲创作，然而这也没有帮我们确定内容的框架和边界，大家一如既往的天马行空起来。唯一不同的是在《十万个为什么》创作的两年里，我不像以往那样在意专辑的时间计划和工作的节奏，开始喜欢上了这个过程本身。结果就是更多的时间在不断的试来试去，大部分时间里歌曲本身并没有太多进展，但这帮我解开了很多的“为什么”。就好似“十万个为什么”本来的源头 “One million Hows, two million Wheres，and seven million Whys!”总是有那么多需要弄明白的事情，也只有浸入在这个过程里才能逐渐理清自己的思路吧。
我们一直喜欢做「专辑」而不是「单曲」，因为这需要一段相对长的过程，正是这一相对长的过程赋予了专辑「时间」的烙印。一首歌并不能记录某个阶段相对完整的思考，但一张专辑可以。而对于这张专辑里每一首歌，讲述的又是各自独立的故事，它可以是关于无数的“？”，也可以是关于遥远处依旧需要去探寻的光亮。”
2020 年 9 月 22 日 谢玉岗

2017 release from Sydney's post-rock trailblazers. During a recent reddit AMA, bassist/keyboard player Alex Wilson described the third sleepmakeswaves opus as having the "up-tempo pace and intensity" of their previous album "but there are more straight-up riffs and overall, it's angrier, sadder, and heavier."

The self-titled debut from Missoula, Montana instrumental collective This is a Process of a Still Life is an exciting and impressive first showing for a young band. Recorded nine months after the band’s inception, the album strays from the now-typical build and release formula prevalent in much of the post-rock genre, focusing instead on layers of increasingly complex and intertwining melodies. The result is a sound which evolves organically across a broad spectrum of emotions without succumbing to predictability. "This is a Process of a Still Life are starkly original, as they blend the finer elements of instrumental rock to create something they can call their own" (30 Music). Tightly-woven instrumentation and lush atmospherics create a perfect space for introspection. "Bottom line here is, if you dig on expertly played guitar music that cuts right to the gorgeousness, add this CD to your constant rotation pile... They continue to amaze with the melodies they pull out of thin air." (The Big Takeover).