Walking Wounded is a 1996 album by Everything but the Girl, their ninth studio release. It is their highest charting album to date, reaching number 4 in the UK and number 37 in the US.
This was the first album in which the group adopted a more electronic and dance style after the success of the remixed version of "Missing" from their previous album, Amplified Heart. The album's cover art (see photo) is unusual in that it features an album's barcode on both the front and back of the album.

收录黄耀明20年5段音乐旅程48首重点作品！

“我爱明哥”可以出自不同年代的人口中，皆因黄耀明二十年来一直陪伴香港人走过风风雨雨。八十年代黄耀明与刘以达合组“达明一派”，在主流情歌以外为乐迷提供另类选择。九十年代“达明一派”拆伙后，明哥的音乐越来越华丽，唯一不变的是作品对周遭社会文化的敏锐。《我爱明哥》一共收录48支作品，有达明年代的“石头记”、“今天应该佷高兴”，也有明哥独唱的音色繁富作品“甜美生活”、“小王子”、“下一站天国”等。除此之外大碟还有黄耀明翻唱其他歌手歌曲如“有情岁月”、“每天你爱多一些”，以及经典合唱作品“漩涡”(彭羚合唱)、“万福玛利亚”(关淑怡合唱) 等，另特别收录黄耀明担任监制代表作“色盲”(王菲主唱)、“给我爱过的男孩”(彭羚)、“The Best Is Yet To Come”(at17)。48首代表作收录于3张光碟，要重温黄耀明的音乐历程，现在正是时候。

Named after the French word for the rustle of silk, Frou Frou's debut album exudes cool, stylish elegance. Singer Imogene Heap's soft, whispery vocals intone dreamy lyrics of doomed romances and slow recoveries. The songs are penned by Heap and her partner, producer Guy Sigsworth (Björk, Madonna), who manned the board on Heap's 1998 solo album I Megaphone. Even the mighty Brian Eno gets into the act, with a cowriting credit on the soul-bearing "Hear Me Out." In fact, all 11 tracks deal with love and fractured relationships, hauntingly beautiful both in their stark emotional content and the equally sparse arrangements that showcase Heap's ethereal voice, which she uses as a subtle weapon, much like Joni Mitchell circa 1970's Ladies of the Canyon, with the same heart-stopping yet effortless octave leaps.

1991年的处女作"Blue Lines"的问世，犹如平地一声雷，其梦幻迷离的鼓点、城市化的歌词内涵、精良的制作让Massive Attack毕露出音乐家素质的锋芒，这张专辑更是Bristol Hip-Hop运动的蓝本作品！人们已经把这三位带有一份神秘色彩的音乐人视为传奇人物了！同时"Blue Lines"在当年还成为音响器材的试音唱片。
Trip-Hop起源于９０年代英国Bristol一地，在欧洲不断面临美国Hip-Hop侵入的冲击之时，英 国的DJ们即开始将Hip-Hop发展成自己的风格，他们将Hip-Hop的速度降慢（较为down tempo），强调沉重缓慢的鼓声及Bass，抽掉Hip-Hop中的Rap，以及Sample些老旧唱片，于是 形成了所谓的Bristol Hip-Hop（Trip-Hop之前身，当时尚未有Trip-Hop这个名词）；而９１年推 出首张唱片《Blue Lines》的Massi00ve Attack则带动了这一波Bristol Hip-Hop运动（人们称之"First Coming Of Bristol Sound"，Bristol Hip-Hop时期的风格并不是那么地刻意要营造黑暗诡谲的气 氛），至于真正Trip-Hop兴盛的关键时期则是在９４、９５年Massive Attack推出第二张唱片《Protection》，以及Portishead和Tricky的掘起；从Portishead女主唱Beith Gibbson颓废、慵懒的唱腔加上６０、７０年代老旧唱片的sample（甚至唱片的杂音），到Tricky喃喃自语般愤世嫉俗的低沉声音，将Bristol sound营造出了一种迷幻抽象、黑暗诡谲的新环境；于是便有杂志将他们这种音乐型态称之为"Trip-Hop"（人们称这段时期为"Second Coming Of Bristol Sound"） P.S.事实上Massive Attack，Portishead，Tricky彼此间有着微妙的关系。Massive Attack的三位成员和Tricky原都是"The Wild Bunch"（1982年由Nelle Hooper主导的团体）的成员，所以Massive Attack歌曲中常有Tricky的参与；而Portishead的成员Geoff Borrow则曾在Massive Attack《Blue Lines》中参与制作。