*RYM
KYEM 豆瓣
Raveyards 类型: 电子
发布日期 2016年3月25日 出版发行: Gentle Recordings
Form LP 豆瓣
Moduleset 类型: 电子
发布日期 2015年11月17日 出版发行: cut
Winter is descending in the Northern hemisphere, and with it comes the deep, dub-techno explorations from prolific Russian producer Moduleset.
After his weightier dark-ambient techno release on Brightest Dark Place, Moduleset has lightened the tone somewhat for these 7 tracks. Combining his mastery of ambient tones, his love of dub-techno and his ear for a low-end rumble.
Space Station 豆瓣
7.0 (7 个评分) Space Station 类型: 摇滚
发布日期 2015年7月12日 出版发行: 偏北音乐
来自广州的器乐/后摇乐队Space Station(空间站)于2015年7月12日发行首张专辑《Space Station》。本专辑由乐队独立发行,收录了六首他们组建一年以来的创作结晶以及一首改编自广州独立乐队YourBoyfriendSucks!的作品。
他们的音乐不同于很多国内后摇乐队的温文尔雅,高山流水。他们更喜欢有强力的节奏,磅礴的音墙,以及独特的音效来营造氛围。这注定使他们即将发行的首张专辑将要面临市场的考验。即便如此,乐队并不以为意,也从未考虑过要去迎合,他们的音乐是他们自我形态的演绎。无论是现在,还是未来,始终如此。
在Space Station音乐里,青春时期的回忆是一个主题,歌曲故事来自城市的每个角落:那个闷热的下午,阳光从城中村狭小的铁窗照进来,映照着逝去暑假的模样,那些在如诗的旋律中诉说的淡淡情愫,那个寒风凌冽的北楼岗,那群渴望闯荡的青年们,那场浇灌在交错巷道的细雨……那些苦涩心酸的往事,难得放晴的心情,还有模糊的世界观,总要把它们记录下来。
关于Space Station这个名字的起源,乐队更愿意把它当然一个符号,标记。事实上我们的生活中不乏无厘头之事。但如果我们要定义它,那它内在的含义就是——孤独,世界上每一个人都是孤独的个体,如同苍茫星空中的一座小小的空间站,亦或是小王子与它的B162小星球。孤独是人与生俱来的天敌,你无法去消灭它,你只能选择与它共存。就算我们幸福地生活着,它一直都在。
Desperate Journalist 豆瓣
Desperate Journalist 类型: 摇滚
发布日期 2015年2月2日 出版发行: Fierce Panda
London quartet Desperate Journalist - Jo Bevan (vocals), Simon Drowner (bass), Rob Hardy (guitar) and Caz Hellbent (drums) - will soon follow up their one EP and two singles with a self-titled debut album. Recorded almost entirely live in Soho’s Dean Street Studios, the full-length was jointly produced alongside Keith TOTP and mixed by the band themselves.
“The album was recorded over five days at Dean Street Studios,” they explain. “We wanted to make sure the record reflected the energy and directness of our live shows so the way we recorded was live with some guitar and vocal overdubs.
“The songs are all one word titles because: a) it’s hard to name songs without some kind of restrictive structure to it; and b) it reflects the ethos we have of making sure everything in each track needs to be there - we don’t like excess. Everything needs to be immediate and streamlined.”