信使 - 钢琴挽歌 / CPE.巴赫-李斯特-格林卡-肖邦-德彪西-巴托克-曼苏里扬-凯奇-希尔维斯特洛夫 豆瓣
9.1 (10 个评分)
Alexei Lubimov
类型:
古典
发布日期 2002年12月6日
出版发行:
ECM
Comprising three centuries of noted composers' "minor" works, Lubimov's Der Bote (The Messenger) bears out its title with short, introspective pieces that capture thoughts of nostalgia, mourning, and meditation. The first work, C.P.E. Bach's 1787 Fantasy, sounds amazingly avant-garde, full of surprising darts and turns. And the experimental 20th-century composer John Cage's "In a Landscape" is an even bigger surprise. Instead of random keyboard plink-plunks, it's a diaphanous Debussyan tone poem, bound to startle party guests playing Name That Composer.
Liszt's otherworldly "Abschied," Glinka's achingly beautiful Nocturne "La Separation," and Bartók's bleak "Vier Klagelieder" (Four Dirges) are highlights, but so are virtually all the other selections--especially Lubimov's moving interpretation of Chopin's neglected Prelude op. 45. Valentin Silvestrov is represented by his stark Elegie, and the fascinating "Der Bote," which vainly attempts to recall the lost world of classicism through Mozart quotations that fragment into shards. This is a concept album that works, each short gem casting refracted light on the others. Despite the New Age implications of an album of short, contemplative music, there's solid substance and stunning pianism here. --Dan Davis
Liszt's otherworldly "Abschied," Glinka's achingly beautiful Nocturne "La Separation," and Bartók's bleak "Vier Klagelieder" (Four Dirges) are highlights, but so are virtually all the other selections--especially Lubimov's moving interpretation of Chopin's neglected Prelude op. 45. Valentin Silvestrov is represented by his stark Elegie, and the fascinating "Der Bote," which vainly attempts to recall the lost world of classicism through Mozart quotations that fragment into shards. This is a concept album that works, each short gem casting refracted light on the others. Despite the New Age implications of an album of short, contemplative music, there's solid substance and stunning pianism here. --Dan Davis