For many pop-music cynics, excess can be neatly summed up in three things: live albums, double-CD's, and Tori Amos records. Damned if To Venus and Back doesn't hit the trifecta. But perhaps Amos is just trying to prove what we've always suspected: that her muse possesses a sly, ironic wit and has been frantically trying to give us a wink while Tori whipped up her heady cocktail of quiet Sturm, desperate Drang, and angst in the panties. There's teasing moments on this double-dose of Tori's love affair with her own melodic and mystical dramaturgy to support that notion, even in the disc of powerful new studio recordings that inaugurates this set. Dubbing a song "Glory of the 80's" is burlesque enough, but yearning to have oneself cloned as Kim Carnes at its climax is simply inspired. Amos is to Kate Bush's distaff mysticism what Mark McGwire was to Roger Maris; she hasn't so much broken the mold as willfully hammered it into her own image. After Bush hit the snooze-bar on her career in the late `80s, Amos boldly stepped into the fray, building a body of work that demanded to be taken seriously, even while the thrift-store chic set were laughing up their tattered sleeves at her ambitious chutzpah. They're not laughing now; in fact, many may find Venus to be a deliciously guilty pleasure. Amos supporters have long maintained that the key to understanding her intrigue lies in her live performances. Disc two boldly states their case as Amos coos, whoops, and warbles through a hit-sprinkled set, her shrewd, sorely undervalued band hanging with every nuance and turn of phrase. Cynics are from Mars; Tori is from Venus--that's just the way her galaxy crumbles. Jerry McCulley

Strange Little Girls is a concept album released by singer-songwriter Tori Amos in 2001. The album's 12 tracks are covers of songs written and originally performed by men, reinterpreted by Amos from a female's point of view. Amos created female personae for each track (one song featured twins) and was photographed as each, with makeup done by Kevyn Aucoin. In the United States the album was issued with four alternative covers depicting Amos as the characters singing "Happiness Is a Warm Gun", "Strange Little Girl", "Time," and "Raining Blood". A fifth cover of the "I Don't Like Mondays" character was also issued in the UK and other territories. Text accompanying the photos and songs was written by novelist Neil Gaiman. The complete short stories in which this text appears can be found in Gaiman's 2006 collection Fragile Things.

Strange Little Girls is a concept album released by singer-songwriter Tori Amos in 2001. The album's 12 tracks are covers of songs written and originally performed by men, reinterpreted by Amos from a female point of view.

The Beekeeper is the eighth studio album by singer-songwriter Tori Amos. It deals with the topics of death, adultery and romantic conflict, and makes brief reference to ancient Gnostic mysticism from the Apocryphon of John. Sonically, it incorporates Celtic choirs, African drums, and Amos's B-3 Hammond organ.

From the Choirgirl Hotel (stylized in lowercase) is the fourth studio album by American singer and songwriter Tori Amos, released on May 5, 1998.

Boys for Pele, the title of Tori Amos's epic third album, is as awkward and confusing as the music inside. Though it sounds like a recruitment slogan for Little League soccer, the name actually refers to the lost temples of feminine divinity. Pele, you see, is the Hawaiian volcano goddess; the boys, well, they're the sacrifices that quell the rumbling lady's rage. Attempting to regain fires stolen long ago, Pele rewrites the crucifixion to star a girl Jesus and in doing so conjures a forgotten matriarchal mythology. While Amos's characters--Jupiter, Muhammad, Lucifer--are male by name, the aural landscape into which they're thrown is as symbolically and expressionistically female as Georgia O'Keeffe's skull-and-roses paintings. Pele is a complex and formless--and often impenetrable--work of gothic-pop chamber music, both beautiful and ghostly in its nearly complete reliance on Amos's rolling Bosendorfer grand piano, chilling harpsichord (which she bangs like a courtly punk rocker), and acrobatic voice (as earthy as Joni Mitchell's and as otherworldly as Bjork's). Unfortunately, she takes us only halfway: her songs engage and challenge us to understand, but the imagery offers few clues to help us crack their frustrating opacity. Pele ends up as much a pretentious and self-indulgent trip as it is a synthesis of talent, imagination, and skewed vision. Still, there's reason to celebrate that an album as formalistically and thematically alien to pop audiences as Pele would win such quick success upon its original release. --Roni Sarig

by Tori Amos
Atlantic / Wea
Sales Rank: 3457 - Avg. Rating: 4.5 (out of 5)
Released: 01 February, 1994 - UPC: 075678256721
Audio CD

托丽．阿莫斯迄今为止最好的专集，她在著名的＂ＭＥ ＡＮＤ Ａ ＧＵＮ＂（我和枪）里把自己亲身遭遇的强奸事件无比哀怨地道来，内心承受的纠缠，悲伤和凄楚让听者无不动容．