The film is a homage to Delphine Seyrig and her fascination for the book Calamity Jane’s Letters to her Daughter. Those letters are from a mother to an absent daughter which became a feminist landmark in the late 1970 and the source for Seyrig’s film project about Calamity Jane’s sensibility and insight about life. The reading of those letters to a daughter who doesn't receive them as they are not sent permits a self-reflection about feminism and motherhood and is a homage to Seyrig's creativity and a long-term commitment among women in the 21st century to share other women stories.

This publication explores the intersection between the histories of cinema, video and feminism in France. Focusing on the emergence of video collectives in the 1970s, the exhibition proposes to reconsider the history of the feminist movement in France through a set of media practices and looks at a network of creative alliances that emerged in a time of political turmoil.

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

The French premiere of Austrian playwright Peter Handke’s play brought together an impressive cast. It marked another collaboration between Yves Saint Laurent and the director Claude Régy, who brought many contemporary authors to the French stage (including Marguerite Duras, Nathalie Sarraute, Harold Pinter, and Jon Fosse)

Some European traveled from Europe to Mongolia by train to experience the life in Mongolia…

Based on the characters created by Arthur Conan Doyle: Dr. John Watson returns from Afghanistan, and decides to share lodgings in Baker Street with Sherlock Holmes, an acquaintance of one of Watson's own friends. Not long afterward, Holmes brings Watson with him when he solves a murder case that has confused Inspector Lestrade. Watson soon becomes Holmes's friend, assistant, and chronicler, as the private detective takes on one baffling case after another.

　　在洛衫矶，一个叫Emilie的法国女人刚离开她的情人。她正在替自己和她八岁的儿子Martin找房子，暂时以路上捡来的家具来安置他们的家。她的慌乱不安与其说是透过她自己表达出来，不如说是透过她所观察的人们表达出来。她只是默默地生活在不断地自我放逐中。