Underworld continues to explore the fringes of dub, dance and techno, creating a seamless, eclectic fusion of various dance genres. 'Second Toughest in the Infants' (Wax Trax!) includes the massive 'Pearl's Girls' and 7 other tracks.

Kiasmos is made up of Icelandic BAFTA-winning composer Ólafur Arnalds, known for his unique blend of minimal piano and string compositions with electronic sounds, and Janus Rasmussen from the Faroe Islands, known as the mastermind of the electro-pop outfit Bloodgroup. Based in Reykjavík, Arnalds used to work as a sound engineer, often for Rasmussen's other projects, where the two musicians discovered their common love for minimal, experimental music. They eventually became best friends, often hanging out in their studio, exploring electronic sounds.

After nearly two decades of releasing on other people's labels, Icelandic producer Aðalsteinn Guðmundsson aka Yagya now launches his own new Small Plastic Animals imprint with a brand new album, Old Dreams and Memories.
This album marks another subtle move away from the icy dub techno sounds he has dealt in before, hence the need for a new label. It follows full lengths such as Stars and Dust and Sleepygirls, both on Delsin, as well as 2019's Stormur on A Strangely Isolated Place, and plenty of vital work as part of the Thule Musik collective. This acclaimed album specialist is known for his mastery of atmosphere, melody and mood and ability to create soothing and escapist soundtracks that make for utterly mindful experiences.
The new record still has a slowly propulsive rhythm underpinning every track, but they are only a small part of the overall picture. Some of the tracks are brought to life with vocals by Natsuko Yanagimoto and poems by Michizō Tachihara, while others are rich with naturalistic found sounds and saxophone by Óskar Guðjónsson.
Opener For The First Time has spoken words snippets that bring a real sense of intimacy to the sombre dub, 'Mountain Story' has gorgeous strings performed by Pablo Hopenhayn, who also appears on 'Reminiscent' with more solemn playing that brings a real melancholic beauty to the track. 'Memories of Old Dreams' is a beautiful ambient passage of spoken word that soothe the soul, 'Light And Shadow' is orchestral dub techno with a wandering lead that drifts like a cloud and 'Wandering In The Fog' has the sound of flowing water, gently lilting trumpets disappearing into thin air as soft drums roll on below. 'Rainbow And Human' pairs more whispered vocals with muffled crowd noises and yawning synths that bring the joy of a new day and the three closing tracks offer exquisite piano playing, warm but somehow also frosty dub landscapes 'Beauty In Loneliness' and a forlorn, violin-laced closer with 'Overflowing Darkness.'
Old Dreams and Memories is a rich symphony of luxurious sound, with transportive rhythms and hugely evocative layers of melody, the human voice and cinematic sampling all showing a further evolution in the art of this standalone producer.

Toronto’s Nathan Micay first rose to prominence under the alias Bwana, where he released everything from of-the-moment post-dubstep like 2011’s “Baby, Let Me Finish” to anthemic progressive house tracks like 2014’s “Flute Dreams”, gradually leading to more ambitious, concept-driven releases like the Akira-inspired 2016 mini-album Capsule’s Pride. But it was with last year’s “First Casualty” that Micay’s work took on a new dimension. Tellingly released under his own name, “First Casualty” was a euphoric, melodic club record that became an underground anthem, sitting somewhere between progressive house, trance, and techno, but ultimately just sounded like – well, like Nathan Micay.