One of the world's most revered and mysterious electronic acts, Boards of Canada re-emerge from the ether with "The Campfire Headphase" their first album since 2002's mystic "Geogaddi". "The Campfire Headphase" will satiate the groups massive, rabid fanbase. This is classic Boards of Canada touched with acid-drenched folk music, atmospheric dissonance, deceptively tough alien beats and mindbending melodic creations.

“One day at home”发行于2006年，风格属于迷幻电子音乐。
当你最初涉足电子音乐的时候，也许不太适应这种以气氛和节拍为主而以主唱为辅的音乐吧，当然，这都不重要，关键是那支乐队是你的入门乐队，如果你选择saycet，那么至少你会对这种风格音乐产生浓厚兴趣，并且会去搜索相似风格的乐队，这样的效果，可以说是不错的，这张专辑的封面很有意思，第一看的时候，看了很久都没看出来画的是个什么，原来是描绘的凭空臆想的意境，而它的色调又透露着些许冷艳。
这张专辑从制作上来讲绝对是一张上乘之作，细腻的鼓机切片，冷艳迷幻的气氛，再加上轻描淡写的主唱的声线，三者浑然一体，整体感极佳，无论是trip-hop乐迷还是独立摇滚乐迷，这张专辑都可以让你得到满足。
法国这样一个国度，有着这世界上最浪漫的情怀，大家也许对bossa nova更了解，但是当你听到这支来自法国巴黎的电子乐队saycet的歌曲，你会发现，法国人绝对也擅长制造这种冰冷的美丽的电子音乐。

“through the window”发行于2010年3月，风格属于迷幻电子音乐。
在春天发行这样一张专辑，无疑是对歌迷最好的回报，因为这张专辑实在太适合在早春时节聆听了，春天很短暂，不像夏天和冬天那么冗长，春天往往是万物复苏，大地悄悄醒来的时节，对于人们来说，这时候需要一张清新透明，犹如春雨般的唱片来滋润我们被冰封已久的耳朵，于是，saycet发行了这张“through the window”，来帮我们敲开春天的大门。
继上张专辑之后这张《Through The Window》再接再厉进一步展现了他创作的功力，不论是纯旋律的还是有人声的，有层次感的键盘伴奏和微风拂面般的音效波纹一圈圈漾开后引起的舒适惬意，相当地让我的身心放松受益。这种造梦的音乐即使在白天听着也会惹人神思涣散，肉体和灵魂都会随着音符飘然不知所踪。值得一提的是本张专辑里的女声尤其让人耳旁一颤，有似曾相识之感，一查却发现竟是位名不见经传的亚裔人士(名叫Phoene Somsavath)。

Hurts are an English electronic duo from Manchester composed of singer Theo Hutchcraft and synthesiser Adam Anderson both of whom used to be in an outfit called Daggers.
In July 2009, the band featured as "Band of the Day" on Guardian.co.uk . They finished in fourth position in the BBC Sound of 2010 poll.
The band's song "Wonderful Life" was notably remixed by Arthur Baker. In early 2010 they officially released their debut single and played their first ever live shows.
Their first album called Happiness will be released on September 6, 2010.

65daysofstatic的音乐被看作是新一代post rock的典范,甚至有人说他们是Mogwai和Aphex Twin的混合体.
65daysofstatic非常擅长以一种逻辑,程式化以及数学概念的方式来编辑那些令歌迷无法喘息的厚重吉他音墙,高压下的电子碎拍加上采样所营造出的苍白冰冷机械化的冰冷世界.最令人刺激的是,在这种充充斥着绝望的氛围中,突兀呈现的他们简直就是原始动物,带来的是最纯粹的直觉与感触.同时,后摇一贯反差极大的旋律线,缓慢于狂暴之间,以最情绪化的狂野拉扯彼此,恐怖的是这种试图令人眩晕,持枪疯狂扫射的高压姿态,简直有如以几何倍数增长的细菌病毒传染开来,让每一个听到他们音乐的人燃烧起来.

.“死于拉斯维加斯”(Death In Vegas)是由理查德·费尔利斯(Richard Fearless)、蒂姆·霍姆斯(Tim Holmes)和史蒂夫·希利尔(Steve Hillier)组成的3人英伦乐队，在英国的吉他音乐潮流和电子音乐潮流中均占有自己的一席之地。与巨拍领域的其它乐队相比， “死于拉斯维加斯”似乎早已跳出巨拍的框框，比如更多的吉他伴奏和极少的声音采样，转身投入黑暗幽闭的迷幻音乐之中，准确的讲，他们是用电子手法来炮制迷幻的摇滚乐队.

◎ 創意翻玩復古電子搖滾，2011年燃燒能量照亮世界首張完整大碟
◎ 力邀英國跨界製作新銳Paul Epworth (Adele、Cee-Lo Green)、The Bird And The Bee雙人組之Gregory Kurstin (Ke$ha、Britney Spears) 等金牌製作群協力操盤
◎ 首波主打〈Pumped Up Kicks〉，獲BBC Radio 1的「當週最佳單曲」殊榮，攀上告示牌搖滾榜Top7、另類榜Top2
**專輯內附原文歌詞
隨著科技日新月異，電子合成樂也大舉入侵各樣曲風，並深深影響新世代的創作軌跡，來自加洲的Foster The People，不僅在音樂創作上將時髦的氛圍和電氣旋律串接上線，更沾染著一股迷幻風味，保留獨立製作的精神，揮灑出當今饒富創意的搖擺節奏。
2009年正式成軍的Foster The People，由身兼演唱、鍵盤、鋼琴、合成器、吉他、程式設計、打擊樂等多項技能於一身的Mark Foster領軍，加上打擊樂器主力Mark Pontius、貝斯手Cubbie Fink和兩位志同道合好友，運用公開演出的機會，在他們的創作中增添更多元、更豐富的新復古樂風，請來熟稔吉他、鍵盤、合成器、合音的Sean Cimino及鍵盤、鋼琴、合音的Isom Innis擔綱Live秀客席樂手。靠著網路科技等無國界的特性，上傳自創歌曲獲無數網友好評不斷，也讓Columbia Records聽到Foster The People的新鮮才華。
繼2010年首張同名EP《Foster The People》一戰成名，2011年終於祭出完整錄音大碟《Torches》，力邀英國跨界製作新銳Paul Epworth (Adele、Cee-Lo Green)、The Bird And The Bee雙人組之Gregory Kurstin (Ke$ha、Britney Spears)等金牌製作群和Mark Foster協力操盤，堅強的製作組合，精彩可期，並率先拿下澳洲專輯排行Top9。首波主打〈Pumped Up Kicks〉，獲BBC Radio 1「當週最佳單曲」殊榮，懷舊熱情的低沉貝斯，混搭空心吉他和電子合成樂，歌詞則輝應團名，描寫缺少家庭關愛、孤立且具暴力傾向的年輕世代，是首涵意深厚的佳作，一舉登上告示牌搖滾榜Top7、另類榜Top2；輕巧有趣的〈Call It What You Want〉帶來活潑節拍，讓人一聽就上癮；以民謠混搭電子合成的〈Don’t Stop (Color On The Walls)〉則有熱鬧歡氣氛炒熱氣氛；慵懶嗓音帶來〈I Would Do Anything For You〉琅琅上口的副歌旋律，讓人留下深刻印象；迷離弛放的數首創作，如〈Houdini〉、〈Life On The Nickel〉、〈Miss You〉等，體驗他們以鮮亮Electro/Synthpop外衣，且充滿豐沛創作實力的Foster The People。

miaou3年ぶりの新作完成!
miaouらしいメロディアスなサウンドにepic45とRadical Face(Electric President)が
ヴォーカル/ギターで参加!
そしてArchitecture in Helsinkiのエンジニア、quaこと Cornel Wilczekも全面バックアップ。
日本発信→世界基準で作られたポップ・ミュージックの誕生です!
miaouらしいメロディアスなサウンドにArchitecture in Helsinkiのプロデューサーとしても活躍する
quaがエンジニアとして加わる事で、エレクトロニクスを全面に押し出したアレンジが相性抜群。
そして、epic45とRadical Face(Electric President)がヴォーカル/ギターで加わった事でmiaouの
新たな世界観が完成。日本発信→世界基準で作られたポップ・ミュージックの誕生です!

This apparat is one with flexible functions, and its sound is as eclectic as its musical horizon is broad. Its emotional chip features an option on happiness and its sound waves are able to tear your heart apart. While sensitively orchestrating his chamber musical qualities on his records or in his studio, his live performances are known for kicking some ass! He can also proudly refer to a John-Peel-Session and is sporadically working with Gianna Nannini on a Rock Opera.
Sascha Ring, aka Apparat, regards his moving out of the east German provincial backwater to Berlin in 1997 as one of his best decisions ever made. Since 1999 he runs, together with T.Raumschmiere, the Berlin based record label "Shitkatapult" - a venturous music catapult that dashes a wild mixture of intentional great music onto the turntables of the world. Apparat is the bridge over the German gap of melancholic glitch between Manchester and Laptop-USA. His smart wiring of emotions produces a virtual musical reality, which is based upon different genres, depending on the surrounding of the "apparat". In his studio, dense, dark and majestic clouds of elegiac pop and heavy Electronica built up to a coherent and emotionally charged atmosphere. Live, on the other hand, the dance floor seems to be repelled to rave from the Bermuda Triangle with its axes Techno, IDM and Elektro. Those styles cannot necessarily be distinguished and heard on every of his releases, but since he started out with a much harder pace of electronic music in the early nineties, his influences are definitely Techno and Elektro as well.
The intensity in Apparats tracks seems to grow with his own pleasure in experimenting. The charming breaking-up of the mechanical walkover of his Elektronica compositions first being subtle clicks and accidental "sound mistakes", this is now being done by veritable musicians and singers, by classical instruments like violin and cello, saxophone and clarinet, which are then masterly orchestrated by Apparat as the Maestro of his computer.

MMM022

惯听摇滚的乐迷可能不太习惯The Prodigy的成员组合，两个舞者、一个饶舌歌者和一个DJ。不同的角度会看到The Prodigy不同的面貌∶若只是拿著CD听，一肩挑起音乐创作与制作之责的Liam Howlett便是一切；若是观看他们的表演，那两个动作狂暴的舞者Kieth Flint与Leeroy Thornhill最抢眼，留著魔鬼发型的Kieth Flint，更是The Prodigy的形象代表，但整个团的头头，却是负责rap的Maxim Reality－以舞曲界的术语来说，他是「司仪（MC）」。但无论乐评或乐迷怎么看待，The Prodigy就是这四个人，缺一个就不是The Prodigy，这样的组合真切地呈现了瑞舞（Rave）的面貌。 九○年代初，The Prodigy组成之时，正是英国瑞舞方兴末艾的时候，他们以单调重覆的快速节奏、喷泻而出的电子冲击声，以及有如风暴袭卷的现场表演，撼动了英国乐坛。1992年首张专辑《Experience》在英国获得成功后，1995年的《Music for the Jilted Generation》以更为强硬直接的态度处理电子节奏及音色，并将重吉他切刷的取样溶入音乐中，促成日后所谓Big Beat的出现。 有人形容The Prodigy为「没有吉他手的庞克乐团」。1997的《The Fat of the Land》与Kula Shaker、L7等摇滚乐团合作，The Prodigy的音乐更加多元复杂。这张被主流乐评形容为「差一点就是经典」的专辑，也因为有较多的人声（虽然歌词依旧没什么意义），吸引了大批主流摇滚迷走入电子舞曲的领域，The Prodigy的影响从英国跨入美国，甚至全世界。《The Fat of the Land》可以说是他们最容易亲近的一张专辑。但是The Prodigy在态度上仍然希望与摇滚抱持距离，决不原地踏步，作出令人脚底发痒痛快狂舞的音乐，才是他们最大的企图。

The Chemical Brothers are a British electronic music duo composed of Tom Rowlands and Ed Simons, originating in Manchester in 1989. Along with the Prodigy, Fatboy Slim, and other fellow acts, they were pioneers at bringing the big beat genre to the forefront of pop culture.

Grammy award winning electronic duo Daft Punk - who takes music as seriously as
TRON fans take computer references - is scoring the upcoming film TRON: Legacy
It's no accident that the group's two visionary musicians, Guy-Manuel de
Homen-Christo and Thomas Bangalter, are TRON fans too. Having grown up with an
admiration for the ground-breaking TRON film in the 80s, Daft Punk took on the
scoring of the next chapter of the story with extraordinary thought and
precision. The critically acclaimed French duo composed and produced the album
The Duo assembled a symphony of one hundred world class musicians in London andrecorded the orchestra at AIR Lyndhurst Studios, Britain's premier scoring
facility

With the right amount of chance, sometimes you fall upon wonderful people creati ng equally wonderful music. It’s the kind of encounter that makes having a netlabel worthwhile.
‘Suspended in light’ is Montrealer Lyndsie Alguire’s debut lp. It is a sweet affair : her piano melodies are like tiny footsteps in the snow as she creates scenes for departures and catching up.
The optimism emanating from this album is nothing short of overwhelming; Lyndsie reminds us that hope prevails over everything.

Remastered re-release of an early, limited Boards Of Canada release, this nine track mini album is available on CD for the first time, seven years after its original vinyl only release. Track nine '1986 Summer Fire' is unlisted on artwork. Includes Boards Of Canada sticker. Digipak. Warp. 2002.