音乐纪录片《听风的歌》用诗意的镜头和绝美的音乐，记录了冰岛著名后摇乐队Sigur Rós在家乡冰岛小镇上举办的一系列免费演出。一首连着一首的灵魂乐音，飘荡在不论是教堂、废弃工厂、小镇的表演厅还是在空旷无人的荒野寂境。钢琴，木吉他，木贝司，敲击板，提琴，小号，甚至是石块之间的撞击声，这些原始的音色都在Sigur Rós创作下，编织出最接近自然与家乡气息的感觉，打动着上至老人下至孩童的人们或驱车或徒步地纷纷赶往演出场地，将自身放逐在冰岛的边疆。
本片是Sigur Rós首部官方电影，交织表演实况与团员访谈，纪录了令人动容的归乡旅程。Heima，冰岛语中意思是“回家”。本片正是2006年夏天，Sigur Rós结束了为期一年的世界巡回演出之后的回归之作。

彼得•冯•巴格称赞赫尔辛基电影是通过组合老旧胶片而展开的一个梦幻般的城市交响曲。银幕上的影像提醒着人们这个城市的过去和未来，并让人想起了失去的城市景观。纪录片里熟悉的影视人物记录下这个城市来来往往的人和城市空间永无休止的脉动，他们是对这个城市以及城市灵魂的爱的化身。那些令许多城市空间和古老建筑成为永恒的艺术家们丰富了城市不断变化的形象。（豆瓣电影字幕翻译2.0小组）

The halves of two bodies, one belonging to a female Swedish politician, are discovered in the middle of the Øresund Bridge, which connects Copenhagen in Denmark with Malmö in Sweden. The body, cut in half at the waist, has been placed precisely on the border between the countries, thus falling under the jurisdiction of both the Danish and Swedish police agencies. After further examination, it turns out that the body is that of two separate corpses, with one half belonging to a Danish prostitute. Saga Norén, from the Swedish side, and Martin Rohde, from the Danish, lead the investigation to catch the murderer.[4][5]
The investigation quickly escalates as a journalist, Daniel Ferbé, whose car was used in the crime, begins receiving phone calls. The caller, who becomes known as the "Truth Terrorist", claims to be committing his crimes in order to draw attention to various social problems. A social worker, Stefan Lindberg, whose sister becomes a victim of the Truth Terrorist, becomes an early suspect. However, events soon lead the Danish and Swedish teams to conclude that the killer has connections to the police. They discover that the crimes have been planned over a period of several years. The trail eventually leads them to Jens, a Danish policeman and former close friend of Martin's, who was thought to have committed suicide after an accident on the bridge caused the deaths of his wife and son.
In the course of the investigation, Martin and Saga develop a close working relationship, although they are very different people. Martin has a twenty-year old son from his first marriage, August, who is now living with Martin and his current wife, Mette, by whom Martin has three children; after Martin has had a vasectomy, Mette discovers that she is expecting twins. Saga lives alone and does not seem to feel she needs a serious relationship, instead picking up men in bars for casual sex. She appears to have symptoms consistent with Asperger syndrome, resulting in difficulty establishing relationships and feelings of inadequacy in managing people; she refuses a promotion for this latter reason.
After the killer has murdered several people and successfully thrown red herrings in the way of the investigation, his true purpose - to strike at Martin himself - eventually becomes clear. Jens, now calling himself Sebastian Sandstrod, first approaches Mette, who is susceptible to his advances, after learning that Martin has slept with Charlotte Söringer, a woman who is peripherally involved in the investigation. Sebastian lures Mette and her children to a remote spot where he subjects them to a terrifying ordeal, locking them in with a room and giving her a hand grenade with its pin removed to hold as long as she can. However, Saga realises that August is the real target. The investigation culminates in a confrontation on the bridge, where she cannot help but tell Martin what happened to August and has to fire at him in order to prevent him destroying his career by killing Sebastian, the killer's final intention.

20世纪初的瑞典，社会动荡，物质生活与精神生活双双匮乏。玛丽亚（Maria Heiskanen 玛丽亚·海斯卡尼 饰）是个普普通通的家庭主妇，操持着一个并不富裕的家，一次偶然的博彩，让她中了一台相机，她的人生就此改变。她开始偷偷学习拍照，并对此非常着迷，她拍下孩子成长的 样子，随手发现的美景，慢慢的，她开始有能力为邻居拍照，赚点钱，他们也对照片特别满意，国王来访时，她也被请去拍照……当然，这一切要背着她的酒鬼丈夫。经常冲印照片令玛丽亚与当地小照相馆老板佩特森（Jesper Christensen 饰）熟悉起来，他是她的伯乐，一直称赞她的天赋，鼓励她拍下去，二人产生淡淡的情愫，最终发乎情止乎礼，湮没在时光里，唯有玛丽亚拍下的美妙照片，至今留存……
本片是瑞典史上首位女性摄影师玛丽亚·拉森的传记片。

丹麦当代文学经典作品，被列入丹麦所有高中的必读书目
当充满希望的青春遭遇触目惊心的命运，成长的悲喜如同在显微镜下，细致地、放大地、无所遁形地扑面而来。透过这本书，我们似乎又经历了一次饱含热情又充满挣扎的成长。
情节曲折、语言细腻、心理描写丰富，在细细品味人物命运之余，不失为一本提升写作水平的好书。跟着丹麦一流的作家，学习如何让你的文章既有灵魂又有神韵。
从丹麦语直接翻译，让我们能更原汁原味、顺畅深刻地体会原著的意境和行文之美。

矿工卡苏里南（Turo Pajala 饰）工作的矿场停业，他只得驾驶别人送赠的敞篷凯迪拉克老车远赴赫尔辛基另谋出路。路上遭遇的一场抢劫让他身边只剩凯迪拉克和一台收音机，卡苏里南找到了码头力工的临时工作，但正职却迟迟无法落实。卡苏里南结识了在屠宰厂工作身带一个男孩的女工伊勒梅勒，两人的生活很快合二为一。但不久卡苏里南因向劫匪寻仇而入狱，室友米柯南精心策划了越狱步骤，在伊勒梅勒的协助下，卡苏里南重获自由。
本片获1989年莫斯科国际电影节最佳男主角奖、国际影评人费比西奖，1991年全美影评人协会最佳外语片奖。是导演郭立斯马基（Aki Kaurismäki）无产阶级三部曲的第二部。

本片是导演有关人性的“生活三部曲”的终结篇章。影片没有线性叙事，由39个场景构成。镜头追随萨姆和乔纳森这对推销搞笑玩具的流动商人的足迹，伴随他们一户户上门兜售商品，如同导游带领观众在不同地点不同人群中游走。影片继承了导演一贯的执导风格，诗意，阴郁，黑色幽默又充满哲学思辨。

环卫公司垃圾车驾驶员尼卡德（Matti Pellonpää 饰）的老同事计划筹资组建自己的环卫公司，邀请尼卡德技术入股，但老同事不久急病突发身亡，尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事，在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜（Kati Outinen 饰），但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒，尼卡德帮助她找到服装店的新工作，服装店经理夹到尼卡德与伊罗娜的关系中间，但尼卡德最终夺回了自己的爱人。
本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基（Aki Kaurismäki）无产阶级三部曲的第一部。

策展人克里斯蒂安（克拉斯·邦 饰）和妻子离婚后带着两个女儿一起生活，最近正在筹划一项名为“方形”的装置展览，希望宣扬一种人人平等互助的积极向上的理念。为了宣传展览，公司不仅让专门的传媒公关制作宣传视频，也找来记者安妮（伊丽莎白·莫斯 饰）对克里斯蒂安进行了专访。
某日，克里斯蒂安的手机被偷了。通过GPS定位，克里斯蒂安找到了小偷的住所。气愤不已的克里斯蒂安在深夜向大楼每家住户的门缝里塞进了一张指控书，哪知道这不经思考的举动为他惹出了大麻烦。而那个疯狂的宣传视频更是惹得群情激愤，公司一时间成为了舆论抨击的焦点。焦头烂额之际，与克里斯蒂安有过一夜情的安妮也对他展开了猛烈的攻势……