Romeo and Juliet...Eloise and Abelard...Tracy and Hepburn. These are among history's great romantic relationships, but perhaps the deepest of all romances - in all of American music, at any rate - was the one that was carried on in the recording studio between Billie Holiday (1915-1959) and Lester Young (1910-1959). "Lady Day" and "The President" (they gave one another their nicknames) made a series of "sides," as they were called in those days, that to this day absolutely define love in tune. She was - and is - the greatest of all jazz vocalists. His tenor saxophone style delivered the real Birth of the Cool. Together, they sang and played with an unparalleled sense of intimacy, warmth, and sensuous, behind-the-beat swing, whether the melody was pure gold (like "The Man I Love," "Time On My Hands") or closer to brass ("When You're Smiling," "Back In Your Own Backyard"). Originally produced by the redoubtable John Hammond, and intended first and foremost for jukeboxes, these sixteen seminal performances have been culled from the Grammy-winning 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia, 1933-1944. They also feature vital contributions from, among others, pianist-arranger Teddy Wilson, who served as leader on many of Holiday's record dates, Swing era superstar clarinetist Benny Goodman, ace trumpeter Buck Clayton (Young's cohort from Count Basie's definitive swing band), the sublime Ellingtonian alto saxophonist Johnny Hodges, and Roy Eldridge, little giant of the trumpet. But Lady Day and Pres, forever dancing in the dark, make this a musical romance that will never die.
