How did Iraq become one of the most repressive dictatorships of the late twentieth century? The conventional wisdom about Iraq's modern political history is that the country was doomed by its diverse social fabric. But in State of Repression, Lisa Blaydes challenges this belief by showing that the country's breakdown was far from inevitable. At the same time, she offers a new way of understanding the behavior of other authoritarian regimes and their populations.
Drawing on archival material captured from the headquarters of Saddam Hussein's ruling Ba'th Party in the wake of the 2003 US invasion, Blaydes illuminates the complexities of political life in Iraq, including why certain Iraqis chose to collaborate with the regime while others worked to undermine it. She demonstrates that, despite the Ba'thist regime's pretensions to political hegemony, its frequent reliance on collective punishment of various groups reinforced and cemented identity divisions. At the same time, a series of costly external shocks to the economy—resulting from fluctuations in oil prices and Iraq's war with Iran—weakened the capacity of the regime to monitor, co-opt, coerce, and control factions of Iraqi society.
In addition to calling into question the common story of modern Iraqi politics, State of Repression offers a new explanation of why and how dictators repress their people in ways that can inadvertently strengthen regime opponents.

以“三部曲”形式描绘美军占领后的伊拉克的社会实态。第一部以逊尼派居住区的少年为观察对象，第二部的视点则切换为什叶派的神职人员，第三部旨在展示库尔德牧人的生活境况。影片虽在返美后完成最终剪辑，但为保持原汁原味，完全留存了伊拉克的现场拾音。在此基础上辅以细腻的映像、巧妙的剪辑，高超的完成度叹为观止。难怪本作于年初的圣丹斯电影节纪录片竞赛部门连中三元——最佳导演、剪辑、摄影奖。